Jean-Jacques Lequeu  

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'''Jean-Jacques Lequeu''' ([[Rouen]], [[September 14]] [[1757]] – [[28 March]] [[1826]]) was a [[France|French]] [[technical drawing|draughtsman]] and [[Visionary architecture |visionary architect]]. '''Jean-Jacques Lequeu''' ([[Rouen]], [[September 14]] [[1757]] – [[28 March]] [[1826]]) was a [[France|French]] [[technical drawing|draughtsman]] and [[Visionary architecture |visionary architect]].
-Born in [[Rouen]], he won a scholarship to go to [[Paris]], but following the [[French revolution]] his architectural career never took off. Very little is known of his life. Apart from two [[architectural follies]], in the neighborhood of his native Rouen, his designs were not built. His architectural oeuvre consists of drawings of often [[inconstructible]] buildings. The rest of his pictoral work, such as the [[autoportrait]]s "[[en travesti]]", belong to a protosurrealist phantasm. He worked with architect [[Jean-Baptiste Le Brument|Le Brument]]. +Born in [[Rouen]], he won a scholarship to go to [[Paris]], but following the [[French revolution]] his architectural career never took off. Very little is known of his life. Apart from two [[architectural follies]] in the neighborhood of his native Rouen his designs were never built. His architectural oeuvre consists of drawings of often [[inconstructible]] buildings. The rest of his pictoral work, such as the [[autoportrait]]s "[[en travesti]]", belong to a protosurrealist phantasm. He worked with architect [[Jean-Baptiste Le Brument|Le Brument]].
He spent time preparing the ''[[Architecture Civile]]'', a book intended for publication, but which was never published. Most of his drawings can be found at the [[Bibliothèque nationale de France]]. Some of the drawings in the so-called ''[[Figures Lascives]]'' collection are sexually explicit (''[[Le Dieu Priape]]'' [http://gallica.bnf.fr/ark:/12148/btv1b7703791r] which shows a rather large male [[phallus]] and ''[[Trois images du sexe féminin]]'') and are kept in the ''[[Les livres de l'Enfer|Enfer]]'' of the [[French national library]]. Most of these drawings have been reproduced in Duboy's book ''[[Lequeu : An Architectural Enigma]]'' but can also be found in ''[[Sade / Surreal]]''. He spent time preparing the ''[[Architecture Civile]]'', a book intended for publication, but which was never published. Most of his drawings can be found at the [[Bibliothèque nationale de France]]. Some of the drawings in the so-called ''[[Figures Lascives]]'' collection are sexually explicit (''[[Le Dieu Priape]]'' [http://gallica.bnf.fr/ark:/12148/btv1b7703791r] which shows a rather large male [[phallus]] and ''[[Trois images du sexe féminin]]'') and are kept in the ''[[Les livres de l'Enfer|Enfer]]'' of the [[French national library]]. Most of these drawings have been reproduced in Duboy's book ''[[Lequeu : An Architectural Enigma]]'' but can also be found in ''[[Sade / Surreal]]''.

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Jean-Jacques Lequeu (Rouen, September 14 175728 March 1826) was a French draughtsman and visionary architect.

Born in Rouen, he won a scholarship to go to Paris, but following the French revolution his architectural career never took off. Very little is known of his life. Apart from two architectural follies in the neighborhood of his native Rouen his designs were never built. His architectural oeuvre consists of drawings of often inconstructible buildings. The rest of his pictoral work, such as the autoportraits "en travesti", belong to a protosurrealist phantasm. He worked with architect Le Brument.

He spent time preparing the Architecture Civile, a book intended for publication, but which was never published. Most of his drawings can be found at the Bibliothèque nationale de France. Some of the drawings in the so-called Figures Lascives collection are sexually explicit (Le Dieu Priape [1] which shows a rather large male phallus and Trois images du sexe féminin) and are kept in the Enfer of the French national library. Most of these drawings have been reproduced in Duboy's book Lequeu : An Architectural Enigma but can also be found in Sade / Surreal.

Contents

Various explicit drawings

“Age pour concevoir” "Il est Libre,"

Postures lubriques de Vénus et Bacchus

“L’infame Vénus couchée. Posture lubrique d’après nature”. [Entre 1779 et 1795].

Lequeu de commenter : “son visage est en feu”, “tétons ronds et séparés, très blancs,ou…”, “tétons rondelets et durs”, “cuisse grasse”, “le poil crépu”, le con relevé”, “les parties ouvertes du désir ardent”.

“Posture lubrique de Bacchus”.

Et pour commentaires , de haut en bas et de gauche à droite : “Ventre”, “Le prépuce remonté et coupé aux circoncis”, “Le dieu Priape, le membre droit et épouvantable, dans l’action à faire son office”, “testicules”, “la verge longue et quarrée (sic), ou le vit bandant, c’est-à-dire, grossi et allongé dans l’action du coït”

Jeune con dans une attitude des conjonctures de Vénus. [Entre 1779 et 1795].

“A.Motte ; partie de choix qui doit être couverte d’un poil noir et long, de vers le nombril jusqu’au coccis, bien ombragé ; et qui à force d’attouchements lascifs ; à force de frotter avec l’index, les femmes jouissent ainsi que nous”. “A.clitoris”. “Conin”.

French description

Jean-Jacques Lequeu est plutôt un visionnaire qu’un architecte. À part deux « folies » aux environs de sa ville natale, il n’a rien construit. Tout le reste de son œuvre architecturale consiste dans des dessins de bâtiments souvent inconstructibles. Le reste de son œuvre picturale, tels ses autoportraits en travesti, appartient au fantasme et a constitué une inspiration pour le surréalisme qui a vu en lui un précurseur. On ne sait pas grand-chose de sa vie. On sait qu’il a travaillé dans sa ville natale avec l’architecte Le Brument.

Il a été architecte de l’Académie royale des Sciences, Belles-Lettres, et Beaux-Arts. Il a reçu deux prix de l’Académie de Rouen en 1776 et 1778. En 1779, il travaille comme dessinateur ou inspecteur au bureau des bâtiments de l’église Sainte-Geneviève (c’est-à-dire l’agence de Jacques-Germain Soufflot). En 1793, il est employé au bureau du Cadastre. En 1802, il travaille au bureau des bâtiments civils du ministère de l’Intérieur. En juillet 1825, il donne l’ensemble de ses dessins et manuscrits à la Bibliothèque Royale.

Il est souvent considéré comme un architecte « révolutionnaire », au même titre que Étienne-Louis Boullée et Claude Nicolas Ledoux. Cette épithète ne vient pas de ce qu’ils ont révolutionné l’architecture ou qu’il aient été particulièrement engagés à cette période, mais qu’ils sont contemporains de la Révolution française.

See also

Bibliography

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