Weird fiction
From The Art and Popular Culture Encyclopedia
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| - | '''Weird fiction''' is a subgenre of [[speculative literature]] written in the late 19th and early 20th century. Weird fiction is distinguished from [[horror fiction|horror]] and [[fantasy]] in that it predates the [[niche marketing]] of [[genre fiction]]. Because genre or stylistic conventions had not been established, weird tales often blend the supernatural, mythical, and even scientific. British "weird" authors, for example, published their work in mainstream literary magazines even after American pulp magazines became popular.<ref name= Joshi5>Joshi, p. 5</ref> Popular weird fiction writers included [[H. P. Lovecraft]], [[Lord Dunsany]], [[Arthur Machen]], and [[M. R. James]]. | + | '''Weird fiction''' is a subgenre of [[speculative literature]] written in the late 19th and early 20th century. Weird fiction is distinguished from [[horror fiction|horror]] and [[fantasy]] in that it predates the [[niche marketing]] of [[genre fiction]]. Because genre or stylistic conventions had not been established, weird tales often blend the supernatural, mythical, and even scientific. British "weird" authors, for example, published their work in mainstream literary magazines even after American pulp magazines became popular. Popular weird fiction writers included [[H. P. Lovecraft]], [[Lord Dunsany]], [[Arthur Machen]], and [[M. R. James]]. |
| Although "weird fiction" is chiefly a historical description for works through the 1930s, the term has also been used since the 1980s, sometimes to describe [[slipstream (genre)|slipstream]] fiction that blends horror, fantasy, and science fiction. | Although "weird fiction" is chiefly a historical description for works through the 1930s, the term has also been used since the 1980s, sometimes to describe [[slipstream (genre)|slipstream]] fiction that blends horror, fantasy, and science fiction. | ||
Revision as of 16:54, 26 April 2012
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Weird fiction is a subgenre of speculative literature written in the late 19th and early 20th century. Weird fiction is distinguished from horror and fantasy in that it predates the niche marketing of genre fiction. Because genre or stylistic conventions had not been established, weird tales often blend the supernatural, mythical, and even scientific. British "weird" authors, for example, published their work in mainstream literary magazines even after American pulp magazines became popular. Popular weird fiction writers included H. P. Lovecraft, Lord Dunsany, Arthur Machen, and M. R. James.
Although "weird fiction" is chiefly a historical description for works through the 1930s, the term has also been used since the 1980s, sometimes to describe slipstream fiction that blends horror, fantasy, and science fiction.
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History of the Genre
H. P. Lovecraft adopted the term from Sheridan Le Fanu and popularized it in his essays. In "Supernatural Horror in Literature," Lovecraft defines the genre:
The true weird tale has something more than secret murder, bloody bones, or a sheeted form clanking chains according to rule. A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain--a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.
The pulp magazine, Weird Tales, published many such stories in the United States from March 1923 to September 1954.
S. T. Joshi describes several subdivisions of the weird tale: supernatural horror (or fantastique), the ghost story, quasi science fiction, fantasy, and ambiguous horror fiction.<ref name= Joshi7-10>Joshi, pp. 7-10</ref>
Although Lovecraft was one of the few early 20th-century writers to describe their work as weird fiction,<ref name= Joshi1>Joshi, p. 1</ref> the term has enjoyed a contemporary revival in New Weird fiction. Many horror writers have situated themselves within the tradition of weird fiction, including Clive Barker,Template:Fact who describes his fiction as fantastique, and Ramsey Campbell, whose work is deeply influenced by Lovecraft.
