White Shadows in the South Seas
From The Art and Popular Culture Encyclopedia
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White Shadows in the South Seas is a 1928 American silent film adventure romance directed by W.S. Van Dyke and starring Monte Blue and Raquel Torres. It was produced by Cosmopolitan Productions in association with MGM and distributed by MGM. Loosely based on the travel book of the same name by Frederick O'Brien, it is known for being the first MGM film to be released with a pre-recorded soundtrack, and also the first time Leo the Lion (MGM) roars in the introduction. Clyde De Vinna won an Academy Award for Best Cinematography.
This book was also adapted into an MGM movie of 1928, directed by Van Dyke. The French title of this film was Ombres blanches.
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Plot
Dr. Matthew Lloyd, an alcoholic doctor, is disgusted by white traders' exploitation of native pearl divers on a Polynesian island. They give the divers well below the value of the pearls while the divers suffer numerous injuries, some fatal, from the sea bed and from diving without breathing equipment.
When a diver is gravely injured, Sebastian, a leading trader, is indifferent, demanding the other divers keep working. When Lloyd remonstrates, Sebastian threatens him, demands he leave the island and swings a punch at him. Later, the diver dies despite Lloyd's treatment but the traders have a party all the same.
Sebastian tricks Lloyd onto an arriving ship by saying they have measles. His men tie the doctor up and send the ship off unmanned. Lloyd survives a storm and is washed ashore on an island where none of the natives has ever seen a white man.
Cast
- Monte Blue as Dr. Lloyd
- Raquel Torres as Fayaway
- Robert Anderson as Sebastian
- Renee Bush as Fayaway's friend (uncredited)
Production history
The film is inspired by the 1919 travel book of the same name by Frederick O'Brien, who spent a year in the South Pacific with Marquesas Islanders. The film began production in 1927 as a co-venture between documentary filmmaker Robert Flaherty, Cosmopolitan and MGM. The production was filmed in Tahiti, 4000 miles from Hollywood, a rarity for the time.
The film is known for being the first MGM film to be released with a pre-recorded soundtrack. The soundtrack consisted of a romantic score by William Axt and David Mendoza, with a few sound effects such as wind howling, a storm, trees ruffling and one faint word "Hello". The Tahitian location was sumptuously captured by cameramen Clyde De Vinna, Bob Roberts and George Nogle. De Vinna picked up an Academy Award for Best Cinematography for his efforts at the 1929 ceremonies, the second year the cinematography award was given out. De Vinna had previously been to Tahiti with director Raoul Walsh when they made the 1923 island adventure Lost and Found on a South Sea Island for Goldwyn Pictures.
Frederick O'Brien had spent a year on Hiva Oa prior to the publication of his 1919 book, living amongst native Marquesan islanders. Robert Flaherty had lived with his wife and children in Samoa from April 1923 to December 1924 filming the feature documentary Moana released in January 1926 by Paramount Pictures.
Several years later MGM production head Irving Thalberg was in hospital recuperating and during his stay Thalberg read O'Brien's book. In 1927 Thalberg decided to put O'Brien's book to film. Flaherty, a friend of O'Brien's, was brought aboard as director while W. S. Van Dyke was added as support to Flaherty. The production would head to Papeete, Tahiti.
The new film would feature a supporting cast of almost all Tahitian islanders and/or actors with only the featured stars and a few heavies/villains coming from Hollywood. Flaherty, upon arriving in Tahiti, began shooting the film at a slow pace which was not practical for MGM. After clashing with Van Dyke, Flaherty left the production, leaving Van Dyke as sole director for the film. Van Dyke then finished the project on schedule. However, Flaherty did shoot some scenes before departing the production, and some footage of his may be seen in the existing print, i.e. '...the lagoon in the jungle scene'.
A dispute over this film with Hunt Stromberg led David Selznick to quit Metro Goldwyn Mayer. "David thought it an idyllic story; Hunt said he wanted lots of tits."
Recognition
Critical response
Mordaunt Hall felt the film was "average" and expressed disappointment at how the film was advertised as a "sound" film yet, the only sound (other than sound effects, whistling, cheering, crying etc.) was the yelling of the word "Hello" which itself had the volume of a whisper.
Awards and nominations
- 1930, Won Academy Award for Best Cinematography for Clyde De Vinna
DVD release
On January 12, 2010, the film had its first home video release on DVD.
