Originality
From The Art and Popular Culture Encyclopedia
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| == Theory == | == Theory == | ||
| *''[[Conjectures on Original Composition]]'' (1759), Edward Young | *''[[Conjectures on Original Composition]]'' (1759), Edward Young | ||
| + | *''[[Four words: Romantic, originality, creative, genius]]'' (2007) by [[Logan Pearsall Smith]] | ||
| *''[[The Anxiety of Influence]]'' (1973), Harold Bloom | *''[[The Anxiety of Influence]]'' (1973), Harold Bloom | ||
| *''[[The Originality of the Avant-Garde|The Originality of the Avant-Garde and Other Modernist Myths]]'' (1985), Rosalind E. Krauss | *''[[The Originality of the Avant-Garde|The Originality of the Avant-Garde and Other Modernist Myths]]'' (1985), Rosalind E. Krauss | ||
| - | ==Quotes== | + | *''[[Original Copy: Plagiarism and Originality in Nineteenth-Century Literature]]'' (2007) by [[Robert ==Quotes== |
| *[[The only way for us to become great lies in the imitation of the Greeks]], a dictum by German art historian [[Johann Joachim Winckelmann | *[[The only way for us to become great lies in the imitation of the Greeks]], a dictum by German art historian [[Johann Joachim Winckelmann | ||
| *"[[I'm devoted to the principle of originality]]." --John Cage | *"[[I'm devoted to the principle of originality]]." --John Cage | ||
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| The '''threshold of originality''' is a concept in [[copyright law]] that is used to assess whether a particular work can be [[copyright]]ed. It is used to distinguish works that are sufficiently [[originality|original]] to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author" (insofar as it somehow reflects the author's personality), rather than "never having occurred or existed before" (which would amount to the protection of something new, as in patent protection). | The '''threshold of originality''' is a concept in [[copyright law]] that is used to assess whether a particular work can be [[copyright]]ed. It is used to distinguish works that are sufficiently [[originality|original]] to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author" (insofar as it somehow reflects the author's personality), rather than "never having occurred or existed before" (which would amount to the protection of something new, as in patent protection). | ||
| - | ==References== | + | Macfarlane]] |
| - | *''[[Four words: Romantic, originality, creative, genius]]'' (2007) by [[Logan Pearsall Smith]] | + | |
| - | *''[[Original Copy: Plagiarism and Originality in Nineteenth-Century Literature]]'' (2007) by [[Robert Macfarlane]] | + | |
| ==See also== | ==See also== | ||
| *[[Artistic inspiration]] | *[[Artistic inspiration]] | ||
Revision as of 19:35, 6 April 2014
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Originality is the aspect of created or invented works as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied based on the work of others. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers.
The notion of originality came to prominence in the 18th century when Romanticism glorified creativity to the point of a veritable 'cult of originality'.
However, Umberto Eco in The Limits of Interpretation (1990) says that "much art has been and is repetitive. The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the "modern" avant-garde (at the beginning of this century) challenged the Romantic idea of "creation from nothingness," with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.[1]
Contents |
Related
art - aura - authorship - authenticity - avant-garde - contemporary - copyright - creativity - difference - early - eccentric - experimental - individual - fame - fiction - genius - greatness - influence - innovation - modern - Modernism - new - original research - outsider - personality - precursor - proto - pure - sampling - source - technique - unique - unusual
Compare and contrast
appropriation - category - derivative - copy - genre - formula - hybrid - mainstream - plagiarism
Theory
- Conjectures on Original Composition (1759), Edward Young
- Four words: Romantic, originality, creative, genius (2007) by Logan Pearsall Smith
- The Anxiety of Influence (1973), Harold Bloom
- The Originality of the Avant-Garde and Other Modernist Myths (1985), Rosalind E. Krauss
- Original Copy: Plagiarism and Originality in Nineteenth-Century Literature (2007) by [[Robert ==Quotes==
- The only way for us to become great lies in the imitation of the Greeks, a dictum by German art historian [[Johann Joachim Winckelmann
- "I'm devoted to the principle of originality." --John Cage
- "There is no great work of art which does not convey a new message to humanity -- Arnold Schoenberg
Threshold of originality
The threshold of originality is a concept in copyright law that is used to assess whether a particular work can be copyrighted. It is used to distinguish works that are sufficiently original to warrant copyright protection from those that are not. In this context, "originality" refers to "coming from someone as the originator/author" (insofar as it somehow reflects the author's personality), rather than "never having occurred or existed before" (which would amount to the protection of something new, as in patent protection). Macfarlane]]
See also
