France–United States relations
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Current revision Jahsonic (Talk | contribs) (Franco-American relations moved to France–United States relations) |
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+ | J’ai deux amours<br> | ||
+ | [[United States|mon pays]] et [[Paris]] | ||
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+ | --"[[J'ai deux amours (song) |J'ai deux amours]]" (1930) | ||
+ | |} | ||
+ | [[Image:Josephine Baker dancing the Charleston to an Art Deco-styole background.jpg|thumb|right|200px|[[Josephine Baker]] dancing the [[charleston]] at the [[Folies Bergère]] in Paris for ''[[La Revue nègre]]'' in [[1926]]. Notice the [[art deco]] background. <br>(Photo by Walery)]] | ||
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- | '''Franco-American relations''' refers to [[interstate relations]] between the [[France|French Republic]] and the [[United States|United States of America]]. Its groundwork was laid by the [[European colonization of the Americas|colonization]] of parts of the [[Americas]] by the [[Europe]]an [[power (international)|powers]] [[French colonization of the Americas|France]] and [[British colonization of the Americas|Great Britain]]. | + | '''French–American relations''' refers to the diplomatic, social, economic and cultural relations between France and the United States since 1776. France was the first ally of the new United States. [[France in the American Revolutionary War|The 1778 treaty and military support]] proved decisive in the American victory over Britain in the [[American Revolutionary War]]. France fared poorly, with few gains and heavy debts, which were contributing causes of [[French Revolution|France's own revolution]] and eventual transition to a Republic. |
==Interwar years== | ==Interwar years== | ||
During the [[interwar]] years, the two nations remained friendly. Beginning in the [[1920s]], U.S. intellectuals, painters, writers, and tourists were drawn to [[French art]], [[French literature|literature]], [[French philosophy|philosophy]], [[French theatre|theatre]], [[French cinema|cinema]], [[French fashion|fashion]], [[wine]]s, and [[cuisine]]. A number of American artists, such as [[Josephine Baker]], had successes in France. Paris was also quite welcoming to [[Jazz music]] and[[ black artist]]s — since France, contrary to a significant part of the U.S. at the time, had no racial discrimination laws. U.S. [[novel]]ists such as [[William Faulkner]] and numerous filmmakers influenced French life. | During the [[interwar]] years, the two nations remained friendly. Beginning in the [[1920s]], U.S. intellectuals, painters, writers, and tourists were drawn to [[French art]], [[French literature|literature]], [[French philosophy|philosophy]], [[French theatre|theatre]], [[French cinema|cinema]], [[French fashion|fashion]], [[wine]]s, and [[cuisine]]. A number of American artists, such as [[Josephine Baker]], had successes in France. Paris was also quite welcoming to [[Jazz music]] and[[ black artist]]s — since France, contrary to a significant part of the U.S. at the time, had no racial discrimination laws. U.S. [[novel]]ists such as [[William Faulkner]] and numerous filmmakers influenced French life. | ||
==Postwar years== | ==Postwar years== | ||
While occasional tensions surfaced between the governments, the French public, except for the Communists, generally had a good opinion of the United States throughout the [[1950s]] and into the [[1960s]]. Despite some degree of cultural friction, the United States were seen as a benevolent giant, the land of modernity, and the French youth took a taste to things American such as [[chewing gum]], [[Coca-Cola]], and [[rock'n'roll]]. | While occasional tensions surfaced between the governments, the French public, except for the Communists, generally had a good opinion of the United States throughout the [[1950s]] and into the [[1960s]]. Despite some degree of cultural friction, the United States were seen as a benevolent giant, the land of modernity, and the French youth took a taste to things American such as [[chewing gum]], [[Coca-Cola]], and [[rock'n'roll]]. | ||
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+ | == See also == | ||
+ | *[[The Lost Generation]] | ||
+ | * [[Francophile]] | ||
+ | * [[Francophobia]] | ||
+ | * [[French American]] | ||
+ | * [[Freedom fries]] | ||
+ | *[[Cheese-eating surrender monkeys]] | ||
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Current revision
J’ai deux amours --"J'ai deux amours" (1930) |
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Featured: |
French–American relations refers to the diplomatic, social, economic and cultural relations between France and the United States since 1776. France was the first ally of the new United States. The 1778 treaty and military support proved decisive in the American victory over Britain in the American Revolutionary War. France fared poorly, with few gains and heavy debts, which were contributing causes of France's own revolution and eventual transition to a Republic.
Interwar years
During the interwar years, the two nations remained friendly. Beginning in the 1920s, U.S. intellectuals, painters, writers, and tourists were drawn to French art, literature, philosophy, theatre, cinema, fashion, wines, and cuisine. A number of American artists, such as Josephine Baker, had successes in France. Paris was also quite welcoming to Jazz music and black artists — since France, contrary to a significant part of the U.S. at the time, had no racial discrimination laws. U.S. novelists such as William Faulkner and numerous filmmakers influenced French life.
Postwar years
While occasional tensions surfaced between the governments, the French public, except for the Communists, generally had a good opinion of the United States throughout the 1950s and into the 1960s. Despite some degree of cultural friction, the United States were seen as a benevolent giant, the land of modernity, and the French youth took a taste to things American such as chewing gum, Coca-Cola, and rock'n'roll.
See also
- The Lost Generation
- Francophile
- Francophobia
- French American
- Freedom fries
- Cheese-eating surrender monkeys