The International Situationist : 1957 – 1972  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

From April 4 until August 5 2007 The Museum Tinguely presents In girum imus nocte et consumimur igni (the title of a 1978 film by Guy Debord) , an exhibition dedicated to the Situationist International. virtual tour

The Museum Tinguely presents the most extensive exhibition hitherto on the Situationist International that was founded on July 28, 1957. On the occasion of the 50th anniversary of its foundation, 400 exhibits will illustrate this last important avant-garde movement that counted 72 artists among its members, with sections in Germany, Holland, America, North Africa and elsewhere, rescuing it from oblivion.

The catalogue

ISBN 3905770148 Published to accompany the exhibitions at Centraal Museum Utrecht, 15 December 2006 – 11 March 2007, and The Museum Tinguely, Basel, 4 April – 5 August 2007.

Texts by Giorgio Agamben, Jean Baudrillard, Hans Magnus Enzensberger, Thomas Hirschhorn, Vincent Kaufmann, François Letaillieur, Hans Ulrich Obrist, Peter Sloterdijk and others

Edited by Heinz Stahlhut, Juri Steiner, Stefan Zweifel

This publication provides an insight into one of the 20th century's most underrated (anti) art movements. The rather shadowy existence led by the Situationists and their Lettrist predecessors in the annals of the post-war avant-garde, and the indeterminacy of their legacy are largely of their own making: their agenda of political radicalism and negativity included a strict refusal to co-operate with the bourgeois mass media and enter the wider intellectual and political debate.



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