Post-disco  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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proto-house

The term post-disco is a referral to the late 1970s and early 1980s movement of disco music into more electronic influenced sounds. This was mainly brought on by DJs, who remixed and added new experimental sounds. The term was coined in the early 2000s by analogy to musical genres such as post-rock. It includes music by ESG and Liquid Liquid, genres such as Italo disco, New Wave and No Wave.

"Before house music, a lot of the DJs on Chicago radio were playing a lot of Italian imports because I think the Italians were the only ones that continued with the disco when it all died out everywhere else," says American DJ and producer Juan Atkins on the emergence of the genre.

On the use of dub in these records, Shep Pettibone in an interview with Steven Harvey, says that ":"Thanks to You" and "Don't Make Me Wait " came out and started the whole dub thing in disco". Some excellent examples of hard-to-find songs are noted in video game Grand Theft Auto: Vice City Stories, on fictional radio station Paradise FM.

Also, disco's impact has been heard in many modern songs, mainly in house music.


Contents

Proto-house labels

Sleeping Bag Records, Jump Street Records, Supertronics Records, EasyStreet, Quark Records, 1982, 1983, 1984, Arthur Baker, Emergency Records.

Before Frankie Knuckles moved to Chicago where he opened the Warehouse, before Trax records was founded, there had already been some New York labels and tracks that might be call proto-house.

The new Japanese music machines of that era had brought on the electronic age, electro funk was born.

Compilations

Timeline

# Event
1977-
1979

While disco music was in its heyday, the horn and string sections were a main component of disco and pop songs. This sound is also called disco orchestration. However, some of the musicians and producers dropped the lavish sound of orchestra completely, which attributed a new direction of dance music.

1980-
1981

After the success of Quincy Jones-produced album Off the Wall and other semi-mainstream urban-oriented music groups like Lakeside, other disco music groups either dissolved or adapted the new sounds (e.g. The Whispers, The SOS Band, Inner Life, Earth, Wind & Fire, and Shalamar in the U.S.; Nick Straker Band, and Freeez in UK). Other musicians influenced by post-disco include Stacy Lattisaw, Kurtis Blow, and George Duke.

1982

Golden age post-disco era, where post-disco sound entered mainstream. However most of the musicians were mostly successful on the other charts, beside Billboard Hot 100.

This era also spanned experimental No Wave-oriented post-disco acts like Material, Liquid Liquid, Dinosaur L and Was (Not Was).

The most significant post-disco album is Michael Jackson's Thriller, which also became the most best-selling album of all time. Larry Levan and the NYC Peech Boys recorded proto-house number "Don't Make Me Wait". New bands and musicians of the era appeared, including Imagination, D. Train, Skyy, Aurra, Komiko, Vicky D, Rockers Revenge, Dayton, and Unlimited Touch.

1983-
1984

During this era, post-disco was at its highest peak. Meanwhile Madonna's commercially successful debut album was released, which was produced by Reggie Lucas of Mtume and Jellybean, another producers of this movement.

It also began to interfere with garage house and freestyle music, thus successfully shaping post-disco into electro. This change could be also heard in breakdancing- and hip-hop -themed movies like Beat Street and Breakin'.

1985-
1987

During this era, post-disco had been dissolved in various music fields and scenes, including

As the post-disco reached its climax, overdubbing techniques as recorded by Peech Boys and other early-1980s artists were almost omitted by then and replaced by synthpop variants instead. The movement survived as a post-disco–freestyle crossover music that spanned Raww, Hanson & Davis, Timex Social Club, Starpoint and Miami Sound Machine.

Non-exhaustive list of artists

Prominent record labels

Compilations

ReleasedAlbumLabelInfo
2000 VA – Disco Not Disco Strut compilation
2002 VA – Disco Not Disco 2 Strut compilation
2002–2008 VA – Opération Funk Vol. 1–5
(mixed by Kheops)
mix album, compilation
2004 VA – Choice: A Collection of Classics
(mixed by Danny Tenaglia)
Azuli mix album, compilation
2004–2009 VA – Nighttime Lovers Vol. 1–10 PTG compilation
2008 VA – Disco Not Disco 3 Strut compilation
2009 VA – Night Dubbin'
(mixed by Dimitri from Paris)
BBE mix album, compilation
2009 VA – The Boogie Back: Post Disco Club Jams
(compiled by DJ Spinna)
BBE mix album, compilation
2010 VA – Boogie's Gonna Getcha: '80s New York Boogie BreakBeats compilation

See also




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