South Seas genre
From The Art and Popular Culture Encyclopedia
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| The '''South Seas genre''' is a [[genre]] spanning various expressive forms including literature, film, visual art, and entertainment that depicts the islands of the [[South Seas]] through an [[Escapist fiction|escapist]] narrative lens. Stories may sometimes take place in tropic settings like the [[Caribbean]] or [[Bermuda]]. Many [[Hollywood films]] were produced on studio [[backlot]]s or on [[Santa Catalina Island, California|Santa Catalina Island]]. The first feature non-documentary film made on location was ''[[Lost and Found on a South Sea Island]]'', shot in [[Tahiti]]. | The '''South Seas genre''' is a [[genre]] spanning various expressive forms including literature, film, visual art, and entertainment that depicts the islands of the [[South Seas]] through an [[Escapist fiction|escapist]] narrative lens. Stories may sometimes take place in tropic settings like the [[Caribbean]] or [[Bermuda]]. Many [[Hollywood films]] were produced on studio [[backlot]]s or on [[Santa Catalina Island, California|Santa Catalina Island]]. The first feature non-documentary film made on location was ''[[Lost and Found on a South Sea Island]]'', shot in [[Tahiti]]. | ||
| - | The genre was known for its portrayal of tropical men as savages and cannibals, and women as shapely, innocent, exotic beauties. The genre was seen as financially lucrative by the movie studios in the 1940s, despite criticisms that the genre was unrealistic and not well-informed. Typical examples include 1941's ''[[South of Tahiti]]'' and ''[[White Savage]]'' (1943). Island themed films also served as a kind of travelogue for a middle class film going public that could not afford what was deemed the ultimate once in a lifetime romantic getaway. Those that could afford tropical island vacations had to endure a weeks long ocean liner journey. Later in the 20th century and with the advent of jet travel such lengthy treks to island paradises would be more feasible. | + | The genre was known for its portrayal of tropical men as [[savages]] and [[cannibals]], and women as shapely, [[innocent]], [[exotic]] [[beauties]]. The genre was seen as financially lucrative by the movie studios in the 1940s, despite criticisms that the genre was unrealistic and not well-informed. Typical examples include 1941's ''[[South of Tahiti]]'' and ''[[White Savage]]'' (1943). Island themed films also served as a kind of travelogue for a middle class film going public that could not afford what was deemed the ultimate once in a lifetime romantic getaway. Those that could afford [[tropical island]] vacations had to endure a weeks long [[ocean liner]] journey. Later in the 20th century and with the advent of [[jet travel]] such lengthy treks to [[island]] paradises would be more feasible. |
| ==Noted authors== | ==Noted authors== | ||
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| * [[Charles Warren Stoddard]]: ''[[South-Sea Idyls]]'' (1873), ''[[Summer Cruising in the South Seas]]'' (1874), etc. | * [[Charles Warren Stoddard]]: ''[[South-Sea Idyls]]'' (1873), ''[[Summer Cruising in the South Seas]]'' (1874), etc. | ||
| ==See also== | ==See also== | ||
| + | *[[Islomania]] | ||
| *[[Orientalism]] | *[[Orientalism]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 19:33, 21 May 2024
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The South Seas genre is a genre spanning various expressive forms including literature, film, visual art, and entertainment that depicts the islands of the South Seas through an escapist narrative lens. Stories may sometimes take place in tropic settings like the Caribbean or Bermuda. Many Hollywood films were produced on studio backlots or on Santa Catalina Island. The first feature non-documentary film made on location was Lost and Found on a South Sea Island, shot in Tahiti.
The genre was known for its portrayal of tropical men as savages and cannibals, and women as shapely, innocent, exotic beauties. The genre was seen as financially lucrative by the movie studios in the 1940s, despite criticisms that the genre was unrealistic and not well-informed. Typical examples include 1941's South of Tahiti and White Savage (1943). Island themed films also served as a kind of travelogue for a middle class film going public that could not afford what was deemed the ultimate once in a lifetime romantic getaway. Those that could afford tropical island vacations had to endure a weeks long ocean liner journey. Later in the 20th century and with the advent of jet travel such lengthy treks to island paradises would be more feasible.
Noted authors
- J. Allan Dunn: The Island of the Dead (1915), Beyond the Rim (1916), etc.
- Robert Dean Frisbie: The Book of Puka Puka (1929), etc.
- Jack London: Adventure (1911), South Sea Tales, etc.
- W. Somerset Maugham: The Moon and Sixpence (1919), "Rain," etc.
- Herman Melville: Typee (1846), Omoo (1847), etc.
- James A. Michener: Tales of the South Pacific (1947)
- Charles Nordhoff and James Norman Hall: Mutiny on the Bounty (1932)
- Frederick O'Brien: White Shadows in the South Seas (1919)
- Henry De Vere Stacpoole: The Blue Lagoon (1908)
- Robert Louis Stevenson: In the South Seas (1896)
- Charles Warren Stoddard: South-Sea Idyls (1873), Summer Cruising in the South Seas (1874), etc.
See also
