Neo-Baroque film  

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Neo-Baroque film is a type of film theory that (while the term "neo-baroque" is borrowed from the writings of semiologist Umberto Eco and philosopher Gilles Deleuze) used in film studies to describe certain films, television shows and Hollywood blockbusters characterised by the excessively ornate, carnivalesque fragmentation of the film frame and/or narrative, sometimes to the point of spatial and/or narrative incoherence.


See also

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Neo-Baroque, Schizoid (film), City of Pirates, Life Is a Dream (1986 film)



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Neo-Baroque film" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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