Willem Frederik Hermans  

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The Dutch writer Willem Frederik Hermans (September 1, 1921April 27, 1995) is considered one of the most important authors in the Netherlands in the postwar period.

His oeuvre includes novels, short stories, essays, and philosophical and scientific works.

His style is existentialist and generally quite bleak, and his writing style is quite unique in its short and pointed sentences, especially in Dutch. There is no doubt that he was influenced by World War II and the German occupation of the Netherlands between 1940 and 1945, and his longer novels (De tranen der acacia's and De donkere kamer van Damokles) are set during the war. Even his more upbeat writings (Onder professoren and Au pair) can have a strange, existentialist twist to them.

In 1958 W.F. Hermans was appointed as a reader in physical geography at the Groningen University. In 1972, after accusations, of among others the catholic Member of Parliament, and later minister, Jan de Koning, that Hermans was using his time writing instead of lecturing, a parliamentary committee was set up to investigate this matter. The committee's principal findings revealed that Hermans main misconduct was his using university stationery for writing his notes. In 1973 he resigned and settled as a full time writer in Paris. In Onder professoren (Among professors) (1975) he described the university life in Groningen in a bitter and satirical way. It can be read as a key roman and was entirely written on the empty sides of university letters, according to Hermans's alter ego Zomerplaag: 'to do something useful with this expensive paper that would normally disappear unread in the garbage bin polluting the environment'. Afterwards the university obliged staff members to use both sides of papers.

In 1986 the Mayor and City Council of Amsterdam officially declared Hermans persona non grata in Amsterdam as he visited South-Africa in 1983 during the Apartheid period. Hermans did not visit his birthplace again until 1993 for a book presentation.

He received honorary doctorates from the University of Liège (Luik) in 1990 and the University of Pretoria in 1993.

Bibliography (selection)

  • Moedwil en misverstand/Intention and misunderstanding (short stories, 1948)
  • De tranen der acacia's/The tears of the acacias (novel, 1949)
  • Ik heb altijd gelijk/I am always right (novel, 1951)
  • Paranoia (short stories, 1953)
  • Description et genèse des dépôts meubles de surface et du relief de l'Oesling (dissertation, 1955)
  • De God Denkbaar Denkbaar De God/The God Thinkable Thinkable the God (novel, 1956)
  • Drie melodrama's/Three pieces of melodrama (novel/short stories, 1957)
  • Een landingspoging op Newfoundland/An attemptive landing on Newfoundland (short stories, 1957)
  • De donkere kamer van Damokles/The Dark Room of Damocles (novel, 1958)
  • Nooit meer slapen/Beyond Sleep (novel, 1966)
  • Een wonderkind of een total loss/A child prodigy or a total loss (stories, 1967)
  • Herinneringen van een engelbewaarder/Memories of a guardian angel (novel, 1971)
  • Het evangelie van O. Dapper Dapper/The gospel of O. Dapper Dapper (novel, 1973)
  • Onder professoren/Amongst profesors (novel, 1975)
  • Filip's sonatine (short story, 1980)
  • Uit talloos veel miljoenen/From innumerable millions (novel, 1981)
  • Geijerstein's dynamiek/Geijerstein's dynamic (short story, 1982)
  • De zegelring/The signet ring (short story, 1984)
  • Een heilige van de horlogerie/The saint of the clockmakers (novel, 1987)
  • Au pair (novel, 1989)
  • De laatste roker/The last smoker (short stories, 1991)
  • In de mist van het schimmenrijk/In the mist of the shadow empire (short story, 1993; boekenweekgeschenk (Dutch Book Week Gift), later published as Madelon in de mist van het schimmenrijk/Madelon in the mist of the shadow empire)
  • Ruisend gruis/Rustling grit (novel, published after his death in 1995)


Secondary literature

In 1985 verzorgde Freddy de Vree samen met Daan Cartens een aan Willem Frederik Hermans gewijd nummer van Bzzlletin.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Willem Frederik Hermans" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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