Jean Lorrain  

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*''Dans l'oratoire'' ([[1888]]) *''Dans l'oratoire'' ([[1888]])
*''La Petite Classe'' ([[1895]]) *''La Petite Classe'' ([[1895]])
-*''Sensations et souvenirs'' ([[1895]]) <small>[http://gallica.bnf.fr/document?O=N082500.pdf Texte en ligne]</small>+*''[[Sensations et souvenirs]]'' ([[1895]])
*''Une femme par jour'' ([[1896]]) <small>[http://gallica.bnf.fr/document?O=N200962.pdf Texte en ligne]</small> *''Une femme par jour'' ([[1896]]) <small>[http://gallica.bnf.fr/document?O=N200962.pdf Texte en ligne]</small>
*''Poussières de Paris'' ([[1896]]-[[1902]]) <small>[http://gallica.bnf.fr/document?O=N083288.pdf Texte en ligne]</small> *''Poussières de Paris'' ([[1896]]-[[1902]]) <small>[http://gallica.bnf.fr/document?O=N083288.pdf Texte en ligne]</small>

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Jean Lorrain (August 29, 1855 - June 30, 1906), born Paul Duval, was a French poet and novelist of the Symbolist school.

Lorrain was a dedicated disciple of dandyism, and (for the times) openly gay. Lorrain wrote a number of collections of verse, including La forêt bleue (1883) and L'ombre ardente, (1897). He is also remembered for his decadent novels and short stories, such as Monsieur de Phocas (1901) and Histoires des masques (1900), as well as for one of his best novels, Sonyeuse, which he links to portraits exhibited by Antonio de La Gandara in 1893.

Œuvres

Poésie
Romans
Nouvelles et contes
Théâtre
Chroniques et récits de voyage




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jean Lorrain" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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