Robert Hughes (critic)  

From The Art and Popular Culture Encyclopedia

(Redirected from Robert Hughes)
Jump to: navigation, search

"The essential difference between a sculpture like Andre's Equivalent VIII[1], 1978, and any that had existed before in the past is that Andre's array of bricks depends not just partly, but entirely, on the museum for its context. A Rodin in a parking lot is still a misplaced Rodin; Andre's bricks in the same place can only be a pile of bricks."--The Shock of the New, Robert Hughes.

Related e

Google
Wikipedia
Wiktionary
Wiki Commons
Wikiquote
Wikisource
YouTube
Shop


Featured:
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
Enlarge
Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Robert Studley Forrest Hughes, AO (28 July 1938 - 6 August 2012) was an Australian-born art critic, writer and television documentary maker who resided in New York from 1970. He is the author of The Shock Of The New and The Fatal Shore.

Career highlights

Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London, England (1965) where he wrote for The Spectator, The Daily Telegraph, The Times and The Observer, among others, and contributed to the London version of Oz. In 1970 he obtained the position of art critic for TIME magazine and he moved to New York. He quickly established himself in the United States as an influential art critic.

Hughes and Harold Hayes were recruited in 1978 to anchor the new ABC News (US) newsmagazine 20/20. His only broadcast, on June 6, 1978, proved so disastrous that, less than a week later, ABC News president Roone Arledge dumped Hughes and Hayes, replacing them with veteran TV host Hugh Downs.

In 1980, the BBC broadcast The Shock Of The New, Hughes's television series on the development of modern art since the Impressionists. It was accompanied by a book of the same name; its combination of insight, wit and accessibility are still widely praised.

In 1987, The Fatal Shore, Hughes's study of the British penal colonies and early European settlement of Australia, became an international best-seller.

During the 1990s, Hughes was a prominent supporter of the Australian Republican Movement.

His 1997 television series American Visions reviewed the history of American art since the Revolution. He was again dismissive of recent art; this time, sculptor Jeff Koons was subjected to scathing criticism. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. During production, Hughes was involved in the near-fatal road accident detailed in the next section.

Hughes's 2002 documentary on the painter Francisco GoyaGoya: Crazy Like a Genius—was broadcast on the first night of the BBC's domestic digital service.

Hughes published the first volume of his memoirs, Things I Didn’t Know, in 2006. [2]

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Robert Hughes (critic)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools