Impressionism  

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Impressionism was a 19th century art movement that began as a loose association of Paris-based artists, who began exhibiting their art publicly in the 1860s. The name of the movement is derived from the title of a Claude Monet work, Impression, Sunrise (Impression, soleil levant), which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari.

Characteristics of Impressionist painting include visible brushstrokes, open composition, emphasis on light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, and unusual visual angles.

The emergence of Impressionism in the visual arts was soon followed by analogous movements in other media which became known as Impressionist music and Impressionist literature.

Other visual artists known as Impressionists

The sculptor Auguste Rodin is sometimes called an Impressionist for the way he used roughly modeled surfaces to suggest transient light effects. Pictorialist photographers whose work is characterized by soft focus and atmospheric effects have also been called Impressionists. Examples are Kirk Clendinning, Alvin Langdon Coburn, Robert Farber, Eduard Steichen, Alfred Stieglitz, and Clarence H. White.

French impressionist filmmakers include Abel Gance, Jean Epstein, Germaine Dulac, Marcel L’Herbier, and Louis Delluc, and Dmitry Kirsanoff.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Impressionism" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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