Années folles
From The Art and Popular Culture Encyclopedia
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| == Montparnasse and Montmartre == | == Montparnasse and Montmartre == | ||
| - | Like its counterpart [[Montmartre]] in the mid-19th century, [[Montparnasse]] became famous at the beginning of the 20th century, when it was the heart of intellectual and artistic life in Paris. | + | Like its counterpart [[Montmartre]] in the mid-19th century, [[Montparnasse]] became famous at the beginning of the 20th century, when it was the heart of intellectual and artistic life in Paris. In the 1920s, [[Paris]] was the center of [[modernism]] in art and literature; as [[Gertrude Stein]] remarked, "Paris was where the twentieth century was." |
| ==Surrealism== | ==Surrealism== | ||
| From the [[Dada]] activities of [[World War I]] Surrealism was formed with the most important center of the movement in [[Paris]] and from the [[1920s]] spreading around the globe, impacting many other fields. | From the [[Dada]] activities of [[World War I]] Surrealism was formed with the most important center of the movement in [[Paris]] and from the [[1920s]] spreading around the globe, impacting many other fields. | ||
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After World War I, Paris emerged into an energetic but restless interwar period, enlivened by the arrival of glamorous émigrés such as Joséphine Baker. It was a troubled political period, however, especially when the Great Depression hit Paris.
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Nomenclature
The period is also known as Les Années Folles, corresponding with the Roaring Twenties in the Anglosphere.
Montparnasse and Montmartre
Like its counterpart Montmartre in the mid-19th century, Montparnasse became famous at the beginning of the 20th century, when it was the heart of intellectual and artistic life in Paris. In the 1920s, Paris was the center of modernism in art and literature; as Gertrude Stein remarked, "Paris was where the twentieth century was."
Surrealism
From the Dada activities of World War I Surrealism was formed with the most important center of the movement in Paris and from the 1920s spreading around the globe, impacting many other fields.
In May 1917, Guillaume Apollinaire had coined the term "Surrealism" in the program notes describing the ballet Parade which was a collaborative work by Jean Cocteau, Erik Satie, Pablo Picasso and Léonide Massine:
- "From this new alliance, for until now stage sets and costumes on one side and choreography on the other had only a sham bond between them, there has come about, in Parade, a kind of super-realism ('sur-réalisme'), in which I see the starting point of a series of manifestations of this new spirit ('esprit nouveau')."
American immigrants: The Lost Generation
American writers such as Ernest Hemingway, F. Scott Fitzgerald, T. S. Eliot, Ezra Pound, and Gertrude Stein settled in Paris. African-American expatriation to Paris also boomed after World War I, beginning with black American veterans who preferred the subtler racism of Paris to the oppressive racism and segregation in the United States, which often involved lynchings in the American South. In the 1920s African-American writers, artists, and musicians arrived in Paris and popularized jazz in Parisian nightclubs, a time when Montmartre was know as "the Harlem of Paris." Some notable African-American expatriates from the 1920s onward included Josephine Baker, Langston Hughes, Richard Wright, James Baldwin, Miles Davis, and Charlie Parker.
Negrophilia
1920s Paris saw a craze for all things African, now known as Negrophilia. Collecting African art, listening to jazz and to dancing the Charleston, the Lindy Hop or the Black Bottom, was a sign of being modern and fashionable. Sources of inspiration were inanimate African art objects (l'art nègre) that found their way into Paris as a result of colonial trade with Africa as well as live performances by African-Americans many of whom were ex-soldiers remaining in European cities after the First World War who turned to entertainment for a source of income. Perhaps the most popular revue and entertainer during this time was La Revue nègre (1925) starring Josephine Baker.
La 'garçonne', the French flapper
As a result of French fashions, especially those pioneered by Coco Chanel, the effect on dress of the rapid spread of American jazz, and the popularization of dancing that accompanied it, the flapper was born. Called garçonne in French ("boy" with a feminine suffix), flapper style made girls look young and boyish: short hair, flattened breasts, and straight waists accentuated it. By at least 1913, the association between slim adolescence and a certain characteristic look became fixed in the public's mind.
Art Deco replaces Art Nouveau
Art Deco replaces the sinuous curves of its Art Nouveau predecessor with geometric lines and patterns. The 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernesintroduced the new style to the world. The initial movement was called Style Moderne. The term Art Deco was derived not coined until the late 1960s.
In fiction
- A Moveable Feast by Ernest Hemingway
- Midnight in Paris by Woody Allen
Nightclubs, bars and brothels
See also
- French Wikipedia article on Années folles
- Negrophilia
- Aftermath of World War I
- French jazz
- 1920s
- Jazz Age
