Guy de Maupassant
From The Art and Popular Culture Encyclopedia
| Revision as of 18:26, 8 May 2007 WikiSysop (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
| Line 1: | Line 1: | ||
| + | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | ||
| + | | style="text-align: left;" | | ||
| + | "The horror-tales of the powerful and cynical [[Guy de Maupassant]], written as his final madness gradually overtook him, present individualities of their own; being rather the morbid outpourings of a realistic mind in a pathological state than the healthy imaginative products of a vision naturally disposed toward phantasy and sensitive to the normal illusions of the unseen. Nevertheless they are of the keenest interest and poignancy; suggesting with marvelous force the imminence of nameless terrors, and the relentless dogging of al ill-starred individual by hideous and menacing representatives of the outer blackness. Of these stories "[[The Horla]]" is generally regarded as the masterpiece. Relating the advent to France of an invisible being who lives on water and milk, sways the minds of others, and seems to be the vanguard of a horde of extra-terrestrial organisms arrived on earth to subjugate and overwhelm mankind, this tense narrative is perhaps without a peer in its particular department; notwithstanding its indebtedness to [[What Was It?|a tale]] by American [[Fitz-James O'Brien]] for details in describing the actual presence of the unseen monster. Other potently dark creations of de Maupassant are "[[Who Knows?]]", "[[The Spectre]]", "[[He?]]", "[[The Horla|The Diary of a Madman]]", "[[The White Wolf]]", "[[On the River]]", and the grisly verses entitled "[[Horror]]"." --"[[Supernatural Horror in Literature]]", H. P. Lovecraft | ||
| + | <hr> | ||
| + | |||
| + | [[J'ai la vérole ! Enfin ! La vraie !]] | ||
| + | |||
| + | |} | ||
| {{Template}} | {{Template}} | ||
| - | [http://en.wikipedia.org/wiki/{{PAGENAMEE}}] [May 2007] | + | Henri René Albert '''Guy de Maupassant''' ([[August 5]] [[1850]] – [[July 6]] [[1893]]) was a popular 19th-century [[France|French]] [[writer]]. He is one of the fathers of the modern [[short story]]. A [[protégé]] of [[Gustave Flaubert|Flaubert]], Maupassant's short stories are characterized by their economy of style and their efficient effortless [[dénouement]]. He also wrote six short [[novel]]s. A number of his stories often denote the futility of war and the innocent civilians who get crushed in it - many are set during the [[Franco-Prussian War]] of the 1870s. |
| + | ==Significance== | ||
| + | Maupassant is one of the fathers of the modern short story. He delighted in clever plotting, and served as a model for [[Somerset Maugham]] and [[O. Henry]] in this respect. His stories about real or fake jewels ("[[The Necklace|La Parure]]", "Les Bijoux") are imitated with a twist by Maugham ("Mr Know-All", "A String of Beads"), [[Henry James]] as well as a short story [[The Necklace]]. | ||
| + | |||
| + | Taking his cue from [[Balzac]], Maupassant wrote comfortably in both the high-[[Realism (literature)|Realist]] and [[fantasy|fantastic]] modes; stories and novels such as "L'Héritage" and ''Bel-Ami'' aim to recreate [[French Third Republic|Third Republic]] [[France]] in a realistic way, whereas many of the short stories (notably "[[Le Horla]]", cited as an inspiration for [[H. P. Lovecraft]]'s "[[The Call of Cthulhu#Inspiration|The Call of Cthulhu]]", and "[[Qui sait?]]") describe apparently supernatural phenomena. | ||
| + | |||
| + | The supernatural in Maupassant, however, is often implicitly a symptom of the protagonists' troubled minds; Maupassant was fascinated by the burgeoning discipline of [[psychiatry]], and attended the public lectures of [[Jean-Martin Charcot]] between 1885 and 1886 (see Pierre Bayard, ''Maupassant, juste avant Freud'' (Paris: Minuit, 1998). This interest is reflected in his fiction. | ||
| + | |||
| + | ==Bibliography== | ||
| + | ===Novels=== | ||
| + | *''[[Une vie]]'' (1883) | ||
| + | *''[[Bel-Ami]]'' (1885) | ||
| + | *''[[Mont-Oriol]]'' (1887) | ||
| + | *''[[Pierre et Jean]]'' (1888) | ||
| + | *''[[Fort comme la mort]]'' (1889) | ||
| + | *''[[Notre Coeur]]'' (1890) | ||
| + | |||
| + | ===Short story collections=== | ||
| + | :''[[Liste des nouvelles de Guy de Maupassant]]'' | ||
| + | *"[[Les Soirées de Médan]]" (with Zola, Huysmans et al. Contains [[Boule de Suif]]" by Maupassant) (1880) | ||
| + | *"[[La Maison Tellier]]" (1881) | ||
| + | *"[[Mademoiselle Fifi]]" (1882) | ||
| + | *"[[Contes de la bécasse]]" (1883) | ||
| + | *"[[Miss Harriet]]" (1884) | ||
| + | *"[[Les Soeurs Rondoli]]" (1884) | ||
| + | *"[[Clair de lune]]" (1884) (contains "[[Les Bijoux]]") | ||
| + | *"[[Yvette]]" (1884) | ||
| + | *"[[Toine]]" (1885) | ||
| + | *"[[Contes du jour et de la nuit]]" (1885) (contains "[[La Parure]]" or "[[The Necklace]]") | ||
| + | *"[[Monsieur Parent]]" (1886) | ||
| + | *"[[La petite Roque]]" (1886) | ||
| + | *"[[Le Horla]]" (1887) | ||
| + | *"[[Le Rosier de Madame Husson]]" (1888) | ||
| + | *"[[La Main gauche]]" (1889) | ||
| + | *"[[L'Inutile Beauté]]" (1890) | ||
| + | |||
| + | ===Travel writing=== | ||
| + | |||
| + | *"[[Au soleil]]" (1884) | ||
| + | *"[[Sur l'eau]]" (1888) | ||
| + | *"[[La Vie errante]]" (1890) | ||
| + | |||
| + | ===Poetry=== | ||
| + | |||
| + | *"[[Des Vers]]" (1880) | ||
| + | ==See also== | ||
| + | ''[[Une partie de campagne]]'', publié en [[1881]]<br />''[[Le moyen de Roger]]'', nouvelle publiée en [[1883]]<br />''[[L'ami Patience]]'', publié en [[1883]]<br />''[[Au bord du lit]]'', publié en [[1883]]<br />''[[Imprudence]]'', conte publié en [[1885]]<br />''[[À la Feuille de Rose, Maison turque]]'', pièce de théâtre jouée en [[1875]], éditée en [[1945]]<br />''[[Allouma]]'', publié en [[1889]]<br />''[[Mouche]]'', nouvelle publiée en [[1890]]<br />''[[Les Caresses]]'' | ||
| + | {{GFDL}} | ||
| + | [[Category:Canon]] | ||
Current revision
|
"The horror-tales of the powerful and cynical Guy de Maupassant, written as his final madness gradually overtook him, present individualities of their own; being rather the morbid outpourings of a realistic mind in a pathological state than the healthy imaginative products of a vision naturally disposed toward phantasy and sensitive to the normal illusions of the unseen. Nevertheless they are of the keenest interest and poignancy; suggesting with marvelous force the imminence of nameless terrors, and the relentless dogging of al ill-starred individual by hideous and menacing representatives of the outer blackness. Of these stories "The Horla" is generally regarded as the masterpiece. Relating the advent to France of an invisible being who lives on water and milk, sways the minds of others, and seems to be the vanguard of a horde of extra-terrestrial organisms arrived on earth to subjugate and overwhelm mankind, this tense narrative is perhaps without a peer in its particular department; notwithstanding its indebtedness to a tale by American Fitz-James O'Brien for details in describing the actual presence of the unseen monster. Other potently dark creations of de Maupassant are "Who Knows?", "The Spectre", "He?", "The Diary of a Madman", "The White Wolf", "On the River", and the grisly verses entitled "Horror"." --"Supernatural Horror in Literature", H. P. Lovecraft |
|
Related e |
|
Featured: |
Henri René Albert Guy de Maupassant (August 5 1850 – July 6 1893) was a popular 19th-century French writer. He is one of the fathers of the modern short story. A protégé of Flaubert, Maupassant's short stories are characterized by their economy of style and their efficient effortless dénouement. He also wrote six short novels. A number of his stories often denote the futility of war and the innocent civilians who get crushed in it - many are set during the Franco-Prussian War of the 1870s.
Contents |
Significance
Maupassant is one of the fathers of the modern short story. He delighted in clever plotting, and served as a model for Somerset Maugham and O. Henry in this respect. His stories about real or fake jewels ("La Parure", "Les Bijoux") are imitated with a twist by Maugham ("Mr Know-All", "A String of Beads"), Henry James as well as a short story The Necklace.
Taking his cue from Balzac, Maupassant wrote comfortably in both the high-Realist and fantastic modes; stories and novels such as "L'Héritage" and Bel-Ami aim to recreate Third Republic France in a realistic way, whereas many of the short stories (notably "Le Horla", cited as an inspiration for H. P. Lovecraft's "The Call of Cthulhu", and "Qui sait?") describe apparently supernatural phenomena.
The supernatural in Maupassant, however, is often implicitly a symptom of the protagonists' troubled minds; Maupassant was fascinated by the burgeoning discipline of psychiatry, and attended the public lectures of Jean-Martin Charcot between 1885 and 1886 (see Pierre Bayard, Maupassant, juste avant Freud (Paris: Minuit, 1998). This interest is reflected in his fiction.
Bibliography
Novels
- Une vie (1883)
- Bel-Ami (1885)
- Mont-Oriol (1887)
- Pierre et Jean (1888)
- Fort comme la mort (1889)
- Notre Coeur (1890)
Short story collections
- "Les Soirées de Médan" (with Zola, Huysmans et al. Contains Boule de Suif" by Maupassant) (1880)
- "La Maison Tellier" (1881)
- "Mademoiselle Fifi" (1882)
- "Contes de la bécasse" (1883)
- "Miss Harriet" (1884)
- "Les Soeurs Rondoli" (1884)
- "Clair de lune" (1884) (contains "Les Bijoux")
- "Yvette" (1884)
- "Toine" (1885)
- "Contes du jour et de la nuit" (1885) (contains "La Parure" or "The Necklace")
- "Monsieur Parent" (1886)
- "La petite Roque" (1886)
- "Le Horla" (1887)
- "Le Rosier de Madame Husson" (1888)
- "La Main gauche" (1889)
- "L'Inutile Beauté" (1890)
Travel writing
- "Au soleil" (1884)
- "Sur l'eau" (1888)
- "La Vie errante" (1890)
Poetry
- "Des Vers" (1880)
See also
Une partie de campagne, publié en 1881
Le moyen de Roger, nouvelle publiée en 1883
L'ami Patience, publié en 1883
Au bord du lit, publié en 1883
Imprudence, conte publié en 1885
À la Feuille de Rose, Maison turque, pièce de théâtre jouée en 1875, éditée en 1945
Allouma, publié en 1889
Mouche, nouvelle publiée en 1890
Les Caresses
