Electronic art music  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
electronic music, art music

Electronic music has existed, in various forms, for more than a century. Between the time that recording sounds was first made possible and the computer technology of today, a vast amount of change has occurred. Technology has been developed for creating sounds, for recording sounds, composing, and for altering sounds. Some technology involved electronics, but some important conceptual changes that did not depend on electronics still had a profound impact on the advent of electronic music.

The experimentation with technology was occurring in many countries simultaneously, sometimes for different purposes. Throughout the last century, musicians, artists, scientists, inventors, and businesspeople each had interest in the progress of technology, and cross-pollination was and continues to be quite common. For this reason, part of the history necessarily includes advances in other fields.

Electronic art music in the 1960s

1960s music, Electronic art music in the 1960s

By the 1960s, a strong community of composers and musicians working with new sounds and instruments was well established, and growing. 1960 witnessed the composition of Otto Luening's A Poem in Cycles & Bells, Gargoyles for Violin & Synthesized Sound, and Sounds of New Musics for violin and tape as well as the premiere of Stockhausen's Kontakte for electronic sounds, piano, and percussion.

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Electronic art music" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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