1960s
From The Art and Popular Culture Encyclopedia
[[File:GuerrilleroHeroico.jpg|thumb|150px|By the late 1960s, revolutionary Che Guevara's famous image had become a popular symbol of rebellion for many youth.]]
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The 1960s decade refers to the years from January 1, 1960 to December 31, 1969, inclusive. The Sixties has also come to refer to the complex of inter-related cultural and political events which occurred in approximately that period, in Western countries, particularly Britain, France, the United States and West Germany. Social upheaval was not limited to just these nations, reaching large scale in nations such as Japan, Mexico and Canada as well. The term is used both nostalgically by those who participated in those events, and pejoratively by those who regard the time as a period whose harmful effects are still being felt today. The decade was also labeled the Swinging Sixties because of the libertine attitudes that emerged during this decade.
The sixties were a time of great social change and drug use. A social revolution swept all across the world. In America, examples include the American civil rights movement and the rise of feminism and gay rights which continued into the next few decades. Homosexual acts between consenting adults in private were legalized in England, Canada, and Wales in 1967. The "Sixties" has become synonymous with all the new, exciting, radical, subversive and/or dangerous (depending on one's viewpoint) events and trends of the period, which continued to develop in the 1970s, 1980s and beyond. In Africa the 60s were a period of radical change as countries gained independence from their European colonial rulers, only for this rule to be replaced in many cases by civil war or corrupt dictatorships.
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Problems with periodization
As with the Seventies, popular memory has conflated into the Sixties some events which did not actually occur during this time period. For example, although some of the most dramatic events of the American civil rights movement occurred in the early-1960s, the movement had already begun in earnest during the 1950s. On the other hand, the rise of feminism and gay rights began in the 1960s and continued into the next few decades. Homosexual acts between consenting adults in private were legalized in England, Canada, and Wales in 1967. The "Sixties" has become synonymous with all the new, exciting, radical, subversive and/or dangerous (depending on one's viewpoint) events and trends of the period, which continued to develop in the 1970s, 1980s and beyond. In Africa the 60s were a period of radical change as countries gained independence from their European colonial rulers, only for this rule to be replaced in many cases by civil war or corrupt dictatorships.
Example: The 1960s never occurred in Spain
'The 1960s', though technically applicable to anywhere in the world according to Common Era numbering, has a certain set of specific cultural connotations in certain countries. For this reason it may be possible to say such things as 'The 1960s never occurred in Spain.' This would mean that the sexual revolution, counterculture, youth rebellion and so on never developed during that decade in Spain's conservative Roman Catholic culture and under Francisco Franco's authoritarian regime.
Counterculture
The term counterculture came to prominence in the news media as it was used to refer to the youth rebellion and sexual revolution that swept North America, Western Europe, Australia and New Zealand during the 1960s and early 1970s. The term counterculture was first attested in the English language in 1968.
The counterculture of the 1960s began in the United States as a reaction against the conservative social norms of the 1950s, the political conservatism (and perceived social repression) of the Cold War period, and the US government's extensive military intervention in Vietnam. The movement quickly spread to Europe and the rest of the world.
Subcultures
In the 1960s, the beats (AKA beatniks) grew to be an even larger subculture, spreading around the world. Other 1960s subcultures included radicals, peaceniks, mods, rockers, bikers, hippies and the freak scene. One of the main transitional features between the beat scene and the hippies was the Merry Pranksters' journey across the United States with Neal Cassady, in a yellow school bus named Furthur. In the USA, the hippies' big year was 1967, the so-called summer of love.
The rude boy culture originated in the ghettos of Jamaica, coinciding with the popular rise of rocksteady music, dancehall celebrations and sound system dances. Rude boys dressed in the latest fashions, and many were involved with gangs and violence. This subculture then spread to the United Kingdom and other countries.
The mod subculture began with a few cliques of trendy teenage boys in London, England in the late 1950s, but was at its most popular during the early 1960s. Mods were were obsessed with new fashions such as slim-cut suits; and music styles such as modern jazz, rhythm and blues, soul, ska, and some beat music. Many of them rode scooters.
The mod and rude boy cultures both influenced the skinhead subculture of the late 1960s. The skinheads were a harder, more working class version of mods who wore basic clean-cut clothing styles and favoured ska, rocksteady, soul and early reggae music.
The disco scene originated in the 1960s, with discothèques such as the Whiskey A Go Go and Studio 54.
Subcultures were often based on socializing and wild behavior, but some of them were centered around politics. In the United States, these included the Black Panthers and the Yippies. Allen Ginsberg took part in several protest movements, including those for gay rights and those against the Vietnam War and nuclear weapons. In Paris, France in May 1968, there was a university student uprising, supported by Jean Paul Sartre and 121 other intellectuals who signed a statement asserting "the right to disobedience." The uprising brought the country to a standstill, and caused the government to call a general election rather than run the risk of being toppled from power.
The Hacker culture was beginning to form in the 1960s, due to the increased usage of computers at colleges and universities. Students who were fascinated by the possible uses of computers and other technologies began figuring out ways to make technology more freely accessible. The international anti-art movement Fluxus also had its beginnings in the 1960s, evolving out of the Beat subculture.
Art
Visual art
Along with artists such as Roy Lichtenstein and Claes Oldenburg, Andy Warhol appropriated images from commercial art and popular culture as well as the techniques of these industries. Often called "pop artists", they saw mass popular culture as the main vernacular culture, shared by all irrespective of education. These artists fully engaged with the ephemera produced from this mass-produced culture, embracing expendability and distancing themselves from the evidence of an artist's hand.
Music
- 1960s music, Music of North American counterculture, Cultural appropriation in western music of the 1960s
The music of the 1960s was recorded on magnetic tape and distributed via vinyl, radio and music television. The main paradigm of popular music had become rock music, newly risen genres from the African diaspora include reggae, soul music, funk; within the Western tradition, there was the rise of psychedelic rock, folk rock and garage rock. The 1960s witnessed the height of the garage rock esthetic and the first appearance of the concept album which gave rock its credibility in the art music world. Working within the classical music tradtion, work by Stockhausen such as Kontakte, Gesang der Jünglinge and Mikrophonie I and II dominated the decade. Newly popularized instruments include the electric guitar and a variety of electronic instruments.
Cinema
Literature
See also
- Swinging Sixties
- 1960s art
- 1960s music
- 1960s subcultures
- Counterculture of the 1960s
- Woodstock
- Underground
- Underground press
- OZ
