Rave  

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"A production whithout design would resemble more the [[rave|ravings]] of a [[madman]], than the sober efforts of genius and learning."--''[[An Enquiry Concerning Human Understanding]]'' (1748) by David Hume "A production whithout design would resemble more the [[rave|ravings]] of a [[madman]], than the sober efforts of genius and learning."--''[[An Enquiry Concerning Human Understanding]]'' (1748) by David Hume
 +<hr>
 +"The commercialization of the movement is seen as inevitable by the makers of ''[[Better Living Through Circuitry]]''; as [[Nikkie Van Lierop|one interviewee]] states, “20,000 people at a [[rave]] can't be [[underground]] anymore.”--''[[Dance, Drugs and Escape: The Club Scene in Literature, Film]]'' (2007) by Stan Beeler
 +<hr>
 +"[[Martin Price|Price]] railed against [[indie-rock]]/[[rave|rave]] crossover bands like [[the Beloved]], the [[Shamen]], [[Beats International]], and [[Primal Scream]] as "totally noncredible acts cashing in on the sort of music [[808 State]] have been doing for years."--''[[Energy Flash]]'' (1998) by Simon Reynolds
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-A '''rave''' (or '''rave party''') is an all-night dance event where [[disc jockey|DJ]]s and other performers play [[rave music]] and other types of [[electronic dance music]] for dancers, with the accompaniment of colored lights, projected images, and laser effects.+A '''rave''' is a [[dance party]] at a warehouse, club, or other public or private venue, typically featuring performances by [[Disc jockeys|DJ]]s playing [[electronic dance music]]. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including [[techno]], [[hardcore (electronic dance music genre)|hardcore]], [[house music|house]], and [[alternative dance]]. Occasionally [[Live music|live]] musicians have been known to perform at raves, in addition to other types of performance artists such as [[go-go dancers]] and [[Fire performance|fire dancers]]. The music is amplified with a large, powerful [[sound reinforcement system]], typically with large [[subwoofer]]s to produce a deep bass sound. The music is often accompanied by [[Laser lighting display|laser light shows]], [[Image projector|projected coloured images]], [[visual effects]] and [[fog machines]].
 + 
 +While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the [[Castlemorton Common Festival]] in 1992). Some [[list of electronic music festivals|electronic dance music festivals]] have features of raves, but on a larger, often commercial scale. Raves may last for a long time, with some events continuing for twenty-four hours, and lasting all through the night. [[Law enforcement]] raids and anti-rave laws have presented a challenge to the rave scene in many countries. This is due to the association of rave culture with [[illegal drugs]] such as [[MDMA]]. In addition to drugs, raves often make use of non-authorized, secret venues, such as [[squat parties]] at unoccupied homes, unused warehouses, or aircraft hangars. These concerns are often attributed to a type of [[moral panic]] surrounding rave culture.
 + 
==Etymology== ==Etymology==
To '''rave''' is to [[speak]] or [[write]] [[wildly]] or [[incoherently]]. In ''[[Enquiry concerning Human Understanding]],'' [[David Hume]] says "a production whithout design would resemble more the '''ravings''' of a madman, than the sober efforts of genius and learning." To '''rave''' is to [[speak]] or [[write]] [[wildly]] or [[incoherently]]. In ''[[Enquiry concerning Human Understanding]],'' [[David Hume]] says "a production whithout design would resemble more the '''ravings''' of a madman, than the sober efforts of genius and learning."
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==See also== ==See also==
* [[Acid house]] – Forerunner of raves typically originating from [[Chicago]], [[Illinois]]. * [[Acid house]] – Forerunner of raves typically originating from [[Chicago]], [[Illinois]].
-* [[Circuit party]] 
-* [[Doof]] 
-* [[Free party]] – The modern, illegal version of raves. 
-* [[Melbourne Shuffle]] – A rave dance style culture that has evolved in Melbourne, Australia over the past 15 years. 
* [[Merry Pranksters]] – Their early escapades were best chronicled by Tom Wolfe in The Electric Kool-Aid Acid Test. * [[Merry Pranksters]] – Their early escapades were best chronicled by Tom Wolfe in The Electric Kool-Aid Acid Test.
-* [[New Rave]] – A new genre of music mixing elements of rave culture, disco and rock.+* [[ArtRave: The Artpop Ball]]
-* [[Rat Parties]] – When Sydney's gay dance party scene opened up to the broader community in the 1980s.+* [[New Rave]]
 +* [[Outline of entertainment]]
* [[RAVE Act]] – An American law targeting raves. * [[RAVE Act]] – An American law targeting raves.
-* [[Rave Board Game]] – 1991 board game based on the UK Rave scene+* [[Rave Board Game|''Rave'' Board Game]] – 1991 board game based on the UK Rave scene
-* [[Rave music]] – Music and music styles at raves+* [[Responsible drug use]]
-* [[Thunderdome (music festival)|Thunderdome]] - Dutch [[hardcore techno|hardcore]] raves, running since 1992.+
-* [[Tecktonik]], a dance style based on rave music, developed in Paris, France and well known throughout Europe.+
* [[Zippies]] * [[Zippies]]
-*[[Kiss Does... Rave]]+* [[Cxema]], organiser of [[raves]] in Ukraine
- +
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Current revision

"A production whithout design would resemble more the ravings of a madman, than the sober efforts of genius and learning."--An Enquiry Concerning Human Understanding (1748) by David Hume

"The commercialization of the movement is seen as inevitable by the makers of Better Living Through Circuitry; as one interviewee states, “20,000 people at a rave can't be underground anymore.”--Dance, Drugs and Escape: The Club Scene in Literature, Film (2007) by Stan Beeler

"Price railed against indie-rock/rave crossover bands like the Beloved, the Shamen, Beats International, and Primal Scream as "totally noncredible acts cashing in on the sort of music 808 State have been doing for years."--Energy Flash (1998) by Simon Reynolds

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A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the Castlemorton Common Festival in 1992). Some electronic dance music festivals have features of raves, but on a larger, often commercial scale. Raves may last for a long time, with some events continuing for twenty-four hours, and lasting all through the night. Law enforcement raids and anti-rave laws have presented a challenge to the rave scene in many countries. This is due to the association of rave culture with illegal drugs such as MDMA. In addition to drugs, raves often make use of non-authorized, secret venues, such as squat parties at unoccupied homes, unused warehouses, or aircraft hangars. These concerns are often attributed to a type of moral panic surrounding rave culture.

Contents

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Etymology

To rave is to speak or write wildly or incoherently. In Enquiry concerning Human Understanding, David Hume says "a production whithout design would resemble more the ravings of a madman, than the sober efforts of genius and learning."

[edit]

Rave music

Better Living Through Circuitry

Rave music consists of forms of electronic dance music that are associated with the rave scene.

Most often, the term is used to describe high in energy music, including some forms of trance music, that features samples, loops and synthesizers. Less intense forms of rave music include ambient music, and chillout music, usually used in separate areas of raves known as "chill rooms" that provide a place for "ravers" to rest and relax from the intense dancing.

Rave music closely followed the acid house phenomenon and was initially considered as a combination of fast breakbeat and more hardcore forms of techno. Early 1990s efforts by Nebula 2, Acen, Altern-8, The Prodigy (Experience), Utah Saints and The Shamen (En-Tact) were quintessential rave music and were being played at huge all night raves like Fantazia, Raindance, Universe and others.

By the early 2000s, the term was used more generically to mean any one of a number of different styles (or combinations thereof) that might be played at a rave party. In this sense, rave music is more associated with an event than a particular genre, per se. At a rave there can be different "arenas" or areas which play different styles of rave music. Very large raves called "massives" may include ten or more separate arenas, each with their own music style, ranging from hi-energy techno and trance to chillout and ambient in the chillrooms situated next to or within the surroundings of the main event.


[edit]

Genres

Raver styles of music continue to grow and evolve. Some genres and an iconic artist include (not an exhaustive list):

Non-dance styles which might be heard in a rave "chill-out" room include:

Some ravers are selective between genres, showing little or no interest in one area while finding great satisfaction in another. House often has roots in funk and disco while trance has its roots in new age and symphonic music. Many DJs mix genres, remix existing sounds, or leave electronic music entirely.

Among the new forms of rave music is "Makina", a distorted spelling of the Balkanian word for "machine". It is mainly produced in Spain but also in Italy, Germany and France.

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Drug use

Rave music is often tied closely to the drug Ecstasy because of the drug's capablity to enhance the music in an amplified sense. While on Ecstasy, listeners say rave music sounds clearer, crisper, and more "fluid", ultimately making the sound more enjoyable. Rave music is heavily repetitive in nature, and "ravers" state that when the listening or dancing experience is combined with Ecstasy, the effect produced is a heightened and surreal pleasurable experience.

Even though the EDM (Electronic Dance Music) is tied to the drug use, there are many people against the use of it, from listeners to the same DJs and Producers. They claim "Music itself is enough to enjoy it".

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References

Bennett Andy, Peterson Richard A.: "Music Scenes: Local, Translocal and Virtual." Nashville: Vanderbilt University Press, 2004

Reynolds, Simon: Generation Ecstasy: into the world of techno and rave culture Routledge, New York 1999.

Lang, Morgan: "Futuresound: Techno Music and Mediation" University of Washington, Seattle, 1996.


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See also



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