19th century erotica  

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'''Henry Spencer Ashbee''' (21 April 1834 – 29 July 1900) was a [[book collector]], writer, and bibliographer, notorious for his massive, clandestine three volume bibliography of [[erotic literature]] written under the pseudonym of '''Pisanus Fraxi'''. His ''[[Index Librorum Prohibitorum (Ashbee)|Index Librorum Prohibitorum]]'', the first of his trilogy on [[erotic literature]] was privately printed in London in 1877. He is also presumed to be the author of ''[[My Secret Life]]''. '''Henry Spencer Ashbee''' (21 April 1834 – 29 July 1900) was a [[book collector]], writer, and bibliographer, notorious for his massive, clandestine three volume bibliography of [[erotic literature]] written under the pseudonym of '''Pisanus Fraxi'''. His ''[[Index Librorum Prohibitorum (Ashbee)|Index Librorum Prohibitorum]]'', the first of his trilogy on [[erotic literature]] was privately printed in London in 1877. He is also presumed to be the author of ''[[My Secret Life]]''.
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 +[[Frederick Hankey]] ([[1823]], Corfu, Greece - [[1882]]) was a British [[bibliophile]]. Retiring from the military in 1840, Hankey moves to [[Paris]] where he indulges in his passion of [[erotic literature]], particularly of the [[sadistic]] variety. [[Ashbee]] compared him to [[Marquis de Sade]] "without the intellect". Hankey supplied [[sadomasochism|sado-masochistic]] erotica to [[Swinburne]], [[Richard Francis Burton|Richard Burton]] and [[Richard Monckton Milnes]].
===Literature=== ===Literature===

Revision as of 07:13, 16 September 2010

Image:Maja desnuda by Goya.jpg
La maja desnuda (executed some time between 1797 and 1800) by Francisco de Goya
Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.
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Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.
Image:The Luncheon on the Grass by Manet.jpg
The Luncheon on the Grass (Le déjeuner sur l'herbe), originally titled The Bath (Le Bain), is an oil on canvas painting by Édouard Manet. Painted between 1862 and 1863 , the juxtaposition of a female nude with fully dressed men sparked controversy when the work was first exhibited at the Salon des Refusés

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19th century art, 19th century literature, history of erotica, 19th century French erotica

The early part of the nineteenth century was noted by an abscence of both erotic art and erotic literature, generally ascribed to the Neoclassical prudery. In se, eroticism in the 19th century starts in the second half of the century.

On a technical level, the century saw the further proliferation of mass produced texts and illustrations. Added to this mix was the new medium of photography, which begot erotic photography shortly afterwards and which led to developments such as erotic postcards.

Some artists both belong to the 18th and 19th centuries. Such cases are Casanova (1725 – 1798, but his work was not published until the 19th C), Marquis de Sade (1740 – 1814) Henry Fuseli (1741 - 1825), Goya (1746 – 1828) and Canova (1757 - 1822). Some art movements were only discovered in the West during the 19th century such as Japanese erotic prints.

On a general moral level, the century was scandalized when Naturalist Darwin implied that humans were descendant from primates. Richard Francis Burton continues the work of sexual anthropologists.

Contents

England

English erotica, Victorian erotica

Madames

Theresa Berkley

Theresa Berkley (died September 1836) was a 19th century British dominatrix who ran a brothel in at 28 Charlotte Street, just to the north of Soho, London specialising in flagellation. She is notable as the inventor of the Berkley Horse, a piece of BDSM apparatus.

First collectors

Henry Spencer Ashbee (21 April 1834 – 29 July 1900) was a book collector, writer, and bibliographer, notorious for his massive, clandestine three volume bibliography of erotic literature written under the pseudonym of Pisanus Fraxi. His Index Librorum Prohibitorum, the first of his trilogy on erotic literature was privately printed in London in 1877. He is also presumed to be the author of My Secret Life.

Frederick Hankey (1823, Corfu, Greece - 1882) was a British bibliophile. Retiring from the military in 1840, Hankey moves to Paris where he indulges in his passion of erotic literature, particularly of the sadistic variety. Ashbee compared him to Marquis de Sade "without the intellect". Hankey supplied sado-masochistic erotica to Swinburne, Richard Burton and Richard Monckton Milnes.

Literature

Towards modern sexology

Painting

France

19th century French erotica, French can-can, Moulin Rouge, 19th century Paris, 19th century French literature, modern art

Key figures include Charles Baudelaire, Alfred Binet, Gustave Courbet, Achille Devéria, Théophile Gautier, Jules Gay, Edouard Manet, Octave Mirbeau, Alfred de Musset, Félicien Rops, Bénedict-Auguste Morel

Painting

Ingres
Félicien Rops
Edouard Manet
Gustave Courbet
Achille Devéria
Eugène le Poitevin
Félix Vallotton

Literature

Printers of erotica in the late 1800s: Jules Gay, Henry Kistemaeckers, Auguste Poulet-Malassis, Isidore Liseux

Gamiani
Alcide Bonneau's translations
Charles Carrington
Charles Baudelaire's Les Fleurs du mal
Théophile Gautier
Octave Mirbeau
Alfred de Musset
Jules Amédée Barbey d'Aurevilly
Pierre Louÿs
Alfred Binet
French academic art

Germany

German erotica

Towards modern sexology

Literature

Hungary

Hungarian erotica

Mihály Zichy

Japan

The history of Japanese erotica goes back but was imported in Europe during the 19th century.

Japanese erotica

Discovery of Shunga in France, the Goncourts

"Jeudi 2 avril — Après un morceau sur les erotiques japonais, ainsi qu'après tous les morceaux que je travaille un peu, il me semble ressentir comme une déperdition érébrale, comme un vide laissé dans ma tête par quelque chose qui en serait sorti, et aurait été pompé par le papier de la copie. --1891, Journal des Goncourt
Rodin, who is full of fawnishness, asks to see my Japanese erotics, and is full of admiration before the women’s drooping heads, the broken lines of their necks, the rigid extensions of arms, the contractions of feet, all the voluptuous and frenetic reality of coitus, all the sculptural twining of bodies melted and interlocked in the spasm of pleasure.” --Journal des Goncourt





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