Exhibitions of the Arts Incohérents
From The Art and Popular Culture Encyclopedia
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==1884== | ==1884== | ||
- | *[[Catalogue illustré de l'exposition des arts incohérents (1884) ]] | + | The 1884 exhibition showed "[[Récolte de la tomate, sur le bord de la mer Rouge par des Cardinaux apoplectiques]]" and ''[[Les grandes douleurs sont muettes. — Marche funèbre incohérente]]'', both by Alphonse Allais. |
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+ | See [[Catalogue illustré de l'exposition des arts incohérents (1884) ]] | ||
==See also== | ==See also== | ||
*[[Incoherents]] | *[[Incoherents]] | ||
{{GFDL}} | {{GFDL}} |
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There were a number of "Salon des Incohérents": 1882, 1883, 1884, 1886, 1889[1].
Contents |
1882
Exposition des Arts Incohérents was an informal exhibition held in Paris on October 1, 1882, in the house of Jules Lévy (rue Antoine-Dubois)[2].
It featured a all black painting by the poet Paul Bilhaud titled Combat de nègres dans un tunnel.
1883
In the second show (1883) Eugène Bataille contributed an 'augmented' Mona Lisa (Mona Lisa Smoking a Pipe) that directly prefigures the famous Marcel Duchamp image L.H.O.O.Q. of 1919.
1884
The 1884 exhibition showed "Récolte de la tomate, sur le bord de la mer Rouge par des Cardinaux apoplectiques" and Les grandes douleurs sont muettes. — Marche funèbre incohérente, both by Alphonse Allais.
See Catalogue illustré de l'exposition des arts incohérents (1884)
See also