Paris Salon of 1817
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In Guérin's Aeneas relating to Dido the disasters of Troy Aeneas relating to Dido the disasters of Troy[1] (Louvre), which appeared side by side with "Clytaemnestra" at the Salon of 1817, the influence of the Restoration is plainly to be traced. In this work Guérin sought to captivate the public by an appeal to those sensuous charms which he had previously rejected, and by the introduction of picturesque elements of interest.
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![[1]](http://commons.wikimedia.org/wiki/File:Gu%C3%A9rin_%C3%89n%C3%A9e_racontant_%C3%A0_Didon_les_malheurs_de_la_ville_de_Troie_Louvre_5184.jpg){kind=link}