List of avant-garde films of the 1950s  

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-'''''Statues Also Die''''' ('''Les statues meurent aussi''') is a 1953 French essay film directed by [[Alain Resnais]], [[Chris Marker]], and [[Ghislain Cloquet]] about historical [[African art]] and the effects colonialism has had on how it is perceived. The film won the 1954 [[Prix Jean Vigo]]. Because of its criticism of colonialism, the second half of the film was [[banned]] in France until the 1960s.+This is a list of [[avant-garde film|avant-garde and experimental films]] released in the 1950s. Unless noted, all films had sound and were in black and white.
-==Synopsis==+{| class="wikitable sortable"
-The film exhibits a series of [[African sculpture|sculptures]], [[African traditional masks|masks]] and other traditional art from [[Sub-Saharan Africa]]. The images are frequently set to music and cut to the music's pace. The narrator focuses on the emotional qualities of the objects, and discusses the perception of African sculptures from a historical and contemporary European perspective. Only occasionally does the film provide the geographical origin, time period or other contextual information about the objects. The idea of a dead statue is explained as a statue which has lost its original significance and become reduced to a museum object, similarly to a dead person who can be found in history books. Interweaved with the objects are a few scenes of Africans performing traditional music and dances, as well as the death of a disemboweled gorilla.+|-
 +! Title !! Director !! Cast !! Nation !! Notes
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1950 in film|1950]]
 +|-
 +|''[[The Adventures of Jimmy]]''||[[James Broughton]]||James Broughton||United States||Music by [[Weldon Kees]].<ref name="Kees Kino program">[http://www.sfcinematheque.org/wordpress/wp-content/uploads/2009/03/Kees_Kino_2006.pdf Kees Kino program]</ref>
 +|-
 +|''[[Un chant d'amour]]''
 +|[[Jean Genet]]
 +|Java, [[André Reybaz]]
 +|France
 +|Genet's only film
 +|-
 +|''Eaten Horizons''
 +|[[Wilhelm Freddie]], Jørgen Roos
 +|
 +|France
 +|Surrealist film
 +|-
 +|''[[Orpheus (film)|Orphée]]''
 +|[[Jean Cocteau]]
 +|[[Jean Marais]]
 +|France
 +|
 +|-
 +|''[[Rabbit's Moon]]''||[[Kenneth Anger]]||André Soubeyron, Claude Revenant||France||Color<ref>{{cite web|url=http://www.allmovie.com/movie/rabbits-moon-v290728|work=Allmovie|publisher=Rovi Corporation|title=Rabbit's Moon|accessdate=December 18, 2013|author=Lewis, David}}</ref>
 +|-
 +|''Swain''||[[Gregory Markopoulos]], Robert C. Freeman, Jr.||Gregory Markopoulos, Mary Zelles ||United States||Based on Hawthorne, only a drastically shortened version exists; 24 minutes of 50<ref>[http://www.the-temenos.org/gm_filmography.htm Markopoulos filmography]</ref>{{failed verification|date=December 2013}}
 +|-
 +|''Tłum (The Crowd)''||[[Walerian Borowczyk]]|| ||Poland||<ref name="Culture.pl Borowczyk profile">{{Cite web |url=http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/walerian-borowczyk |title=Culture.pl Borowczyk profile |access-date=2013-09-03 |archive-url=https://web.archive.org/web/20131003105603/http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/walerian-borowczyk |archive-date=2013-10-03 |url-status=dead }}</ref>{{failed verification|date=December 2013}}
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1951 in film|1951]]
 +|-
 +|''Divertissement Rococo''||[[Hy Hirsh]]|| ||United States||Abstract animation<ref>[http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg Hy Hirsh CV]</ref>
 +|-
 +|''Ensemble for Somnambulists''||[[Maya Deren]]|| ||Canada||<ref>{{cite web|url=http://www.allmovie.com/movie/ensemble-for-somnambulists-v290711|work=Allmovie|publisher=Rovi Corporation|title=Ensemble for Somnambulists|accessdate=December 18, 2013|author=Lewis, David}}</ref>
 +|-
 +|''Le film est déja commence?''
 +|[[Maurice Lemaître]]
 +|
 +|France
 +|Lettrist film<ref name=":0">{{Cite web|url=https://situationistfilm.wordpress.com/|title=Situationist Archive|website=Situationist Archive|language=en-US|access-date=2017-08-20}}</ref>
 +|-
 +|''Le mort du cerf''
 +|[[Dimitri Kirsanoff]]
 +|
 +|France
 +|
 +|-
 +|''[[Venom and Eternity|A Treatise on Venom and Eternity]]''||[[Isidore Isou]]||[[Isidore Isou]]||France||Lettrist film<ref name=":0" />
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1952 in film|1952]]
 +|-
 +|''L'anti-concept''
 +|[[Gil J Wolman|Gil J. Wolman]]
 +|
 +|France
 +|Lettrist film<ref name=":0" />
 +|-
 +|''Approaches and Leavetakings''||[[Weldon Kees]], [[Jurgen Ruesch]]|| ||United States||<ref name="Kees Kino program"/>
 +|-
 +|''Bells of Atlantis''
 +|[[Hugh Parker Guiler|Ian Hugo]]
 +|
 +|-
 +|''Form Phases I''||[[Robert Breer]]|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu">[http://hcl.harvard.edu/hfa/films/2008marchapril/breer.html] {{Webarchive|url=https://web.archive.org/web/20160304114502/http://hcl.harvard.edu/hfa/films/2008marchapril/breer.html |date=2016-03-04 }} Harvard Film Archive: Robert Breer, Kinetic Poet of the Avant-Garde</ref>
 +|-
 +|''Hand-Mouth Coordination''||[[Weldon Kees]], [[Gregory Bateson]]|| ||United States||<ref name="Kees Kino program"/>
 +|-
 +|''Hotel Apex''||[[Weldon Kees]]|| ||United States||Study of the demolition of an old hotel<ref name="Kees Kino program"/>
 +|-
 +|''[[Hurlements en faveur de Sade]]''
 +|[[Guy Debord]]
 +|
 +|France
 +|Lettrist film
 +|-
 +|''[[Interim (film)|Interim]]''||[[Stan Brakhage]]|| ||United States||Brakhage's first film, scored by [[James Tenney]]<ref name="Brakhage filmography">[http://www.fredcamper.com/Brakhage/Filmography.html Brakhage filmography]</ref>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1953 in film|1953]]
 +|-
 +|''The Boy and the Sea''||[[Stan Brakhage]]|| ||United States||Silent, listed by Camper as "not available"<ref name="Brakhage filmography"/>
 +|-
 +|''Color Cry''||[[Len Lye]]|| ||United States||Color, [[Drawn-on-film animation]], music by [[Sonny Terry]]<ref>[http://www.lenlyefoundation.com/films/color-cry/30/]</ref>
 +|-
 +|''Come Closer''||[[Hy Hirsh]]|| ||United States||Color, abstract animation in 3-D<ref>[http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg CVM, Hy Hirsh CV]</ref>
 +|-
 +|''[[Eaux d'Artifice]]''||[[Kenneth Anger]]||Carmilla Salvatorelli ||Italy||Color, added to the National Film Registry in 1993<ref>[http://www.electricsheepmagazine.co.uk/features/2009/06/04/interview-with-kenneth-anger/ Electric Sheep; Interview with Kenneth Anger]</ref>
 +|-
 +|''[[The End (1953 film)|The End]]''||[[Christopher Maclaine]]|| ||United States||Early Beat generation film<ref>[http://www.cubecinema.com/bioskop/2011/01/the-end-christopher-maclaine-1953/ Bioskop entry]</ref>
 +|-
 +|''Eneri''||[[Hy Hirsh]]|| ||United States||Abstract animation, color.<ref> http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg CVM, Hirsh CV] </ref>
 +|-
 +|''Form Phases II''||[[Robert Breer]]|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu"/>
 +|-
 + |''Mandala''||[[Jordan Belson]]|| ||United States||Abstract animation, color<ref>
 +[http://www.centerforvisualmusic.org/Belsonfilmo.htm CVM Belson Filmography]</ref>
-During the last third of the film, the modern commercialisation of African culture is problematised. The film argues that colonial presence has compelled African art to lose much of its idiosyncratic expression, in order to appeal to [[Western world|Western]] consumers. A mention is made of how [[African currency|African currencies]] previously had been replaced by European. In the final segment, the film comments on the position of black Africans themselves in contemporary Europe and North America. Footage is seen from a [[Harlem Globetrotters]] basketball show, of the boxer [[Sugar Ray Robinson]], and a jazz drummer intercut with scenes from a confrontation between police and labour demonstrators. Lastly the narrator argues that we should regard African and European art history as one inseparable human culture.+|-
 +|''[[The Pleasure Garden (1953 film)|The Pleasure Garden]]''
 +|[[James Broughton]]
 +|[[Lindsay Anderson]], [[Hattie Jacques]], [[John Le Mesurier]]
 +|United Kingdom
 +|
 +|-
 +|''[[Statues Also Die]]''
 +|[[Chris Marker]], [[Alain Resnais]]
 +|
 +|France
 +|
 +|-
 +|''[[Unglassed Windows Cast a Terrible Reflection]]''||[[Stan Brakhage]]|| ||United States||Silent, listed by Camper as "not available"<ref name="Brakhage filmography"/>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1954 in film|1954]]
 +|-
 +|''Desistfilm''||[[Stan Brakhage]]|| ||United States||<ref name="Brakhage filmography"/>
 +|-
 +|''The Extraordinary Child''||[[Stan Brakhage]]|| ||United States||Listed by Camper as "not available"<ref name="Brakhage filmography"/>
 +|-
 +|''Form Phases IV''||[[Robert Breer]]|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu"/>
 +|-
-==Analysis==+|''Gyromorphosis''||[[Hy Hirsh]]|| ||Netherlands||Abstract animation<ref> [http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg CVM, Hy Hirsh CV]</ref>
-In her 2006 book ''Chris Marker'', film studies professor Nora M. Alter connects the ambition of the film to [[Chris Marker]]'s tendency to promote upcoming or obscure artists, in attempts to avoid that their works are overlooked or forgotten. She notes how the objects in ''Statues Also Die'' are shown almost as if they were alive: "Marker's camera treats all subjects in front of its lens without differentiating between humans, statues, animals, landscapes, architecture, or signs. The magic of cinema both imbues inanimate objects with life and carries out the mortification of living subjects," something she also connects to the footage of the dying gorilla. Alter further writes that as the film asserts that colonialism is responsible for the "disenchantment and demystification" of African culture, ''Statues Also Die'' "illustrates the process whereby a religious fetish is transformed into a commodity fetish by Western civilization."+|-
- +|''In Between''||[[Stan Brakhage]]|| ||United States||Color, music by [[John Cage]]<ref name="Brakhage filmography"/>
-==Production==+|-
-The film was commissioned from Marker and [[Alain Resnais]] by the journal ''[[Présence Africaine]]'' in 1950. According to Resnais, the original intent was not to make an anticolonial film, but only a film about African art. However when the filmmakers started to do research, they were struck by the fact that African art was exhibited at the ethnological [[Musée de l'Homme]], and not [[Musée du Louvre|the Louvre]] like art from elsewhere. As research continued, the disintegrating effects of colonialism became more prominent in the filmmakers' approach to the subject.+|''[[Inauguration of the Pleasure Dome]]''||[[Kenneth Anger]]||Samson de Brier, [[Anaïs Nin]]||United States||Color, edited into at least three distinct versions<ref>[http://coilhouse.net/2008/08/inauguration-of-the-pleasure-domes-surreal-ritual/ Inauguration of the Pleasure Dome’s Surreal Ritual]</ref>
- +|-
-==Release==+|''Un Miracle''||[[Robert Breer]], [[Pontus Hultén]]|| ||United States||Color, collage animation.<ref name="hcl.harvard.edu"/>
-The film first premiered in 1953. In 1954 it received the [[Prix Jean Vigo]]. Because of the sensitive subject, the sharp criticism of colonialism urged the French [[National Center of Cinematography and the moving image|National Center of Cinematography]] to censor the second half of the film until 1963. The first time the full version was publicly screened in France was in November 1968, as part of a program with thematically related short films, under the label "Cinéma d'inquiétude". It premiered on DVD in 2004.+|-
- +|''The Way to Shadow Garden''||[[Stan Brakhage]]|| ||United States||<ref name="Brakhage filmography"/>
-==See also==+|-
-* [[1953 in film]]+| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1955 in film|1955]]
-* [[Cinema of Africa]]+|-
-* [[Cinema of France]]+|''Atelier de Fernand Léger''||[[Walerian Borowczyk]]|| ||Poland||Filmed at [[Fernand Léger]]'s studio in Paris<ref name="Culture.pl Borowczyk profile"/>
-* [[French colonial empire]]+|-
-* [[French New Wave#Left Bank]]+|''Aviary''||[[Joseph Cornell]]|| ||United States||Silent<ref name=sfcinematheque>[http://www.sfcinematheque.org/program-notes/2007oct.-dec.-JosephCornell.pdf Jeanne Liotta: Joseph Cornell] {{webarchive|url=https://web.archive.org/web/20120402175950/http://www.sfcinematheque.org/program-notes/2007oct.-dec.-JosephCornell.pdf |date=2012-04-02 }}</ref>
-* [[List of avant-garde films of the 1950s]]+|-
 +|''The Bridge''||[[William Heick]]||Weldon Kees ||United States||Poetic study, based on [[Hart Crane]]<ref name="Kees Kino program"/>
 +|-
 +|''Closed Vision''
 +|Marc'O.
 +|
 +|France
 +|Lettrist film<ref name=":0" />
 +|-
 +|''[[Dementia (1955 film)|Dementia]]'', aka ''Daughter of Horror''||John Parker||Adrienne Barrett, Bruno VeSota ||United States||Essentially silent psychological horror film, music by [[George Antheil]]<ref>[http://acidemic.blogspot.com/2009/07/ed-wood-blogathon-daughter-of-horror.html "Yes! I am Here!"]</ref>
 +|-
 +|''[[Une femme coquette]]''
 +|[[Jean-Luc Godard]]
 +|Maria Lysandre, Roland Tolma
 +|France
 +|
 +|-
 +|''Haitian Film Footage''||[[Maya Deren]]|| ||Haiti||Begun in 1947; later posthumously edited into ''The Divine Horsemen''<ref>[http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf In the Mirror of Maya Deren presskit] {{webarchive|url=https://web.archive.org/web/20130606075957/http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf |date=2013-06-06 }}</ref>
 +|-
 +|''Jesień (Autumn)''||[[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/>
 +|-
 +|''Joanne, Union Square''||[[Joseph Cornell]]|| ||United States||Silent<ref name=sfcinematheque/>
 +|-
 +|''Joanne, Xmas''||[[Joseph Cornell]]|| ||United States||Silent<ref name=sfcinematheque/>
 +|-
 +|''Mosaik im Vertrauen (Mosaic in Confidence)''||[[Peter Kubelka]]|| ||Austria||Written by [[Ferry Radax]]<ref>[http://www.filmfestivalrotterdam.com/en/films/mosaik-im-vertrauen/ Rotterdam Film Festival entry]</ref>
 +|-
 +|''A Portrait of Ga''
 +|[[Margaret Tait]]
 +|
 +|United Kingdom
 +|
 +|-
 +|''Reflections''||[[Madeline Tourtelot]]|| ||United States||Color, two distinct versions<ref>[http://flahertyseminar.org/collaborations/flaherty-preservation-initiative/ The Flaherty Seminar, "The Flaherty Preservation Initiative"]</ref>
 +|-
 +|''Reflections on Black''||[[Stan Brakhage]]|| ||United States||<ref name="Brakhage filmography"/>
 +|-
 +|''Sunday in Peking''
 +|[[Chris Marker]]
 +|
 +|France
 +|
 +|-
 +|''The Very Eye of Night''||[[Maya Deren]]|| ||United States||Dance film, choreographed by [[Antony Tudor]]<ref>[http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf In the Mirror of Maya Deren presskit] {{webarchive|url=https://web.archive.org/web/20130606075957/http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf |date=2013-06-06 }}</ref>
 +|-
 +|''The Wonder Ring''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Żywe fotografie (Photographies Vivantes)''||[[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1956 in film|1956]]
 +|-
 +|''Centuries of June''||[[Stan Brakhage]], [[Joseph Cornell]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Flesh of Morning''||[[Stan Brakhage]]|| ||United States||Revised in 1986<ref name="Brakhage filmography"/>
 +|-
 +|''Nightcats''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Recreation''||[[Robert Breer]]||[[Noël Burch]] ||United States||Color, semi-abstract animation with narration.<ref name="hcl.harvard.edu"/>
 +|-
 +|''[[Together (1956 film)|Together]]''||Lorenza Mazzetti, Denis Horne||Eduardo Paolozzi, Michael Andrews ||{{nowrap|United Kingdom}}||Experimental semi-documentary<ref>[http://www.screenonline.org.uk/film/id/439078/ BFI screenonline entry]</ref>
 +|-
 +|''Zone Moment''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1957 in film|1957]]
 +|-
 +|''[[8 × 8: A Chess Sonata in 8 Movements|8 x 8: A Chess Sonata in 8 Movements]]''
 +|[[Jean Cocteau]], [[Marcel Duchamp]], [[Hans Richter (artist)|Hans Richter]]
 +|
 +|United States
 +|
 +|-
 +|''A to Z''||[[Michael Snow]]|| ||Canada||"Blue and white" color, silent<ref>[http://www.filmmuseum.at/jart/prj3/filmmuseum/main.jart?rel=en&reserve-mode=active&content-id=1219068743273&veranstaltungen_id=1326711203862&anzeige= Austrian Film Museum: 1 Snow Sound and Silence]</ref><ref>[http://canyoncinema.com/catalog/film/?i=3801 Canyon Cinema entry]</ref><ref>[http://www.cfmdc.org/node/109 CFMDC entry]</ref>
 +|-
 +|''Adebar''||[[Peter Kubelka]]|| ||Austria||Early structural — or in Kubelka's terms, "metric" — film<ref>[http://www.kontraste.at/2012/13octoberenglish/adebar/ Kontraste Festival entry] {{webarchive|url=https://web.archive.org/web/20131219090429/http://www.kontraste.at/2012/13octoberenglish/adebar/ |date=2013-12-19 }}</ref>
 +|-
 +|''Adventures of *''||[[John Hubley]], [[Faith Hubley]]|| ||United States||Color, music score by [[Benny Carter]]. Semi-abstract animation.<ref>[https://www.moma.org/collection/works/160519 MOMA entry]</ref><ref>Jerry Beck, "Cartoons Considered for An Academy Award 1957," cartoonresearch.com [http://cartoonresearch.com/index.php/cartoons-considered-for-an-academy-award-1957/]</ref>
 +|-
 +|''Angel''||[[Joseph Cornell]]|| ||United States||Color<ref name=sfcinematheque/>
 +|-
 +|''Był sobie raz (Once Upon a Time'')||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Cut-out animation<ref name="Lenica profile at culture.pl">{{Cite web |url=http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/jan-lenica |title=Lenica profile at culture.pl |access-date=2013-09-03 |archive-url=https://web.archive.org/web/20130825064459/http://www.culture.pl/web/english/resources-visual-arts-full-page/-/eo_event_asset_publisher/eAN5/content/jan-lenica |archive-date=2013-08-25 |url-status=dead }}</ref>
 +|-
 +|''Boy's Games''||[[Joseph Cornell]]|| ||United States||Silent<ref name=sfcinematheque/>
 +|-
 +|''Cappuccino''||[[Joseph Cornell]]|| ||United States||<ref name=sfcinematheque/>
 +|-
 +|''Children''||[[Joseph Cornell]]|| ||United States||Silent<ref name=sfcinematheque/>
 +|-
 +|''Cloche a Travers les Feuilles/Claude Debussy''||[[Joseph Cornell]]|| ||United States||Revised version of ''Nymphlight''<ref name=sfcinematheque/>
 +|-
 +|''Daybreak and Whiteye''||[[Stan Brakhage]]|| ||United States||<ref name="Brakhage filmography"/>
 +|-
 +|''Dni Oświaty (Education Days)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/>
 +|-
 +|''A Fable for Fountains''||[[Joseph Cornell]], Rudolph Buckhardt|| ||United States||Begun in 1955; revised as "A Legend for Fountains" in 1965<ref name=sfcinematheque/>
 +|-
 +|''[[Glimpse of the Garden]]''||[[Marie Menken]]|| ||United States||Selected for addition to the National Film Registry in 2007<ref>[http://www.theplant.info/glimpse-of-the-garden/ The Plant Journal]</ref>
 +|-
 +|''Nagrodzone uczucia (Requited Sentiments)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/>
 +|-
 +|''Jamestown Baloos''||[[Robert Breer]]|| ||United States||Color, semi-abstract combination of animation and live action.<ref name="hcl.harvard.edu"/>
 +|-
 +|''Loving''||[[Stan Brakhage]]||[[Carolee Schneemann]], [[James Tenney]]||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Strep-tease (Striptease)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/>
 +|-
 +|''A Man and His Dog Out for Air''||[[Robert Breer]]|| ||United States||Abstract animation, shown with [[Last Year at Marienbad]] in its first New York run.<ref name="hcl.harvard.edu"/>
 +|-
 +|''The Man Who Invented Gold''||[[Christopher Maclaine]]|| ||United States||Partly filmed by [[Jordan Belson]]<ref name="Fred Camper essay">[http://www.fredcamper.com/Film/Maclaine.html Fred Camper essay]</ref>
 +|-
 +|''Nymphlight''||[[Joseph Cornell]]|| ||United States||Color<ref name=sfcinematheque/>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1958 in film|1958]]
 +|-
 +|''Anticipation of the Night''||[[Stan Brakhage]]|| ||United States||<ref>[http://www.chicagoreader.com/chicago/anticipation-of-the-night/Film?oid=1053549 Chicago Reader article]</ref>
 +|-
 +|''Beat''||[[Christopher Maclaine]]|| ||United States||<ref name="Fred Camper essay"/>
 +|-
 +|''Défense d'afficher''||[[Hy Hirsh]]|| ||France||Color<ref> [http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg CVM, Hy Hirsh CV]</ref>
 +|-
 +|''[[Dom (film)|Dom]] (House)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animation; Winner of 1958 Belgium International Experimental Film Competition<ref name="Lenica profile at culture.pl"/>
 +|-
 +|''[[Free Radicals (film)|Free Radicals]]''
 +|[[Len Lye]]
 +|
 +|United Kingdom
 +|
 +|-
 +|''[[A Story of Water|Une histoire d'eau]]''||[[Jean-Luc Godard]], [[François Truffaut]]||Caroline Dim, [[Jean-Claude Brialy]] ||France||Semi-improvised, proto-''Nouvelle vague'' short<ref>[http://notcoming.com/reviews/unehistoiredeau notcoming.com entry]</ref>
 +|-
 +|''[[A Movie]]''||[[Bruce Conner]]|| ||United States||Iconic collage film.<ref>[http://www.avclub.com/review/bruce-conner-the-art-of-montage-47583] A.V. Club, "Bruce Conner: The Art of Montage" review</ref>
 +|-
 +|''[[Schwechater]]''||[[Peter Kubelka]]|| ||Austria||"Metric" beer commercial<ref>[http://beervlog.com/peter-kubelka-schwechater-1958/ BeerVlog entry]</ref>
 +|-
 +|''Szkoła (School)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animated photographs<ref name="Culture.pl Borowczyk profile"/>
 +|-
 +|''Spatiodynamisme''||[[Tinto Brass]], [[Nicolas Schöffer]]|| ||France||Color, silent. A visual document of Schöffer's CYSP-1, the first [[cybernetic]] sculpture.<ref>[https://letterboxd.com/film/spatiodynamisme/ Letterboxd.com entry]</ref>
 +|-
 +|''Sztandar młodych (Banner of Youth)''||[[Jan Lenica]], [[Walerian Borowczyk]]|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/>
 +|-
 +| colspan="5" {{Year header}} style="text-align:left; background:#e9e9e9" | [[1959 in film|1959]]
 +|-
 +|''Les astronautes''||[[Walerian Borowczyk]], [[Chris Marker]]|| ||France||Animated<ref name="Culture.pl Borowczyk profile"/>
 +|-
 +|''Chasse des Touches''||[[Hy Hirsh]]|| ||France||Abstract animation<ref> [http://centerforvisualmusic.org/Hirsh/HIRSH_CV2.jpg CVM, Hy Hirsh CV]</ref>
 +|-
 +|''[[Cat's Cradle (film)|Cat's Cradle]]''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Diary of an Unknown Soldier''
 +|[[Peter Watkins]]
 +|
 +|United Kingdom
 +|
 +|-
 +|''Eyewash''||[[Robert Breer]]|| ||United States||Color, silent mixture of abstract animation and live action; exists in two versions.<ref name="hcl.harvard.edu"/>
 +|-
 +|''[[Hiroshima mon amour]]''
 +|[[Alain Resnais]]
 +|[[Eiji Okada]], [[Emmanuelle Riva]]
 +|France
 +|Written by [[Marguerite Duras]]
 +|-
 +|''Monsieur Tête''||[[Jan Lenica]]|| ||France||Animation<ref name="Lenica profile at culture.pl"/>
 +|-
 +|''Odds and Ends''
 +|Jane Conger Shimane Belson
 +|
 +|United States
 +|
 +|-
 +|''[[Pull My Daisy]]''||[[Robert Frank]], [[Alfred Leslie]]||[[Allen Ginsberg]], [[Gregory Corso]] ||United States||Beat Generation film, written by [[Jack Kerouac]]<ref>[http://www.photoeye.com/magazine/reviews/2008/05_21_pull_my_daisy.cfm Photo Eye-Magazine, "Is Pull My Daisy Holy? by John Cohen]</ref>
 +|-
 +|''[[The Running Jumping & Standing Still Film]]''
 +|[[Richard Lester]]
 +|
 +|United Kingdom
 +|
 +|-
 +|''Scotch Hop''||[[Christopher Maclaine]]|| ||United States||<ref name="Fred Camper essay"/>
 +|-
 +|''Season of Strangers''||[[Maya Deren]]|| ||United States||Unfinished; made as part of Haiku Film Project at Woodstock<ref>[http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf In the Mirror of Maya Deren presskit] {{webarchive|url=https://web.archive.org/web/20130606075957/http://www.zeitgeistfilms.com/films/inthemirrorofmayaderen/presskit.pdf |date=2013-06-06 }}</ref>
 +|-
 +|''[[Shadows (1959 film)|Shadows]]''
 +|[[John Cassavetes]]
 +|[[Ben Carruthers]], [[Lelia Goldoni]], [[Hugh Hurd]]
 +|United States
 +|
 +|-
 +|''Sirius Remembered''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|''Wedlock House: An Intercourse''||[[Stan Brakhage]]|| ||United States||Silent<ref name="Brakhage filmography"/>
 +|-
 +|''[[Window Water Baby Moving]]''||[[Stan Brakhage]]|| ||United States||Color, silent<ref name="Brakhage filmography"/>
 +|-
 +|}
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This is a list of avant-garde and experimental films released in the 1950s. Unless noted, all films had sound and were in black and white.

Title Director Cast Nation Notes
colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1950
The Adventures of JimmyJames BroughtonJames BroughtonUnited StatesMusic by Weldon Kees.<ref name="Kees Kino program">Kees Kino program</ref>
Un chant d'amour Jean Genet Java, André Reybaz France Genet's only film
Eaten Horizons Wilhelm Freddie, Jørgen Roos France Surrealist film
Orphée Jean Cocteau Jean Marais France
Rabbit's MoonKenneth AngerAndré Soubeyron, Claude RevenantFranceColor<ref>{{
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}}</ref>Template:Failed verification |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1951 |- |Divertissement Rococo||Hy Hirsh|| ||United States||Abstract animation<ref>Hy Hirsh CV</ref> |- |Ensemble for Somnambulists||Maya Deren|| ||Canada||<ref>{{

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}}</ref> |- |Le mort du cerf |Dimitri Kirsanoff | |France | |- |A Treatise on Venom and Eternity||Isidore Isou||Isidore Isou||France||Lettrist film<ref name=":0" /> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1952 |- |L'anti-concept |Gil J. Wolman | |France |Lettrist film<ref name=":0" /> |- |Approaches and Leavetakings||Weldon Kees, Jurgen Ruesch|| ||United States||<ref name="Kees Kino program"/> |- |Bells of Atlantis |Ian Hugo | |- |Form Phases I||Robert Breer|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu">[1] Template:Webarchive Harvard Film Archive: Robert Breer, Kinetic Poet of the Avant-Garde</ref> |- |Hand-Mouth Coordination||Weldon Kees, Gregory Bateson|| ||United States||<ref name="Kees Kino program"/> |- |Hotel Apex||Weldon Kees|| ||United States||Study of the demolition of an old hotel<ref name="Kees Kino program"/> |- |Hurlements en faveur de Sade |Guy Debord | |France |Lettrist film |- |Interim||Stan Brakhage|| ||United States||Brakhage's first film, scored by James Tenney<ref name="Brakhage filmography">Brakhage filmography</ref> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1953 |- |The Boy and the Sea||Stan Brakhage|| ||United States||Silent, listed by Camper as "not available"<ref name="Brakhage filmography"/> |- |Color Cry||Len Lye|| ||United States||Color, Drawn-on-film animation, music by Sonny Terry<ref>[2]</ref> |- |Come Closer||Hy Hirsh|| ||United States||Color, abstract animation in 3-D<ref>CVM, Hy Hirsh CV</ref> |- |Eaux d'Artifice||Kenneth Anger||Carmilla Salvatorelli ||Italy||Color, added to the National Film Registry in 1993<ref>Electric Sheep; Interview with Kenneth Anger</ref> |- |The End||Christopher Maclaine|| ||United States||Early Beat generation film<ref>Bioskop entry</ref> |- |Eneri||Hy Hirsh|| ||United States||Abstract animation, color.<ref> HIRSH_CV2.jpg CVM, Hirsh CV] </ref> |- |Form Phases II||Robert Breer|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu"/> |-

   |Mandala||Jordan Belson|| ||United States||Abstract animation, color<ref>

CVM Belson Filmography</ref>

|- |The Pleasure Garden |James Broughton |Lindsay Anderson, Hattie Jacques, John Le Mesurier |United Kingdom | |- |Statues Also Die |Chris Marker, Alain Resnais | |France | |- |Unglassed Windows Cast a Terrible Reflection||Stan Brakhage|| ||United States||Silent, listed by Camper as "not available"<ref name="Brakhage filmography"/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1954 |- |Desistfilm||Stan Brakhage|| ||United States||<ref name="Brakhage filmography"/> |- |The Extraordinary Child||Stan Brakhage|| ||United States||Listed by Camper as "not available"<ref name="Brakhage filmography"/> |- |Form Phases IV||Robert Breer|| ||United States||Color, silent abstract animation.<ref name="hcl.harvard.edu"/> |-

|Gyromorphosis||Hy Hirsh|| ||Netherlands||Abstract animation<ref> CVM, Hy Hirsh CV</ref> |- |In Between||Stan Brakhage|| ||United States||Color, music by John Cage<ref name="Brakhage filmography"/> |- |Inauguration of the Pleasure Dome||Kenneth Anger||Samson de Brier, Anaïs Nin||United States||Color, edited into at least three distinct versions<ref>Inauguration of the Pleasure Dome’s Surreal Ritual</ref> |- |Un Miracle||Robert Breer, Pontus Hultén|| ||United States||Color, collage animation.<ref name="hcl.harvard.edu"/> |- |The Way to Shadow Garden||Stan Brakhage|| ||United States||<ref name="Brakhage filmography"/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1955 |- |Atelier de Fernand Léger||Walerian Borowczyk|| ||Poland||Filmed at Fernand Léger's studio in Paris<ref name="Culture.pl Borowczyk profile"/> |- |Aviary||Joseph Cornell|| ||United States||Silent<ref name=sfcinematheque>Jeanne Liotta: Joseph Cornell Template:Webarchive</ref> |- |The Bridge||William Heick||Weldon Kees ||United States||Poetic study, based on Hart Crane<ref name="Kees Kino program"/> |- |Closed Vision |Marc'O. | |France |Lettrist film<ref name=":0" /> |- |Dementia, aka Daughter of Horror||John Parker||Adrienne Barrett, Bruno VeSota ||United States||Essentially silent psychological horror film, music by George Antheil<ref>"Yes! I am Here!"</ref> |- |Une femme coquette |Jean-Luc Godard |Maria Lysandre, Roland Tolma |France | |- |Haitian Film Footage||Maya Deren|| ||Haiti||Begun in 1947; later posthumously edited into The Divine Horsemen<ref>In the Mirror of Maya Deren presskit Template:Webarchive</ref> |- |Jesień (Autumn)||Walerian Borowczyk|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/> |- |Joanne, Union Square||Joseph Cornell|| ||United States||Silent<ref name=sfcinematheque/> |- |Joanne, Xmas||Joseph Cornell|| ||United States||Silent<ref name=sfcinematheque/> |- |Mosaik im Vertrauen (Mosaic in Confidence)||Peter Kubelka|| ||Austria||Written by Ferry Radax<ref>Rotterdam Film Festival entry</ref> |- |A Portrait of Ga |Margaret Tait | |United Kingdom | |- |Reflections||Madeline Tourtelot|| ||United States||Color, two distinct versions<ref>The Flaherty Seminar, "The Flaherty Preservation Initiative"</ref> |- |Reflections on Black||Stan Brakhage|| ||United States||<ref name="Brakhage filmography"/> |- |Sunday in Peking |Chris Marker | |France | |- |The Very Eye of Night||Maya Deren|| ||United States||Dance film, choreographed by Antony Tudor<ref>In the Mirror of Maya Deren presskit Template:Webarchive</ref> |- |The Wonder Ring||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |Żywe fotografie (Photographies Vivantes)||Walerian Borowczyk|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1956 |- |Centuries of June||Stan Brakhage, Joseph Cornell|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |Flesh of Morning||Stan Brakhage|| ||United States||Revised in 1986<ref name="Brakhage filmography"/> |- |Nightcats||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |Recreation||Robert Breer||Noël Burch ||United States||Color, semi-abstract animation with narration.<ref name="hcl.harvard.edu"/> |- |Together||Lorenza Mazzetti, Denis Horne||Eduardo Paolozzi, Michael Andrews ||Template:Nowrap||Experimental semi-documentary<ref>BFI screenonline entry</ref> |- |Zone Moment||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1957 |- |8 x 8: A Chess Sonata in 8 Movements |Jean Cocteau, Marcel Duchamp, Hans Richter | |United States | |- |A to Z||Michael Snow|| ||Canada||"Blue and white" color, silent<ref>Austrian Film Museum: 1 Snow Sound and Silence</ref><ref>Canyon Cinema entry</ref><ref>CFMDC entry</ref> |- |Adebar||Peter Kubelka|| ||Austria||Early structural — or in Kubelka's terms, "metric" — film<ref>Kontraste Festival entry Template:Webarchive</ref> |- |Adventures of *||John Hubley, Faith Hubley|| ||United States||Color, music score by Benny Carter. Semi-abstract animation.<ref>MOMA entry</ref><ref>Jerry Beck, "Cartoons Considered for An Academy Award 1957," cartoonresearch.com [3]</ref> |- |Angel||Joseph Cornell|| ||United States||Color<ref name=sfcinematheque/> |- |Był sobie raz (Once Upon a Time)||Jan Lenica, Walerian Borowczyk|| ||Poland||Cut-out animation<ref name="Lenica profile at culture.pl">{{

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}}</ref> |- |Boy's Games||Joseph Cornell|| ||United States||Silent<ref name=sfcinematheque/> |- |Cappuccino||Joseph Cornell|| ||United States||<ref name=sfcinematheque/> |- |Children||Joseph Cornell|| ||United States||Silent<ref name=sfcinematheque/> |- |Cloche a Travers les Feuilles/Claude Debussy||Joseph Cornell|| ||United States||Revised version of Nymphlight<ref name=sfcinematheque/> |- |Daybreak and Whiteye||Stan Brakhage|| ||United States||<ref name="Brakhage filmography"/> |- |Dni Oświaty (Education Days)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animation<ref name="Culture.pl Borowczyk profile"/> |- |A Fable for Fountains||Joseph Cornell, Rudolph Buckhardt|| ||United States||Begun in 1955; revised as "A Legend for Fountains" in 1965<ref name=sfcinematheque/> |- |Glimpse of the Garden||Marie Menken|| ||United States||Selected for addition to the National Film Registry in 2007<ref>The Plant Journal</ref> |- |Nagrodzone uczucia (Requited Sentiments)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/> |- |Jamestown Baloos||Robert Breer|| ||United States||Color, semi-abstract combination of animation and live action.<ref name="hcl.harvard.edu"/> |- |Loving||Stan Brakhage||Carolee Schneemann, James Tenney||United States||Color, silent<ref name="Brakhage filmography"/> |- |Strep-tease (Striptease)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/> |- |A Man and His Dog Out for Air||Robert Breer|| ||United States||Abstract animation, shown with Last Year at Marienbad in its first New York run.<ref name="hcl.harvard.edu"/> |- |The Man Who Invented Gold||Christopher Maclaine|| ||United States||Partly filmed by Jordan Belson<ref name="Fred Camper essay">Fred Camper essay</ref> |- |Nymphlight||Joseph Cornell|| ||United States||Color<ref name=sfcinematheque/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1958 |- |Anticipation of the Night||Stan Brakhage|| ||United States||<ref>Chicago Reader article</ref> |- |Beat||Christopher Maclaine|| ||United States||<ref name="Fred Camper essay"/> |- |Défense d'afficher||Hy Hirsh|| ||France||Color<ref> CVM, Hy Hirsh CV</ref> |- |Dom (House)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animation; Winner of 1958 Belgium International Experimental Film Competition<ref name="Lenica profile at culture.pl"/> |- |Free Radicals |Len Lye | |United Kingdom | |- |Une histoire d'eau||Jean-Luc Godard, François Truffaut||Caroline Dim, Jean-Claude Brialy ||France||Semi-improvised, proto-Nouvelle vague short<ref>notcoming.com entry</ref> |- |A Movie||Bruce Conner|| ||United States||Iconic collage film.<ref>[4] A.V. Club, "Bruce Conner: The Art of Montage" review</ref> |- |Schwechater||Peter Kubelka|| ||Austria||"Metric" beer commercial<ref>BeerVlog entry</ref> |- |Szkoła (School)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animated photographs<ref name="Culture.pl Borowczyk profile"/> |- |Spatiodynamisme||Tinto Brass, Nicolas Schöffer|| ||France||Color, silent. A visual document of Schöffer's CYSP-1, the first cybernetic sculpture.<ref>Letterboxd.com entry</ref> |- |Sztandar młodych (Banner of Youth)||Jan Lenica, Walerian Borowczyk|| ||Poland||Animation<ref name="Lenica profile at culture.pl"/> |- | colspan="5" Template:Year header style="text-align:left; background:#e9e9e9" | 1959 |- |Les astronautes||Walerian Borowczyk, Chris Marker|| ||France||Animated<ref name="Culture.pl Borowczyk profile"/> |- |Chasse des Touches||Hy Hirsh|| ||France||Abstract animation<ref> CVM, Hy Hirsh CV</ref> |- |Cat's Cradle||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |Diary of an Unknown Soldier |Peter Watkins | |United Kingdom | |- |Eyewash||Robert Breer|| ||United States||Color, silent mixture of abstract animation and live action; exists in two versions.<ref name="hcl.harvard.edu"/> |- |Hiroshima mon amour |Alain Resnais |Eiji Okada, Emmanuelle Riva |France |Written by Marguerite Duras |- |Monsieur Tête||Jan Lenica|| ||France||Animation<ref name="Lenica profile at culture.pl"/> |- |Odds and Ends |Jane Conger Shimane Belson | |United States | |- |Pull My Daisy||Robert Frank, Alfred Leslie||Allen Ginsberg, Gregory Corso ||United States||Beat Generation film, written by Jack Kerouac<ref>Photo Eye-Magazine, "Is Pull My Daisy Holy? by John Cohen</ref> |- |The Running Jumping & Standing Still Film |Richard Lester | |United Kingdom | |- |Scotch Hop||Christopher Maclaine|| ||United States||<ref name="Fred Camper essay"/> |- |Season of Strangers||Maya Deren|| ||United States||Unfinished; made as part of Haiku Film Project at Woodstock<ref>In the Mirror of Maya Deren presskit Template:Webarchive</ref> |- |Shadows |John Cassavetes |Ben Carruthers, Lelia Goldoni, Hugh Hurd |United States | |- |Sirius Remembered||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |Wedlock House: An Intercourse||Stan Brakhage|| ||United States||Silent<ref name="Brakhage filmography"/> |- |Window Water Baby Moving||Stan Brakhage|| ||United States||Color, silent<ref name="Brakhage filmography"/> |- |}




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