Post-rock  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Google
Wikipedia
Wiktionary
Wiki Commons
Wikisource
YouTube
Shop


Featured:
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Enlarge
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Post-rock is a music genre characterized by the use of musical instruments commonly associated with rock music, but utilizing rhythms and harmonies that are not found in rock tradition. Simply put, it is the use of 'rock instrumentation' for non-rock purposes. Practitioners of the genre's style typically produce instrumental music.

As with many musical genres, the term is arguably inadequate as a concise descriptor: for example, Don Caballero and Mogwai were among the more prominent bands of the 1990s described as post rock, but the two bands' music has very little in common besides the fact that they are both largely instrumental. As such, the term has been the subject of backlash from listeners and artists alike.

Although firmly rooted in the indie scene of the 1980s and '90s, post-rock's style bears little resemblance musically to that of indie rock.

Origin of the term

The term 'post-rock' was coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of Mojo magazine. Reynolds expanded upon the idea later in the May 1994 issue of The Wire.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Post-rock" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools