Gustave Doré
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| - | [[Image:Illustration by Gustave Doré, 1873.jpg|thumb|left|200px|''[[Gargantua and Pantagruel]]'' by [[François Rabelais]], illustrated by [[Gustave Doré]] in [[1873]]]] | + | [[Image:Illustration by Gustave Doré, 1873.jpg|thumb|left|200px|''[[Gargantua eating six pilgrims]]'' from ''Gargantua and Pantagruel'' by François Rabelais, as illustrated by Gustave Doré]] |
| - | [[Image:Ruggiero Rescuing Angelica by Gustave Doré..jpg|thumb|right|200px|[[Ruggiero]] rescuing [[Angelica]] in ''[[Orlando furioso]],'' [[engraving]] by [[Gustave Doré]].]] | + | |
| - | {{Template}} | + | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" |
| - | '''Paul Gustave Doré''' ([[January 6]], [[1832]] – [[January 23]], [[1883]]) was a [[French artist]], [[engraver]], and [[illustrator]]. Doré's commissions include works by [[Lord Byron]], [[Rabelais]], [[Balzac]], [[Perrault]], [[John Milton|Milton]], [[Dante Alighieri|Dante]] and [[Edgar Allan Poe]]. Doré was an internationally known during his lifetime and authors such as [[H. P. Lovecraft]] have praised his work. Even today, Doré's legacy continues to assert itself in the realm of [[comic book]]s and [[graphic novel]]s. He was briefly romantically linked to [[Sarah Bernhardt]]. | + | | style="text-align: left;" | |
| + | "[[Gustave Doré]] (1833-1883) must be noted as a most brilliant interpreter of fantastical poetry and legend, decidedly his best creations being imaginative subjects and landscape, such as his illustrations to [[Dante's Inferno]] and "[[Don Quixote]]" ; also the [[grotesque]] but powerful designs for the ''[[Legend of the Wandering Jew]]'' and Balzac's ''[[Contes Drolatiques]]''; while, on the contrary — as in his fairy-tales and [[La Sainte Bible |Bible illustrations]] — he becomes almost unbearably [[vapid]], and devoid of style."--''[[History of Art (Wilhelm Lübke)|Grundriß der Kunstgeschichte]]'' (c. 1860) by Wilhelm Lübke | ||
| + | |} | ||
| + | |||
| + | [[Image:Pantagruel by Gustave Doré (prologue).jpg|thumb|right|200px|[[Pantagruel by Gustave Doré (prologue)]]]] | ||
| + | [[Image:Friar John and Panurge.jpg|thumb|right|200px|[[Friar John]] and [[Panurge]] give the ''[[Blason and contreblason du couillon]]'' by [[François Rabelais|Rabelais]]]] | ||
| + | [[Image:The red splodge representing the reign of Ivan the Terrible in Gustave Doré's 'The History of Holy Russia'.jpg |thumb|right|200px|[[The red splodge representing the reign of Ivan the Terrible in Gustave Doré's 'The History of Holy Russia']]]] | ||
| + | [[Image:Don Quixote after his battle with a cat.jpg|thumb|200px|right|''[[Don Quixote]]'' by Gustave Doré]] | ||
| + | [[Image:Canto 28 from the Inferno, illustrated by Gustave Doré.jpg|thumb|200px|right|''[[Divine Comedy]]'' by Dante Alighieri ]] | ||
| + | [[Image:Crucifixion in Doré's English Bible.jpg|thumb|200px|right|''[[Doré's English Bible]]'']] | ||
| + | {{Template}} | ||
| + | '''Gustave Doré''' (1832 – 1883) was a [[French artist]], [[engraver]], and [[illustrator]]. Doré's commissions include works by [[Lord Byron]], [[Rabelais]], [[Balzac]], [[Perrault]], [[John Milton|Milton]], [[Dante Alighieri|Dante]] and [[Edgar Allan Poe]]. Doré was internationally known during his lifetime and authors such as [[H. P. Lovecraft]] have praised his work. Even today, Doré's legacy continues to assert itself in the realm of [[Comic book#History|comic book]]s and [[graphic novel#History|graphic novel]]s, especially the [[Works written and illustrated by Gustave Doré|"proto-graphic novels"]] he wrote at the beginning of his career. He was briefly romantically linked to [[Sarah Bernhardt]]. | ||
| Similar artists includes [[Grandville]], [[Daumier]], [[Méryon]], [[Victor Hugo]]’s drawings, [[Redon]] and more recently [[Paul Rumsey]]. | Similar artists includes [[Grandville]], [[Daumier]], [[Méryon]], [[Victor Hugo]]’s drawings, [[Redon]] and more recently [[Paul Rumsey]]. | ||
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| Doré was born in [[Strasbourg]] and his first illustrated story was published at the age of fifteen. Doré began work as a literary illustrator in [[Paris]]. Dore's commissions include works by [[Rabelais]], [[Balzac]], [[John Milton|Milton]] and [[Dante Alighieri|Dante]]. In 1853 Doré was asked to illustrate the works of [[Lord Byron]]. This commission was followed by additional work for British publishers, including a new illustrated English [[Bible]]. Doré also illustrated an oversized edition of [[Edgar Allan Poe]]'s [[The Raven (Edgar Allan Poe)|''The Raven'']]. The Doré illustrated edition of The Raven is the first edition of Poe's most recognized poem. | Doré was born in [[Strasbourg]] and his first illustrated story was published at the age of fifteen. Doré began work as a literary illustrator in [[Paris]]. Dore's commissions include works by [[Rabelais]], [[Balzac]], [[John Milton|Milton]] and [[Dante Alighieri|Dante]]. In 1853 Doré was asked to illustrate the works of [[Lord Byron]]. This commission was followed by additional work for British publishers, including a new illustrated English [[Bible]]. Doré also illustrated an oversized edition of [[Edgar Allan Poe]]'s [[The Raven (Edgar Allan Poe)|''The Raven'']]. The Doré illustrated edition of The Raven is the first edition of Poe's most recognized poem. | ||
| - | Doré's English Bible ([[1866]]) was a great success, and in 1867 Doré had a major exhibition of his work in [[London]]. This exhibition led to the foundation of the Doré Gallery in New Bond Street. | + | [[Doré's English Bible]] ([[1866]]) was a great success, and in 1867 Doré had a major exhibition of his work in [[London]]. This exhibition led to the foundation of the Doré Gallery in New Bond Street. |
| - | In 1869, [[Blanchard Jerrold]], the son of [[Douglas William Jerrold]], suggested that they work together to produce a comprehensive portrait of London. Jerrold had gotten the idea from ''The Microcosm of London'' produced by [[Rudolph Ackermann]], [[William Pyne]], and [[Thomas Rowlandson]] in 1808. | + | In 1869, [[Blanchard Jerrold]], the son of [[Douglas William Jerrold]], suggested that they work together to produce a comprehensive portrait of London. Jerrold had gotten the idea from ''[[The Microcosm of London]]'' produced by [[Rudolph Ackermann]], [[William Pyne]], and [[Thomas Rowlandson]] in 1808. |
| - | [[Image:ParadiseSnarked.jpg|thumb|left|400px|Illustration (1866) by Gustave Doré to [[John Milton]]'s ''[[Paradise Lost]]'' compared with an illustration (1876) by [[Henry Holiday]] to the chapter ''The Beaver's Lesson'' in [[Lewis Carroll]]'s ''[[The Hunting of the Snark]]''.]]Doré signed a five-year project with the publishers Grant & Co that involved his staying in London for three months a year. He was paid the vast sum of £10,000 a year for his work. The book, ''London: A Pilgrimage,'' with 180 engravings, was published in 1872. | + | Doré signed a five-year project with the publishers Grant & Co that involved his staying in London for three months a year. He was paid the vast sum of £10,000 a year for his work. The book, ''London: A Pilgrimage,'' with 180 engravings, was published in 1872. |
| ''[[London: A Pilgrimage]]'' enjoyed commercial success, but the work was disliked by many contemporary critics. Some critics were concerned with the fact that Doré appeared to focus on poverty that existed in London. Doré was accused by the ''Art Journal'' of "inventing rather than copying." The ''Westminster Review'' claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down." | ''[[London: A Pilgrimage]]'' enjoyed commercial success, but the work was disliked by many contemporary critics. Some critics were concerned with the fact that Doré appeared to focus on poverty that existed in London. Doré was accused by the ''Art Journal'' of "inventing rather than copying." The ''Westminster Review'' claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down." | ||
| - | ''London: A Pilgrimage'' was a financial success, and Doré received commissions from other British publishers. Doré's later works included [[Samuel Taylor Coleridge|Coleridge]]'s [[Rime of the Ancient Mariner]], [[John Milton|Milton]]'s ''[[Paradise Lost]]'', [[Alfred, Lord Tennyson|Tennyson]]'s ''The [[Idylls of the King]]'', ''The Works of [[Thomas Hood]]'', and ''[[The Divine Comedy]]''. His work also appeared in the ''Illustrated London News''. Doré continued to illustrate books until his death in Paris in [[1883]]. He is buried in the city's [[Père Lachaise|Père Lachaise Cemetery]].<br clear=all> | + | ''London: A Pilgrimage'' was a financial success, and Doré received commissions from other British publishers. Doré's later works included [[Samuel Taylor Coleridge|Coleridge]]'s [[Rime of the Ancient Mariner]], [[John Milton|Milton]]'s ''[[Paradise Lost]]'', [[Alfred, Lord Tennyson|Tennyson]]'s ''The [[Idylls of the King]]'', ''The Works of [[Thomas Hood]]'', and ''[[The Divine Comedy]]''. His work also appeared in the ''Illustrated London News''. Doré continued to illustrate books until his death in Paris in [[1883]]. He is buried in the city's [[Père Lachaise|Père Lachaise Cemetery]]. |
| + | ==Works== | ||
| + | |||
| + | [[Gustave Doré]] was a prolific artist; thus the following list of works, though extensive, is by no means comprehensive (e.g. it does not include his sculptures, paintings, nor many of his journal illustrations): | ||
| + | {| class="wikitable sortable" | ||
| + | |- | ||
| + | !Date!!Author!!Work!!Volumes / Format!!Illustrations!!Publisher!!Ref | ||
| + | |- | ||
| + | |1854|| Gustave Doré ||''[[Histoire pittoresque dramatique et caricaturale de la Sainte Russie, d'après les chroniqueurs et historiens Nestor Nikan Sylvestre Karamsin Ségur etc.]]'' ||1 vol.||500|| Paris: de Bry || | ||
| + | |- | ||
| + | |1854||[[Rabelais]] ||[[François Rabelais by Gustave Doré|''Oeuvres contenant la vie de Gargantua et celle de Pantagruel ...'']]||1 vol. 4to. ||Frontis. & 15 ||J.Bry Ainé, Paris || | ||
| + | |- | ||
| + | |1855||[[Honoré de Balzac]]||''[[Les Contes Drôlatiques]]''|| ||425||Société Générale de la Libraire, and in ''Le Journal pour Tous''|| | ||
| + | |- | ||
| + | |1856|| ||''Fierabras d'Alexandrie, Légende Nationale traduite par Mary Lafon''||1 vol in 8vo||123||Librairie Nouvelle|| | ||
| + | |- | ||
| + | |1856|| ||''Mémoires d'un Jeune Cadet, par Victor Percival''|| ||48|| || | ||
| + | |- | ||
| + | |1856|| ||''[[Wandering Jew|La Légende du Juif Errant]]''||1 vol. grand in folio||12||Michel Lévy|| | ||
| + | |- | ||
| + | |1857 | ||
| + | ||[[Dante Alighieri]]||''[[Divine Comedy#Inferno|L'Enfer]]|| ||70|| || | ||
| + | |- | ||
| + | |1857 autumn||Ed. de La Bédollière||''Nouveau Paris, Histoire de ses 20 Arrondissements''||1 vol in 4to||150||Barba|| | ||
| + | |- | ||
| + | |1857 autumn||Valéry Vernier||''Aline, Journal d'un Jeune Homme,''|| ||one large page||Dentu || | ||
| + | |- | ||
| + | |1860–1862||[[Thomas Mayne Reid]]||''L'Habitation du Désert,''||1 vol. in 16mo||60||Hachette|| | ||
| + | |- | ||
| + | |1860–1862||Ann S. Stevens||''La Fille du Grand Chieftain''||1 vol.||15|||| | ||
| + | |- | ||
| + | |1860–1862||M. V. Victor||''Flêche d'Or''||1 vol.||13|||| | ||
| + | |- | ||
| + | |1860–1862||E. S. Ellis||''L'Ange des Frontières''||1 vol.||10|| || | ||
| + | |- | ||
| + | |1860–1862||N. W. Buxted||''Les Vierges de la Forêt''||1 vol.||10|| || | ||
| + | |- | ||
| + | |1860||[[William Shakespeare]]||''[[The Tempest]]''||1 vol. in 4to|| ||(London)|| | ||
| + | |- | ||
| + | |1861|| ||''Les Figures du Temps,''||1 vol. in 12mo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1861||Plouvier and Vincent||''Les Chansons d'Autrefois''||in 12mo|| ||Coulon and Pineau, Paris|| | ||
| + | |- | ||
| + | |1861||[[Edmond François Valentin About|Edmond About]] | ||
| + | ||''Le Roi des Montagnes''||1 vol. in 8vo||157||Hachette and Co., Paris|| | ||
| + | |- | ||
| + | |1862||Saintine||''Les Mythologies du Rhin''||1 vol. in 8vo||165||Hachette and Co., Paris|| | ||
| + | |- | ||
| + | |1862||L'Abbé Léon Godard||''L'Espagne, Mœurs et Paysages,''||2 vols in 8vo||4, Tours or Paris|| | ||
| + | |- | ||
| + | |1862||[[Conrad Malte-Brun|Malte-Brun]]||''Les États Unis et le Mexique''||1 vol. in 4to|| ||Brun, Paris|| | ||
| + | |- | ||
| + | |1862|| ||''Histoire aussi intéressante qu'invraisemblable de l'intrépide Capitaine Castagnette, neveu de l'Homme à la Tête de Bois''||1 vol. in 4to||43||Hachette|| | ||
| + | |- | ||
| + | |1866|| ||''[[Aventures du Baron de Münchausen]]'', traduction nouvelle par [[Théophile Gautier]] fils||1 vol.|| ||(London)|| | ||
| + | |- | ||
| + | |1863||M. Épiné||''Légende de Croquemitaine''||1 vol. in 4to||177||Hachette|| | ||
| + | |- | ||
| + | |1863||Gastineau||''La Chasse au Lion et à la Panthère''||1 vol. in 8vo|| ||Hachette and Co.|| | ||
| + | |- | ||
| + | |1863||[[Miguel de Cervantes]]||''Don Quixote de la Mancha'' translation by Louis Viardot||2 vols. folio||370||Hachette and Co., Paris, and Cassell and Co., London|| | ||
| + | |- | ||
| + | |1863|| ||''Les Contes de Perrault'' or in Spanish ''Los Cuentos de Perrault''|| ||100+||Hetzels. in Spanish by Ledouse|| | ||
| + | |- | ||
| + | |1865||Gastineau||''De Paris en Afrique''||1 vol. in 12mo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1865||A. Masse||''L'Histoire d'un Minute''||1 vol., 12mo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1866||[[Victor Hugo]]||''Travailleurs de la Mer''|| || ||Sampson Low and Co., London|| | ||
| + | |- | ||
| + | |1865||E. Edgar||''Cressy and Poictiers''||1 vol. in 8vo||50+||(London)|| | ||
| + | |- | ||
| + | |1865||Thomas Moore||''L'Épicurien'' (French translation)||in 8vo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1865||Tom Hood||''Fairy Realm''||in folio|| ||(London: Ward, Lock, and Tyler)|| | ||
| + | |- | ||
| + | |1865||Quatrelles||''Le Chevalier Beautemps''||grand in 8vo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1865||[[François-René de Chateaubriand|Chateaubriand]]||''Atala''||2 vols, grand folio||80||Hachette Edition|| | ||
| + | |- | ||
| + | |1866||[[Théophile Gautier]]||''Le Capitaine Fracasse''||1 vol. grand in 8vo||60||Charpentier|| | ||
| + | |- | ||
| + | |1866||G. La Bédollière||''Histoire de la Guerre en Mexique''||in 4to|| ||(Paris)|| | ||
| + | |- | ||
| + | |1866||[[Dante Alighieri]]||''The Vision of Hell''|| || ||London, Cassell, Petter, and Galpin|| | ||
| + | |- | ||
| + | |1867||[[Dante Alighieri]]||''Il Purgatorio ed il Paradiso''|| || ||Hachette and Co.|| | ||
| + | |- | ||
| + | |1866||[[Joseph Xavier Saintine|X. B. Saintine]]||''Le Chemin des Écoliers''||1 vol. in 8vo||450 [[:Image:Le chemin des ecoliers title page.jpg]]''(not all by Doré)''||Hachette and Co.|| | ||
| + | |- | ||
| + | |1866|| ||''La Sainte Bible'', according to the Vulgate, new translation||2 vols. grand in folio||200+||Mame, Tours; Cassell and Co., England|| | ||
| + | |- | ||
| + | |1866||[[John Milton]]||''[[Paradise Lost]]''|| || ||Cassell and Co.|| | ||
| + | |- | ||
| + | |1867||La Bédollière||''La France et la Russie''|| || ||(Paris)|| | ||
| + | |- | ||
| + | |1867|| ||''Les Fables de Lafontaine''||2 vols. in folio||8 large and 250 small plates||Hachette and Co.|| | ||
| + | |- | ||
| + | |1867|| ||''Les Pays-bas et la Belgique''||in 8vo|| ||(Paris)|| | ||
| + | |- | ||
| + | |1870||Thomas Hood||(Poems)||2 vols. in folio|| ||Ward and Lock, London|| | ||
| + | |- | ||
| + | |1870||[[Samuel Taylor Coleridge]]||''[[The Rime of the Ancient Mariner]]''||grand in 4to||40 large and 3 small drawings|| || | ||
| + | |- | ||
| + | |1873|| ||New edition of Rabelais||2 vols. in folio|| ||Paris : Garnier; London: Chatto and Windus|| | ||
| + | |- | ||
| + | |1876||Louis Énault||''London''||1 vol. in 4to||174 wood engravings||Hachette and Co.|| | ||
| + | |- | ||
| + | |1874||Baron Ch. Davilliers||''L'Espagne''||in 4to||309 wood-engravings||Hachette and Co.; London: Sampson Low and Co.|| | ||
| + | |- | ||
| + | |1875||[[Joseph François Michaud|Michaud]]||''[[Histoire des Croisades]]''||2 vol. medium folio||100 grand compositions||Paris: Hachette and Co.|| | ||
| + | |- | ||
| + | | ||[[Alfred Tennyson]]||''[[Idylls of the King]]''|| || || || | ||
| + | |- | ||
| + | |1877||[[Ariosto]]||''[[Orlando Furioso]]''|| ||36 drawings||Hachette and Co. (London: Ward and Lock)|| | ||
| + | |- | ||
| + | |1884||[[Edgar Allan Poe]]||''[[The Raven]]''|| ||26 steel engravings||London: Sampson Low and Co., New York: Harper and Co.|| | ||
| + | |} | ||
| + | |||
| + | ==References== | ||
| + | *''[[Life of Gustave Doré]]'' (1891) by Blanchard Jerrold | ||
| + | ==See also== | ||
| + | *[[list of works by Gustave Doré]] | ||
| + | *[[French caricature]] | ||
| {{GFDL}} | {{GFDL}} | ||
| [[Category:Canon]] | [[Category:Canon]] | ||
Current revision
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"Gustave Doré (1833-1883) must be noted as a most brilliant interpreter of fantastical poetry and legend, decidedly his best creations being imaginative subjects and landscape, such as his illustrations to Dante's Inferno and "Don Quixote" ; also the grotesque but powerful designs for the Legend of the Wandering Jew and Balzac's Contes Drolatiques; while, on the contrary — as in his fairy-tales and Bible illustrations — he becomes almost unbearably vapid, and devoid of style."--Grundriß der Kunstgeschichte (c. 1860) by Wilhelm Lübke |
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Related e |
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Featured: |
Gustave Doré (1832 – 1883) was a French artist, engraver, and illustrator. Doré's commissions include works by Lord Byron, Rabelais, Balzac, Perrault, Milton, Dante and Edgar Allan Poe. Doré was internationally known during his lifetime and authors such as H. P. Lovecraft have praised his work. Even today, Doré's legacy continues to assert itself in the realm of comic books and graphic novels, especially the "proto-graphic novels" he wrote at the beginning of his career. He was briefly romantically linked to Sarah Bernhardt.
Similar artists includes Grandville, Daumier, Méryon, Victor Hugo’s drawings, Redon and more recently Paul Rumsey.
Contents |
[edit]
Life
Doré was born in Strasbourg and his first illustrated story was published at the age of fifteen. Doré began work as a literary illustrator in Paris. Dore's commissions include works by Rabelais, Balzac, Milton and Dante. In 1853 Doré was asked to illustrate the works of Lord Byron. This commission was followed by additional work for British publishers, including a new illustrated English Bible. Doré also illustrated an oversized edition of Edgar Allan Poe's The Raven. The Doré illustrated edition of The Raven is the first edition of Poe's most recognized poem.
Doré's English Bible (1866) was a great success, and in 1867 Doré had a major exhibition of his work in London. This exhibition led to the foundation of the Doré Gallery in New Bond Street.
In 1869, Blanchard Jerrold, the son of Douglas William Jerrold, suggested that they work together to produce a comprehensive portrait of London. Jerrold had gotten the idea from The Microcosm of London produced by Rudolph Ackermann, William Pyne, and Thomas Rowlandson in 1808.
Doré signed a five-year project with the publishers Grant & Co that involved his staying in London for three months a year. He was paid the vast sum of £10,000 a year for his work. The book, London: A Pilgrimage, with 180 engravings, was published in 1872.
London: A Pilgrimage enjoyed commercial success, but the work was disliked by many contemporary critics. Some critics were concerned with the fact that Doré appeared to focus on poverty that existed in London. Doré was accused by the Art Journal of "inventing rather than copying." The Westminster Review claimed that "Doré gives us sketches in which the commonest, the vulgarest external features are set down."
London: A Pilgrimage was a financial success, and Doré received commissions from other British publishers. Doré's later works included Coleridge's Rime of the Ancient Mariner, Milton's Paradise Lost, Tennyson's The Idylls of the King, The Works of Thomas Hood, and The Divine Comedy. His work also appeared in the Illustrated London News. Doré continued to illustrate books until his death in Paris in 1883. He is buried in the city's Père Lachaise Cemetery.
[edit]
Works
Gustave Doré was a prolific artist; thus the following list of works, though extensive, is by no means comprehensive (e.g. it does not include his sculptures, paintings, nor many of his journal illustrations):
| Date | Author | Work | Volumes / Format | Illustrations | Publisher | Ref |
|---|---|---|---|---|---|---|
| 1854 | Gustave Doré | Histoire pittoresque dramatique et caricaturale de la Sainte Russie, d'après les chroniqueurs et historiens Nestor Nikan Sylvestre Karamsin Ségur etc. | 1 vol. | 500 | Paris: de Bry | |
| 1854 | Rabelais | Oeuvres contenant la vie de Gargantua et celle de Pantagruel ... | 1 vol. 4to. | Frontis. & 15 | J.Bry Ainé, Paris | |
| 1855 | Honoré de Balzac | Les Contes Drôlatiques | 425 | Société Générale de la Libraire, and in Le Journal pour Tous | ||
| 1856 | Fierabras d'Alexandrie, Légende Nationale traduite par Mary Lafon | 1 vol in 8vo | 123 | Librairie Nouvelle | ||
| 1856 | Mémoires d'un Jeune Cadet, par Victor Percival | 48 | ||||
| 1856 | La Légende du Juif Errant | 1 vol. grand in folio | 12 | Michel Lévy | ||
| 1857 | Dante Alighieri | L'Enfer | 70 | |||
| 1857 autumn | Ed. de La Bédollière | Nouveau Paris, Histoire de ses 20 Arrondissements | 1 vol in 4to | 150 | Barba | |
| 1857 autumn | Valéry Vernier | Aline, Journal d'un Jeune Homme, | one large page | Dentu | ||
| 1860–1862 | Thomas Mayne Reid | L'Habitation du Désert, | 1 vol. in 16mo | 60 | Hachette | |
| 1860–1862 | Ann S. Stevens | La Fille du Grand Chieftain | 1 vol. | 15 | ||
| 1860–1862 | M. V. Victor | Flêche d'Or | 1 vol. | 13 | ||
| 1860–1862 | E. S. Ellis | L'Ange des Frontières | 1 vol. | 10 | ||
| 1860–1862 | N. W. Buxted | Les Vierges de la Forêt | 1 vol. | 10 | ||
| 1860 | William Shakespeare | The Tempest | 1 vol. in 4to | (London) | ||
| 1861 | Les Figures du Temps, | 1 vol. in 12mo | (Paris) | |||
| 1861 | Plouvier and Vincent | Les Chansons d'Autrefois | in 12mo | Coulon and Pineau, Paris | ||
| 1861 | Edmond About | Le Roi des Montagnes | 1 vol. in 8vo | 157 | Hachette and Co., Paris | |
| 1862 | Saintine | Les Mythologies du Rhin | 1 vol. in 8vo | 165 | Hachette and Co., Paris | |
| 1862 | L'Abbé Léon Godard | L'Espagne, Mœurs et Paysages, | 2 vols in 8vo | 4, Tours or Paris | ||
| 1862 | Malte-Brun | Les États Unis et le Mexique | 1 vol. in 4to | Brun, Paris | ||
| 1862 | Histoire aussi intéressante qu'invraisemblable de l'intrépide Capitaine Castagnette, neveu de l'Homme à la Tête de Bois | 1 vol. in 4to | 43 | Hachette | ||
| 1866 | Aventures du Baron de Münchausen, traduction nouvelle par Théophile Gautier fils | 1 vol. | (London) | |||
| 1863 | M. Épiné | Légende de Croquemitaine | 1 vol. in 4to | 177 | Hachette | |
| 1863 | Gastineau | La Chasse au Lion et à la Panthère | 1 vol. in 8vo | Hachette and Co. | ||
| 1863 | Miguel de Cervantes | Don Quixote de la Mancha translation by Louis Viardot | 2 vols. folio | 370 | Hachette and Co., Paris, and Cassell and Co., London | |
| 1863 | Les Contes de Perrault or in Spanish Los Cuentos de Perrault | 100+ | Hetzels. in Spanish by Ledouse | |||
| 1865 | Gastineau | De Paris en Afrique | 1 vol. in 12mo | (Paris) | ||
| 1865 | A. Masse | L'Histoire d'un Minute | 1 vol., 12mo | (Paris) | ||
| 1866 | Victor Hugo | Travailleurs de la Mer | Sampson Low and Co., London | |||
| 1865 | E. Edgar | Cressy and Poictiers | 1 vol. in 8vo | 50+ | (London) | |
| 1865 | Thomas Moore | L'Épicurien (French translation) | in 8vo | (Paris) | ||
| 1865 | Tom Hood | Fairy Realm | in folio | (London: Ward, Lock, and Tyler) | ||
| 1865 | Quatrelles | Le Chevalier Beautemps | grand in 8vo | (Paris) | ||
| 1865 | Chateaubriand | Atala | 2 vols, grand folio | 80 | Hachette Edition | |
| 1866 | Théophile Gautier | Le Capitaine Fracasse | 1 vol. grand in 8vo | 60 | Charpentier | |
| 1866 | G. La Bédollière | Histoire de la Guerre en Mexique | in 4to | (Paris) | ||
| 1866 | Dante Alighieri | The Vision of Hell | London, Cassell, Petter, and Galpin | |||
| 1867 | Dante Alighieri | Il Purgatorio ed il Paradiso | Hachette and Co. | |||
| 1866 | X. B. Saintine | Le Chemin des Écoliers | 1 vol. in 8vo | 450 Image:Le chemin des ecoliers title page.jpg(not all by Doré) | Hachette and Co. | |
| 1866 | La Sainte Bible, according to the Vulgate, new translation | 2 vols. grand in folio | 200+ | Mame, Tours; Cassell and Co., England | ||
| 1866 | John Milton | Paradise Lost | Cassell and Co. | |||
| 1867 | La Bédollière | La France et la Russie | (Paris) | |||
| 1867 | Les Fables de Lafontaine | 2 vols. in folio | 8 large and 250 small plates | Hachette and Co. | ||
| 1867 | Les Pays-bas et la Belgique | in 8vo | (Paris) | |||
| 1870 | Thomas Hood | (Poems) | 2 vols. in folio | Ward and Lock, London | ||
| 1870 | Samuel Taylor Coleridge | The Rime of the Ancient Mariner | grand in 4to | 40 large and 3 small drawings | ||
| 1873 | New edition of Rabelais | 2 vols. in folio | Paris : Garnier; London: Chatto and Windus | |||
| 1876 | Louis Énault | London | 1 vol. in 4to | 174 wood engravings | Hachette and Co. | |
| 1874 | Baron Ch. Davilliers | L'Espagne | in 4to | 309 wood-engravings | Hachette and Co.; London: Sampson Low and Co. | |
| 1875 | Michaud | Histoire des Croisades | 2 vol. medium folio | 100 grand compositions | Paris: Hachette and Co. | |
| Alfred Tennyson | Idylls of the King | |||||
| 1877 | Ariosto | Orlando Furioso | 36 drawings | Hachette and Co. (London: Ward and Lock) | ||
| 1884 | Edgar Allan Poe | The Raven | 26 steel engravings | London: Sampson Low and Co., New York: Harper and Co. |
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References
- Life of Gustave Doré (1891) by Blanchard Jerrold
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Gustave Doré" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
