The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops  

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[[Image:L'art Moderne by Huysmans.jpg|thumb|right|200px|''[[L'Art moderne]]'' by [[Huysmans]], Huysmans was also known for his [[art criticism]]: ''[[L'Art moderne]]'' ([[1883]]) and ''[[Certains]]'' (1889). He was an early advocate of [[Impressionism]], as well as an admirer of such artists as [[Gustave Moreau]] and [[Odilon Redon]].]] [[Image:L'art Moderne by Huysmans.jpg|thumb|right|200px|''[[L'Art moderne]]'' by [[Huysmans]], Huysmans was also known for his [[art criticism]]: ''[[L'Art moderne]]'' ([[1883]]) and ''[[Certains]]'' (1889). He was an early advocate of [[Impressionism]], as well as an admirer of such artists as [[Gustave Moreau]] and [[Odilon Redon]].]]
 +[[Image:The Shapeless Polyp Floated along the Bank, a Sort of Hideous, Smiling Cyclops (1883) - Odilon Redon.jpg|thumb|right|200px|''[[The Shapeless Polyp Floated along the Bank, a Sort of Hideous, Smiling Cyclops]]'' ([[1883]]) - [[Odilon Redon]]]]
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Revision as of 01:47, 9 November 2008

L'Art moderne by Huysmans, Huysmans was also known for his art criticism: L'Art moderne (1883) and Certains (1889). He was an early advocate of Impressionism, as well as an admirer of such artists as Gustave Moreau and Odilon Redon.
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L'Art moderne by Huysmans, Huysmans was also known for his art criticism: L'Art moderne (1883) and Certains (1889). He was an early advocate of Impressionism, as well as an admirer of such artists as Gustave Moreau and Odilon Redon.

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