Vance Packard  

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Vance Packard (May 22, 1914December 12, 1996) was an American journalist, social critic, and author of the 1957 The Hidden Persuaders.

Publications

  • 1946 How to Pick a Mate - a guide co-authored with the head of the Penn State marriage counseling service
  • 1950 Animal IQ - a popular paperback on animal intelligence
  • 1957 The Hidden Persuaders - on the advertising industry - the first of a popular series of books on sociology topics (Template:ISBN)
  • 1959 The Status Seekers - describing American social stratification and behavior
  • 1960 The Waste Makers - criticizes planned obsolescence describing the impact of American productivity, especially on the national character
  • 1960 Oh, Happy, Happy, Happy - foreword by Vance Packard, with Charles Saxon
  • 1962 The Pyramid Climbers - describes the changing impact of American enterprise on managers, the structured lives of corporate executives and the conformity they need to advance in the hierarchy
  • 1964 The Naked Society - on the threats to privacy posed by new technologies such as computerized filing, modern surveillance techniques and methods for influencing human behavior
  • 1968 The Sexual Wilderness - on the sexual revolution of the 1960s and changes in male-female relationships
  • 1972 A Nation of Strangers - about the attrition of communal structure through frequent geographical transfers of corporate executives
  • 1977 The People Shapers - on the use of psychological & biological testing and experimentation to manipulate human behavior
  • 1983 Our Endangered Children - discusses growing up in a changing world, warning that American preoccupation with money, power, status, and sex, ignored the needs of future generations
  • 1989 The Ultra Rich: How Much Is Too Much? - examines the lives of thirty American multimillionaires and their extravagances.

See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Vance Packard" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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