Bauhaus
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| + | '''{{Audio|Staaatliches_Bauhaus.ogg|Staatliches Bauhaus}}''', an [[art]] and [[architecture]] school in [[Germany]] that operated from [[1919]] to [[1933]], and for its approach to design that it publicized and taught. The most natural meaning for its name (related to the German verb for "build") is ''Architecture House''. Bauhaus style became one of the most influential currents in [[Modernism|Modernist]] architecture, and one of the most important currents of the [[New Objectivity (architecture)|New Objectivity]]. | ||
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| + | The Bauhaus art school had a profound influence upon subsequent developments in [[art]], [[architecture]], [[graphic design]], [[interior design]], [[industrial design]] and [[typography]]. | ||
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| + | The Bauhaus art school existed in three German cities ([[Weimar]] from 1919 to 1925, [[Dessau]] from 1925 to 1932, [[Berlin]] from 1932 to 1933), under three different architect-directors ([[Walter Gropius]] from 1919 to 1927, [[Hannes Meyer]] from 1928 to 1930, [[Ludwig Mies van der Rohe]] from 1930 to 1933). The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. When the school moved from Weimar to Dessau, for instance, although it had been an important revenue source, the pottery shop was discontinued. When Mies took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it. | ||
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| + | [[László Moholy-Nagy]] revived the school for a single year in Chicago as the [[New Bauhaus]]. | ||
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| + | ==Context== | ||
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| + | [[Image:Bauhaus.JPG|thumb|300px|Restored workshop block of the Dessau Bauhaus (2003).]] | ||
| + | [[Image:Bauhaus Chair Breuer.png|thumb|300 px|Computer model of the [[Wassily Chair]] by [[Marcel Breuer]]]] | ||
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| + | The foundation of the Bauhaus occurred at a time of crisis and turmoil in Europe as a whole and particularly in Germany. Its establishment resulted from a confluence of a diverse set of political, social, educational and artistic development in the first two decades of the twentieth century. | ||
| [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [May 2007] | [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [May 2007] | ||
Revision as of 19:23, 15 May 2007
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Template:Audio, an art and architecture school in Germany that operated from 1919 to 1933, and for its approach to design that it publicized and taught. The most natural meaning for its name (related to the German verb for "build") is Architecture House. Bauhaus style became one of the most influential currents in Modernist architecture, and one of the most important currents of the New Objectivity.
The Bauhaus art school had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design and typography.
The Bauhaus art school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932, Berlin from 1932 to 1933), under three different architect-directors (Walter Gropius from 1919 to 1927, Hannes Meyer from 1928 to 1930, Ludwig Mies van der Rohe from 1930 to 1933). The changes of venue and leadership resulted in a constant shifting of focus, technique, instructors, and politics. When the school moved from Weimar to Dessau, for instance, although it had been an important revenue source, the pottery shop was discontinued. When Mies took over the school in 1930, he transformed it into a private school, and would not allow any supporters of Hannes Meyer to attend it.
László Moholy-Nagy revived the school for a single year in Chicago as the New Bauhaus.
Context
The foundation of the Bauhaus occurred at a time of crisis and turmoil in Europe as a whole and particularly in Germany. Its establishment resulted from a confluence of a diverse set of political, social, educational and artistic development in the first two decades of the twentieth century. [1] [May 2007]
