France–United States relations  

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J’ai deux amours
mon pays et Paris

--"J'ai deux amours" (1930)

Josephine Baker dancing the charleston at the Folies Bergère in Paris for La Revue nègre in 1926. Notice the art deco background. (Photo by Walery)
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Josephine Baker dancing the charleston at the Folies Bergère in Paris for La Revue nègre in 1926. Notice the art deco background.
(Photo by Walery)

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French–American relations refers to the diplomatic, social, economic and cultural relations between France and the United States since 1776. France was the first ally of the new United States. The 1778 treaty and military support proved decisive in the American victory over Britain in the American Revolutionary War. France fared poorly, with few gains and heavy debts, which were contributing causes of France's own revolution and eventual transition to a Republic.

Interwar years

During the interwar years, the two nations remained friendly. Beginning in the 1920s, U.S. intellectuals, painters, writers, and tourists were drawn to French art, literature, philosophy, theatre, cinema, fashion, wines, and cuisine. A number of American artists, such as Josephine Baker, had successes in France. Paris was also quite welcoming to Jazz music and black artists — since France, contrary to a significant part of the U.S. at the time, had no racial discrimination laws. U.S. novelists such as William Faulkner and numerous filmmakers influenced French life.

Postwar years

While occasional tensions surfaced between the governments, the French public, except for the Communists, generally had a good opinion of the United States throughout the 1950s and into the 1960s. Despite some degree of cultural friction, the United States were seen as a benevolent giant, the land of modernity, and the French youth took a taste to things American such as chewing gum, Coca-Cola, and rock'n'roll.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "France–United States relations" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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