Marx Reloaded
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- | [The theory of [[commodity fetishism]] is] "the important part of Marxist doctrine [...] Marx is among those who discovered the fact that things live. [...] Walter Benjamin discovered the structural similarity between human commodities and commodities as objects [...] he universalized the category of prostitution [...] prositution is always present when a beautiful thing feigns life and tries to seduce passersby with an offer."--[[Peter Sloterdijk]] in ''[[Marx Reloaded]]'' (2011), 27:20 | + | [The theory of [[commodity fetishism]] is] "the important part of Marxist doctrine […] Marx is among those who discovered the fact that things live. […] Walter Benjamin discovered the structural similarity between human commodities and commodities as objects […] he universalized the category of prostitution […] prostitution is always present when a beautiful thing feigns life and tries to seduce passersby with an offer."--[[Peter Sloterdijk]] in ''[[Marx Reloaded]]'' (2011), 27:20 |
- | <hr> | + | |
- | "Solange es historischen Schein gibt, wird er in der Natur als seinem letzten refugium hausen. Die Ware, die der letzte Brennspiegel historischen Scheins ist, feiert ihren Triumph darin, dafi die Natur selber Warencharakter annimmt. Dieser Warenschein der Natur ist es, der in der Hure verkorpert ist. »Geld macht sinnlich« heifk es und diese Formel gibt selbst nur den grobsten Umrift eines Tatbestandes, der weit iaber die Prostitution hinausreicht. Unter der Herrschaft des Warenfetischs tingiert sich der sex-appeal der Frau mehr oder minder mit dem Appell der Ware. Nicht umsonst haben die Beziehungen des Zuhalters zu seiner Frau als einer von ihm auf dem Markte verkauften »Sache« die sexuelle Phantasie des Burger- turns intensiv angeregt. Die moderne Reklame erweist von einer Seite, wie sehr die Lockungen von Weib und von Ware mit einander verschmelzen konnen. Die Sexualitat, die vordem - gesellschaftlich - durch die Phantasie von der Zukunft der Produktivkrafte mobil gemacht wurde, wurde es nun durch die von der Kapitalmacht."--''[[Arcades Project]]'' () by Walter Benjamin | + | |
- | English: | + | See [[Walter Benjamin on prostitution in The Arcades Project]]. |
- | + | ||
- | "So long as there is semblance in history, it will find in nature its ultimate refuge. The commodity, which is the last burning-glass of historical semblance, Schein, celebrates its triumph in the fact that nature itself takes on a commodity character. It is this commodity appearance < Warenschein > of nature that is embodied in the whore. "Money feeds sensuality", it is said , and this formula in itself affords only the barest outline of a state of affairs that reaches well beyond prostitution . Under the dominion of the commodity fetish, the sex appeal of the woman is more or less tinged with the appeal of the commodity. It is no accident that the relations of the pimp to his girlfriend, who he sells as a article" on the market, have so inflamed the sexual fantasies of the bourgeoisie. The modern advertisement show, from another angle, to what extent the attractions of the woman d and those of the commodity can be merged. The sexuality that in fomer times -- on a social level -- was stimulated throuh imagining the future of the productive forces is mobilized now through imagining the power of capital." | + | |
- | + | ||
- | [[Walter Benjamin on prostitution in The Arcades Project]] | + | |
|} | |} | ||
{{Template}} | {{Template}} | ||
- | '''''Marx Reloaded''''' is a 2011 German [[documentary film]] written and directed by the British writer and theorist [[Jason Barker]]. Featuring interviews with several well-known philosophers, the film aims to examine the relevance of [[Karl Marx]]'s ideas in relation to the [[Great Recession]]. The film's title is a wordplay on ''[[The Matrix Reloaded]]'', the sequel to ''[[The Matrix]]'', which is parodied in the documentary. | + | '''''Marx Reloaded''''' (2011) is a German [[documentary film]] written and directed by the British writer and theorist [[Jason Barker]]. |
+ | |||
+ | It features interviews with several well-known philosophers, the film aims to examine the relevance of [[Karl Marx]]'s ideas in relation to the [[Great Recession]]. The film's title is a wordplay on ''[[The Matrix Reloaded]]'', the sequel to ''[[The Matrix]]'', which is parodied in the documentary. | ||
''Marx Reloaded'' features interviews with several well-known philosophers, among them those often associated with [[Marxism]] and [[Communist]] ideas, including [[John N. Gray|John Gray]], [[Michael Hardt]], [[Antonio Negri]], [[Nina Power]], [[Jacques Rancière]], [[Peter Sloterdijk]], [[Alberto Toscano]] and [[Slavoj Žižek]]. The film also includes [[animation]] scenes with Marx trapped in a surreal world resembling the 1999 [[science fiction film|science fiction]]–[[action film]] ''[[The Matrix]]'', which starred [[Keanu Reeves]] and [[Laurence Fishburne]]. In one such animated scene Marx ([[Jason Barker]]) encounters [[Leon Trotsky]] (Ivan Nikolic) in a pastiche of the [[red pill and blue pill]] scene in ''[[The Matrix]]'' in which Reeves' character [[Neo (The Matrix)|Neo]] first meets Fishburne's character [[Morpheus (The Matrix)|Morpheus]]. | ''Marx Reloaded'' features interviews with several well-known philosophers, among them those often associated with [[Marxism]] and [[Communist]] ideas, including [[John N. Gray|John Gray]], [[Michael Hardt]], [[Antonio Negri]], [[Nina Power]], [[Jacques Rancière]], [[Peter Sloterdijk]], [[Alberto Toscano]] and [[Slavoj Žižek]]. The film also includes [[animation]] scenes with Marx trapped in a surreal world resembling the 1999 [[science fiction film|science fiction]]–[[action film]] ''[[The Matrix]]'', which starred [[Keanu Reeves]] and [[Laurence Fishburne]]. In one such animated scene Marx ([[Jason Barker]]) encounters [[Leon Trotsky]] (Ivan Nikolic) in a pastiche of the [[red pill and blue pill]] scene in ''[[The Matrix]]'' in which Reeves' character [[Neo (The Matrix)|Neo]] first meets Fishburne's character [[Morpheus (The Matrix)|Morpheus]]. | ||
+ | ==Subtitles== | ||
+ | [Music] | ||
+ | |||
+ | is capitalism destroying itself | ||
+ | |||
+ | and the wealth of the planet with it | ||
+ | |||
+ | i think that's total hogwash capitalism | ||
+ | |||
+ | doesn't destroy wealth capitalism | ||
+ | |||
+ | creates wealth | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | today karl marx and the idea of | ||
+ | |||
+ | communism are back in vogue | ||
+ | |||
+ | the original revolutionary socialist has | ||
+ | |||
+ | become a cultural icon | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | mark's capital band ends of the bullet | ||
+ | |||
+ | supreme | ||
+ | |||
+ | is a fairly | ||
+ | |||
+ | but can marx's critique of capitalism | ||
+ | |||
+ | really help us through our crisis-ridden | ||
+ | |||
+ | times | ||
+ | |||
+ | the question from marx which might be | ||
+ | |||
+ | slightly different for us now is what | ||
+ | |||
+ | comes after that critique | ||
+ | |||
+ | what might we learn from a thinker whose | ||
+ | |||
+ | ideas were supposed to have disappeared | ||
+ | |||
+ | with the fall of the berlin wall | ||
+ | |||
+ | more than 20 years ago | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | asked | ||
+ | |||
+ | have we been living in a dream is the | ||
+ | |||
+ | capitalist world about to be | ||
+ | |||
+ | unmasked as an ideological illusion | ||
+ | |||
+ | and replaced by the communist system we | ||
+ | |||
+ | thought had gone for good | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | at last comrade marx | ||
+ | |||
+ | have we met let's just say | ||
+ | |||
+ | we are theoretically acquainted | ||
+ | |||
+ | do you believe in destiny comrade | ||
+ | |||
+ | no why not because | ||
+ | |||
+ | the emancipation of the politely art | ||
+ | |||
+ | requires the critique of bourgeois | ||
+ | |||
+ | ideology oh | ||
+ | |||
+ | i know exactly what you mean | ||
+ | |||
+ | do you want to know the truth comrade | ||
+ | |||
+ | your slave to a liberal ideology that | ||
+ | |||
+ | goes deeper than you can possibly | ||
+ | |||
+ | imagine | ||
+ | |||
+ | ideology is everywhere when you read | ||
+ | |||
+ | shakespeare when you pay for your | ||
+ | |||
+ | daughter's acting classes | ||
+ | |||
+ | when you buy you a hemorrhoid cream | ||
+ | |||
+ | no one can be told what an ideology is | ||
+ | |||
+ | carl you must see it | ||
+ | |||
+ | not to believe it take the blue pill | ||
+ | |||
+ | and you'll wake up in cologne as the | ||
+ | |||
+ | editor of a provincial newspaper and | ||
+ | |||
+ | join a masonic lodge | ||
+ | |||
+ | take the red pill and i will | ||
+ | |||
+ | show you how far the permanent | ||
+ | |||
+ | revolution | ||
+ | |||
+ | marx goes his life to studying | ||
+ | |||
+ | capitalism and its crises | ||
+ | |||
+ | but how did today's economists explain | ||
+ | |||
+ | the most | ||
+ | |||
+ | damaging economic events since the great | ||
+ | |||
+ | depression of the 1930s | ||
+ | |||
+ | [[Norbert Walter]] is the former chief economist at [[Deutsche Bank]] in america 100 | ||
+ | |||
+ | in london the financial centre of europe | ||
+ | |||
+ | the crisis has also raised questions | ||
+ | |||
+ | about the future of the free market | ||
+ | ==Eamonn Butler== | ||
+ | [[Eamonn Butler]]: | ||
+ | |||
+ | "One of the foundations of the modern economy is money and unfortunately money is a monopoly of the government and so what they tend to do is to debauch the currency they over inflate the currency they keep interest rates artificially low which the the market would not do we go out and we get loans and we buy houses and then we feel even and the houses go up in in value and then we feel even richer and then we go out and buy more things it's just like being on a drug you know you you have a drug and um it gives you an instant high and you say hey this is great but then then it starts to wear off so you take a bit more uh and then that wears off so you need an even bigger dose next time um and that's what governments have done to our economy unfortunately and that's why we are in a big mess and i really hope that they don't do the same thing again. | ||
+ | |||
+ | ==Bush television speech== | ||
+ | |||
+ | My administration is working with congress to address the root cause behind much of the instability in our markets. | ||
+ | ==Antonio Negri on Bush== | ||
+ | "[[George W. Bush |Bush]] pouvait faire sa politique [[néoliberale]] et sa politique de guerre seulement si la classe ouvrière et en general tout les travailleurs américains était tranquile ... et pour le faire tranquile il falait leur permettre de s'acheter la maison et maintenir un certain niveau de consommation ... Donc, la crise c'est quoi? C'est le fait que le système néoliberale n'arrive pas aux gens de leur donner le prix de leur travail." | ||
+ | |||
+ | ==The rest== | ||
+ | what was karl marx's approach to | ||
+ | |||
+ | thinking the economic system | ||
+ | |||
+ | we call capitalism how do his ideas | ||
+ | |||
+ | help us understand a system which has | ||
+ | |||
+ | come to dominate so many aspects of our | ||
+ | |||
+ | lives | ||
+ | |||
+ | as a thinker i would characterize marx | ||
+ | |||
+ | principally as a a brilliant theorist of | ||
+ | |||
+ | capitalism | ||
+ | |||
+ | but as well as being a theorist of | ||
+ | |||
+ | capitalism he was also a | ||
+ | |||
+ | the leader of a political movement and | ||
+ | |||
+ | what i would call a utopian theorist | ||
+ | |||
+ | what i mean is that he | ||
+ | |||
+ | believed he'd discovered a kind of logic | ||
+ | |||
+ | in history | ||
+ | |||
+ | a kind of logic of human development a | ||
+ | |||
+ | logic of the development of the entire | ||
+ | |||
+ | species | ||
+ | |||
+ | whose built-in endpoint although it | ||
+ | |||
+ | might not be achieved | ||
+ | |||
+ | was a condition of universal freedom | ||
+ | |||
+ | there's a beautiful | ||
+ | |||
+ | phrase by or expression by ernest bloch | ||
+ | |||
+ | writing about marx where he says well | ||
+ | |||
+ | marx is often accused for having this | ||
+ | |||
+ | uncompromising you know brutalizing kind | ||
+ | |||
+ | of impersonal thinking | ||
+ | |||
+ | and blocks as well you know this is um | ||
+ | |||
+ | this is a result of marx having to think | ||
+ | |||
+ | like capitalism so he says uh just like | ||
+ | |||
+ | the best detective has to think like a | ||
+ | |||
+ | criminal | ||
+ | |||
+ | the best detective has to enter into the | ||
+ | |||
+ | mentality | ||
+ | |||
+ | of the criminal which is a very | ||
+ | |||
+ | dangerous practice and of course many | ||
+ | |||
+ | marxists who have tried to think like | ||
+ | |||
+ | capitalism have | ||
+ | |||
+ | effectively become apologists of | ||
+ | |||
+ | capitalism and that might be the reason | ||
+ | |||
+ | why | ||
+ | |||
+ | but that in a sense is i think a great | ||
+ | |||
+ | way of understanding marx's | ||
+ | |||
+ | method and the energy and combativeness | ||
+ | |||
+ | of his thought you know what does it | ||
+ | |||
+ | mean | ||
+ | |||
+ | for uh for a detective to uh | ||
+ | |||
+ | to think like a criminal | ||
+ | |||
+ | a specter is haunting europe the specter | ||
+ | |||
+ | of communism all the powers of old | ||
+ | |||
+ | europe have entered into a holy alliance | ||
+ | |||
+ | to exercise this specter | ||
+ | |||
+ | pope and czar mettenik and gizel | ||
+ | |||
+ | french radicals and german police spies | ||
+ | |||
+ | the communist manifesto is marx's most | ||
+ | |||
+ | famous political work | ||
+ | |||
+ | it seems light years away from our | ||
+ | |||
+ | modern liberal concerns | ||
+ | |||
+ | the communist manifesto has always had | ||
+ | |||
+ | really interestingly delayed effects in | ||
+ | |||
+ | history you know it's not a book even | ||
+ | |||
+ | though it's written with this tone of | ||
+ | |||
+ | urgency because it's a manifesto it's | ||
+ | |||
+ | this kind of you know | ||
+ | |||
+ | uh uh breathless text in a way | ||
+ | |||
+ | nevertheless the kind of real effects of | ||
+ | |||
+ | that weren't sort of seen for kind of | ||
+ | |||
+ | you know | ||
+ | |||
+ | 50 or so years later and i think | ||
+ | |||
+ | you know it goes through various um | ||
+ | |||
+ | reiterations you know reappears and and | ||
+ | |||
+ | you know its relevance and different | ||
+ | |||
+ | parts of it are stressed at different | ||
+ | |||
+ | times | ||
+ | |||
+ | what is capitalism capitalism is an | ||
+ | |||
+ | economic system | ||
+ | |||
+ | driven by the profit motive according to | ||
+ | |||
+ | marx | ||
+ | |||
+ | capitalism thrives on the exploitation | ||
+ | |||
+ | of the working class | ||
+ | |||
+ | in order to make a profit the capitalist | ||
+ | |||
+ | pays his workers less than the true | ||
+ | |||
+ | value of their labor time for marx | ||
+ | |||
+ | such exploitation was the main cause of | ||
+ | |||
+ | social conflict | ||
+ | |||
+ | or class struggle between capitalists | ||
+ | |||
+ | determined to | ||
+ | |||
+ | increase their profits and workers | ||
+ | |||
+ | struggling to earn a living | ||
+ | |||
+ | bottom level i mean you know there | ||
+ | |||
+ | really are only two classes and and you | ||
+ | |||
+ | know | ||
+ | |||
+ | one of them exploits the other | ||
+ | |||
+ | but do marxist theories of exploitation | ||
+ | |||
+ | and class struggle | ||
+ | |||
+ | still hold true today or is the way in | ||
+ | |||
+ | which capitalists make their profits | ||
+ | |||
+ | changing slavoy jizek | ||
+ | |||
+ | is a slovenian philosopher at the | ||
+ | |||
+ | forefront of a popular revival in | ||
+ | |||
+ | marxist and communist thinking | ||
+ | |||
+ | it's obvious and marx already had an | ||
+ | |||
+ | idea awake of it that | ||
+ | |||
+ | with knowledge emerging as a sun | ||
+ | |||
+ | central factor of wealth production this | ||
+ | |||
+ | classical logic of exploitation no | ||
+ | |||
+ | longer works | ||
+ | |||
+ | vulgar example bill gates owns what marx | ||
+ | |||
+ | calls part of our general intellect our | ||
+ | |||
+ | the substance our symbolic substance | ||
+ | |||
+ | means of communication | ||
+ | |||
+ | and it's as if in order for us to | ||
+ | |||
+ | communicate | ||
+ | |||
+ | among ourselves we have to pay him a | ||
+ | |||
+ | rent so | ||
+ | |||
+ | and also this i think changes the very | ||
+ | |||
+ | definition | ||
+ | |||
+ | of what is proletariat today | ||
+ | |||
+ | proletarian procedure is no longer just | ||
+ | |||
+ | the working class it's no longer typical | ||
+ | |||
+ | even to be a little bit cynical today | ||
+ | |||
+ | those | ||
+ | |||
+ | it's almost as if most of the protests | ||
+ | |||
+ | today | ||
+ | |||
+ | protests of the unemployed and so on are | ||
+ | |||
+ | ironically sustained by a demand | ||
+ | |||
+ | please provide us a job where we can be | ||
+ | |||
+ | at least in a normal way exploited | ||
+ | |||
+ | for many thinkers the question of | ||
+ | |||
+ | exploitation | ||
+ | |||
+ | remains as important today as it was in | ||
+ | |||
+ | marx's time | ||
+ | |||
+ | but capitalism has evolved and modes of | ||
+ | |||
+ | work have changed | ||
+ | |||
+ | in ways which marx himself was unable to | ||
+ | |||
+ | predict | ||
+ | |||
+ | according to italian political | ||
+ | |||
+ | philosopher antonio negri | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | is the co-editor of marx and engel's | ||
+ | |||
+ | complete works | ||
+ | |||
+ | he teaches politics at the humboldt | ||
+ | |||
+ | university of berlin | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | along with antonio negri michael hart is | ||
+ | |||
+ | the co-author of best-selling books on | ||
+ | |||
+ | globalization | ||
+ | |||
+ | like negri heart sees knowledge | ||
+ | |||
+ | information | ||
+ | |||
+ | and natural resources as the common | ||
+ | |||
+ | wealth of | ||
+ | |||
+ | all peoples i think instead what what | ||
+ | |||
+ | has happened is capitalist economy has | ||
+ | |||
+ | developed towards um | ||
+ | |||
+ | centering on precisely the production of | ||
+ | |||
+ | many | ||
+ | |||
+ | immaterial and in some ways immeasurable | ||
+ | |||
+ | goods it's it's no longer | ||
+ | |||
+ | centered on the the production of | ||
+ | |||
+ | countable | ||
+ | |||
+ | automobiles and and refrigerators and | ||
+ | |||
+ | and toasters but but rather centered on | ||
+ | |||
+ | the | ||
+ | |||
+ | the production of ideas the production | ||
+ | |||
+ | of social relationships through services | ||
+ | |||
+ | um a variety of they're not unreal but | ||
+ | |||
+ | but | ||
+ | |||
+ | often intangible assets | ||
+ | |||
+ | the theorist alberto toscano is more | ||
+ | |||
+ | orthodox | ||
+ | |||
+ | when it comes to thinking the relation | ||
+ | |||
+ | of work and exploitation under | ||
+ | |||
+ | capitalism | ||
+ | |||
+ | people in a call center might be | ||
+ | |||
+ | engaging in activity which could refer | ||
+ | |||
+ | to as cognitive | ||
+ | |||
+ | or immaterial but they are also | ||
+ | |||
+ | and in fact most importantly working in | ||
+ | |||
+ | an environment | ||
+ | |||
+ | which is organized in terms of very | ||
+ | |||
+ | classical forms | ||
+ | |||
+ | of labor despotism of very classical | ||
+ | |||
+ | forms | ||
+ | |||
+ | of how to extract you know every second | ||
+ | |||
+ | or | ||
+ | |||
+ | millisecond how to scientifically manage | ||
+ | |||
+ | work in such a way that it can be more | ||
+ | |||
+ | productive and in such a way that the | ||
+ | |||
+ | rate of exploitation as mark would put | ||
+ | |||
+ | it is intensified | ||
+ | |||
+ | though i think you know heart and negri | ||
+ | |||
+ | are entirely right to identify | ||
+ | |||
+ | certain tendencies | ||
+ | |||
+ | i don't think that immaterial labor for | ||
+ | |||
+ | instance | ||
+ | |||
+ | is the source you know will be the | ||
+ | |||
+ | source as such of you know | ||
+ | |||
+ | future uh uh emancipatory | ||
+ | |||
+ | politics | ||
+ | |||
+ | jacques rossier is a renowned thinker of | ||
+ | |||
+ | working class politics | ||
+ | |||
+ | for us here economic exploitation is | ||
+ | |||
+ | not the dominant factor in all social | ||
+ | |||
+ | struggles | ||
+ | |||
+ | potassium | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | for mark's class struggle was part of | ||
+ | |||
+ | everyday life | ||
+ | |||
+ | but the theory of exploitation was not | ||
+ | |||
+ | marx's sole contribution to | ||
+ | |||
+ | understanding capitalism | ||
+ | |||
+ | in order to grasp capitalism's true | ||
+ | |||
+ | power and persuasive hold over us | ||
+ | |||
+ | we must delve into the strange and | ||
+ | |||
+ | mystical world | ||
+ | |||
+ | of the commodity | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | it is clear as noonday that man by his | ||
+ | |||
+ | industry | ||
+ | |||
+ | changes the forms of the materials | ||
+ | |||
+ | furnished by nature | ||
+ | |||
+ | in such a way as to make them useful to | ||
+ | |||
+ | him the form of wood for instance is | ||
+ | |||
+ | altered | ||
+ | |||
+ | by making a table out of it and yet the | ||
+ | |||
+ | table continues to be that common | ||
+ | |||
+ | everyday thing wood but so soon as it | ||
+ | |||
+ | steps forth as a commodity | ||
+ | |||
+ | it is changed into something | ||
+ | |||
+ | transcendent | ||
+ | |||
+ | capital marx's landmark study of | ||
+ | |||
+ | political | ||
+ | |||
+ | economy begins with a chapter devoted to | ||
+ | |||
+ | commodities | ||
+ | |||
+ | and the fetishism of commodities | ||
+ | |||
+ | today we're used to hearing about sexual | ||
+ | |||
+ | fetishes | ||
+ | |||
+ | but for marx the commodity fetish was | ||
+ | |||
+ | something quite different | ||
+ | |||
+ | norbert boltz is a leading media | ||
+ | |||
+ | theorist and the author | ||
+ | |||
+ | of the consumerist manifesto | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | he | ||
+ | |||
+ | is | ||
+ | |||
+ | peter slotterdijk also sees ongoing | ||
+ | |||
+ | relevance in marxist theory of commodity | ||
+ | |||
+ | fetishism | ||
+ | |||
+ | in our modern consumer way of life | ||
+ | |||
+ | so the | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | uh | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | the theory of commodity fetishism | ||
+ | |||
+ | describes | ||
+ | |||
+ | how we accept value as a natural quality | ||
+ | |||
+ | of things | ||
+ | |||
+ | but according to marx such belief is an | ||
+ | |||
+ | illusion | ||
+ | |||
+ | every commodity like every value must be | ||
+ | |||
+ | produced | ||
+ | |||
+ | even something as seemingly natural as | ||
+ | |||
+ | water is commodified | ||
+ | |||
+ | purified packaged and transported to the | ||
+ | |||
+ | customer | ||
+ | |||
+ | a process from which the capitalist | ||
+ | |||
+ | julie extracts a profit | ||
+ | |||
+ | value is in the eye of the behelder | ||
+ | |||
+ | value doesn't exist in | ||
+ | |||
+ | objects what i would say is that | ||
+ | |||
+ | commodity fetishism is only the | ||
+ | |||
+ | capitalist version of a type of | ||
+ | |||
+ | objectification which is humanly | ||
+ | |||
+ | universal | ||
+ | |||
+ | is this the real world or are we the | ||
+ | |||
+ | victims of a marketplace that seduces us | ||
+ | |||
+ | mystifying our senses with its fantasy | ||
+ | |||
+ | objects | ||
+ | |||
+ | for marx commodities exist not to | ||
+ | |||
+ | satisfy our needs | ||
+ | |||
+ | nor because they are really useful to us | ||
+ | |||
+ | but | ||
+ | |||
+ | simply to be bought and sold | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | um | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | fetishism is an illusion which is part | ||
+ | |||
+ | of reality itself | ||
+ | |||
+ | you have this wonderful double reversal | ||
+ | |||
+ | that things are the way they are you may | ||
+ | |||
+ | be conscious | ||
+ | |||
+ | how things really are but in your | ||
+ | |||
+ | practice you follow | ||
+ | |||
+ | an illusion of which you are not | ||
+ | |||
+ | conscious well i i think our tendency to over invest importance in particular objects is a matter of [[human psychology]] rather than of | ||
+ | |||
+ | economics it's it's the way we are and | ||
+ | |||
+ | we follow fashion for example so we look | ||
+ | |||
+ | and see | ||
+ | |||
+ | what are the great celebrities wearing | ||
+ | |||
+ | or eating | ||
+ | |||
+ | or driving and we want one of those and | ||
+ | |||
+ | that's that's human nature the economic | ||
+ | |||
+ | system is is | ||
+ | |||
+ | is morally neutral on on this subject it | ||
+ | |||
+ | simply produces what people want | ||
+ | |||
+ | how does commodity fetishism apply to | ||
+ | |||
+ | the new social networks of the | ||
+ | |||
+ | information | ||
+ | |||
+ | age is it possible that the commodity | ||
+ | |||
+ | extends from what we buy | ||
+ | |||
+ | to the very core of who we are | ||
+ | |||
+ | the modern media so to speak colonize | ||
+ | |||
+ | partly create partly colonized partly | ||
+ | |||
+ | mobilized | ||
+ | |||
+ | collective fantasies um | ||
+ | |||
+ | i think that sort of transcends anything | ||
+ | |||
+ | which you find in marx because the | ||
+ | |||
+ | technology and the uh the level of | ||
+ | |||
+ | development wasn't such that it | ||
+ | |||
+ | permitted that kind of | ||
+ | |||
+ | um uh insight at that time | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | today the commodity or consumer way of | ||
+ | |||
+ | life is everywhere | ||
+ | |||
+ | and in everything we do we see the world | ||
+ | |||
+ | through commodity eyes | ||
+ | |||
+ | so that every social encounter becomes a | ||
+ | |||
+ | potential sale | ||
+ | |||
+ | not just of material possessions but of | ||
+ | |||
+ | our individual | ||
+ | |||
+ | selves | ||
+ | |||
+ | ==Sloterdijk on commodity fetishism, Benjamin and prostitution, c 27:00== | ||
+ | |||
+ | |||
+ | Der grundgedanke von marx dass die wahren fetische sind wurde im 20 | ||
+ | |||
+ | jahrhundert aufgenommen besonders bei | ||
+ | |||
+ | den denken der frankfurter schule und da ist es wiederum walter benjamin der den | ||
+ | |||
+ | interessantesten beitrag zur | ||
+ | |||
+ | modernisierung des fetischismus | ||
+ | |||
+ | geleistet hat denn er entdeckt die | ||
+ | |||
+ | strukturelle ähnlichkeit zwischen der | ||
+ | |||
+ | menschlichen war und der sachlichen ware | ||
+ | |||
+ | zum auto benjamin universalisierung die | ||
+ | |||
+ | kategorie der prostitution und | ||
+ | |||
+ | prostitution liegt immer dann vor wenn | ||
+ | |||
+ | ein schönes ding leben vortäuscht und den passanten mit einer mit einem | ||
+ | |||
+ | angebot verführen möchte. | ||
+ | |||
+ | ==The rest== | ||
+ | [Music] | ||
+ | |||
+ | the whole mystery of commodities all the | ||
+ | |||
+ | magic | ||
+ | |||
+ | and necromancy that surrounds the | ||
+ | |||
+ | products of labor | ||
+ | |||
+ | as long as they take the form of | ||
+ | |||
+ | commodities vanishes therefore | ||
+ | |||
+ | so soon as we come to other forms of | ||
+ | |||
+ | production | ||
+ | |||
+ | for marx the expectation was that the | ||
+ | |||
+ | commodity | ||
+ | |||
+ | would eventually give way to other forms | ||
+ | |||
+ | of economic production and cooperation | ||
+ | |||
+ | in which value is no longer measured | ||
+ | |||
+ | purely in monetary | ||
+ | |||
+ | terms can we imagine a world without | ||
+ | |||
+ | commodities | ||
+ | |||
+ | dimension for the organization complex | ||
+ | |||
+ | often | ||
+ | |||
+ | people are trying to think about you | ||
+ | |||
+ | know different ways of living living | ||
+ | |||
+ | sustainably | ||
+ | |||
+ | to try and create these kind of like | ||
+ | |||
+ | homeostatic modes of existence where | ||
+ | |||
+ | there is no waste | ||
+ | |||
+ | um you know and maybe even live in a | ||
+ | |||
+ | kind of collective way or a | ||
+ | |||
+ | you know hint a communal way of living | ||
+ | |||
+ | um | ||
+ | |||
+ | you know and i think there is that | ||
+ | |||
+ | people do feel a real kind of need | ||
+ | |||
+ | sometimes or a desire for that sort of | ||
+ | |||
+ | uh let's say a simpler but kind of more | ||
+ | |||
+ | creative and more interesting life | ||
+ | |||
+ | you know to to have proper relations | ||
+ | |||
+ | with people um | ||
+ | |||
+ | that aren't mediated through this kind | ||
+ | |||
+ | of you know commodity | ||
+ | |||
+ | uh fetishism | ||
+ | |||
+ | today there is growing disquiet in | ||
+ | |||
+ | western societies | ||
+ | |||
+ | on a range of social economic and | ||
+ | |||
+ | environmental questions | ||
+ | |||
+ | a new generation of marx-inspired | ||
+ | |||
+ | thinkers | ||
+ | |||
+ | sees ecology as a decisive political | ||
+ | |||
+ | issue | ||
+ | |||
+ | the management of the ecological | ||
+ | |||
+ | common of the air the earth the | ||
+ | |||
+ | atmosphere by private property | ||
+ | |||
+ | and even by states has led us to the to | ||
+ | |||
+ | the brink of disaster | ||
+ | |||
+ | but similarly i think in economic terms | ||
+ | |||
+ | we're we're ever | ||
+ | |||
+ | more handicapped | ||
+ | |||
+ | in our um even in economic functioning | ||
+ | |||
+ | by the rule of private property and even | ||
+ | |||
+ | the mechanisms of | ||
+ | |||
+ | of of of of accumulation through profit | ||
+ | |||
+ | communism in the sense of we are dealing | ||
+ | |||
+ | with | ||
+ | |||
+ | commons our earth as natural substance | ||
+ | |||
+ | somehow we have to manage it together if | ||
+ | |||
+ | you look at the common in communism | ||
+ | |||
+ | it gives you a very different view than | ||
+ | |||
+ | than we've inherited from | ||
+ | |||
+ | either from soviet ideology or from a | ||
+ | |||
+ | u.s anti-communist ideology | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | can marx's work present a green | ||
+ | |||
+ | alternative | ||
+ | |||
+ | to the management of our planet's | ||
+ | |||
+ | natural resources | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | john gray believes that global | ||
+ | |||
+ | capitalism | ||
+ | |||
+ | develops in ways that are not only | ||
+ | |||
+ | difficult to predict | ||
+ | |||
+ | but also impossible to control | ||
+ | |||
+ | where the uh neoleninists | ||
+ | |||
+ | but also the greens | ||
+ | |||
+ | are correct is in | ||
+ | |||
+ | arguing that human action | ||
+ | |||
+ | has destabilized the | ||
+ | |||
+ | planetary environment where they | ||
+ | |||
+ | are deluded is in believing that | ||
+ | |||
+ | human action can restabilize | ||
+ | |||
+ | the planetary environment what | ||
+ | |||
+ | from the fact that humans have triggered | ||
+ | |||
+ | this | ||
+ | |||
+ | instability it does not follow that | ||
+ | |||
+ | humans can | ||
+ | |||
+ | stop it even if humans were capable of | ||
+ | |||
+ | acting as a global collective which they | ||
+ | |||
+ | are not | ||
+ | |||
+ | and will not be | ||
+ | |||
+ | an under-regulated banking sector is | ||
+ | |||
+ | often regarded as having been | ||
+ | |||
+ | responsible for the economic crisis | ||
+ | |||
+ | which began in 2007 | ||
+ | |||
+ | but is state regulation of the economy | ||
+ | |||
+ | the only solution | ||
+ | |||
+ | which examples from history might help | ||
+ | |||
+ | us avoid | ||
+ | |||
+ | ever greater catastrophes in future | ||
+ | |||
+ | it was a very interesting time in the | ||
+ | |||
+ | 19th century | ||
+ | |||
+ | in the united states where in boston | ||
+ | |||
+ | there was a bank called | ||
+ | |||
+ | the suffolk bank and at that time banks | ||
+ | |||
+ | would produce their own currencies | ||
+ | |||
+ | and the suffolk bank would take the | ||
+ | |||
+ | currency of any bank | ||
+ | |||
+ | and it would give you hard currency hard | ||
+ | |||
+ | cash back it would take the notes in | ||
+ | |||
+ | and it would give you coins out if it | ||
+ | |||
+ | didn't trust | ||
+ | |||
+ | a particular bank if it thought a | ||
+ | |||
+ | particular bank was | ||
+ | |||
+ | perhaps taking too many risks it might | ||
+ | |||
+ | only give you | ||
+ | |||
+ | 95 cents on the dollar now that's a | ||
+ | |||
+ | brilliant system because what it means | ||
+ | |||
+ | is | ||
+ | |||
+ | that banks become very aware of the | ||
+ | |||
+ | risks that they're taking | ||
+ | |||
+ | that's a kind of utopian | ||
+ | |||
+ | pathology of deluded thinking on the | ||
+ | |||
+ | right | ||
+ | |||
+ | which is recurrent because what it | ||
+ | |||
+ | refuses to | ||
+ | |||
+ | confront are the inherent contradictions | ||
+ | |||
+ | which emerge in | ||
+ | |||
+ | rapidly developing capitalist economies | ||
+ | |||
+ | the reason um | ||
+ | |||
+ | we are where we are now and how the type | ||
+ | |||
+ | of large banking systems and so forth | ||
+ | |||
+ | that we do have is that at every point | ||
+ | |||
+ | in its history | ||
+ | |||
+ | capitalism has been intertwined with | ||
+ | |||
+ | state power last year we found 17 | ||
+ | |||
+ | billion dollars in cuts | ||
+ | |||
+ | this year we've already found 20 billion | ||
+ | |||
+ | what power | ||
+ | |||
+ | or incentive do governments have to | ||
+ | |||
+ | reform capitalism | ||
+ | |||
+ | as in the maximum force an indicator is | ||
+ | |||
+ | before | ||
+ | |||
+ | until endless | ||
+ | |||
+ | and young pronen the kind of capitalism | ||
+ | |||
+ | that has entered into crisis is a | ||
+ | |||
+ | capitalism that is producing ever more | ||
+ | |||
+ | of what marx called superfluous | ||
+ | |||
+ | populations or surplus populations | ||
+ | |||
+ | uh what mike davis and the planet of | ||
+ | |||
+ | slums have has called a kind of surplus | ||
+ | |||
+ | humanity | ||
+ | |||
+ | that is to say it's not entirely clear | ||
+ | |||
+ | that uh capitalism | ||
+ | |||
+ | exists today needs people needs workers | ||
+ | |||
+ | in the same way that it needed before | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | capital functions through crises so | ||
+ | |||
+ | crisis doesn't mean | ||
+ | |||
+ | um the demise of capital | ||
+ | |||
+ | capital functions by breaking down it's | ||
+ | |||
+ | a it's a paradoxical way of | ||
+ | |||
+ | uh working but that's the way it works | ||
+ | |||
+ | and and often what happens | ||
+ | |||
+ | this is of course one of the things | ||
+ | |||
+ | that's happening as a result of the 2008 | ||
+ | |||
+ | economic and financial crisis is that | ||
+ | |||
+ | crisis allows | ||
+ | |||
+ | uh the possibility for new | ||
+ | |||
+ | concentrations | ||
+ | |||
+ | of capital uh sometimes through | ||
+ | |||
+ | through privatization sometimes simply | ||
+ | |||
+ | through uh the concentration of wealth | ||
+ | |||
+ | or | ||
+ | |||
+ | or power in in fewer hands | ||
+ | |||
+ | there's a way in which kind of | ||
+ | |||
+ | capitalism is is undead you know it | ||
+ | |||
+ | keeps going even though | ||
+ | |||
+ | you know no one has any faith in it | ||
+ | |||
+ | anymore no one believes in it | ||
+ | |||
+ | you know and and you know this idea of a | ||
+ | |||
+ | kind of free market | ||
+ | |||
+ | is is was always a joke but it's even | ||
+ | |||
+ | more of a joke now i mean you know the | ||
+ | |||
+ | level of state intervention | ||
+ | |||
+ | you know we're seeing the way in which | ||
+ | |||
+ | this kind of plays out | ||
+ | |||
+ | badly for the losers i mean look at | ||
+ | |||
+ | what's happening in greece at the moment | ||
+ | |||
+ | if the state and the economy is so | ||
+ | |||
+ | closely intertwined | ||
+ | |||
+ | and if capitalism needs crisis to | ||
+ | |||
+ | function | ||
+ | |||
+ | then what sense is there in believing | ||
+ | |||
+ | that another world is possible | ||
+ | |||
+ | is there any way out of our | ||
+ | |||
+ | crisis-ridden times | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | control | ||
+ | |||
+ | uh | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | hmm | ||
+ | |||
+ | today capitalism's flaws are leading | ||
+ | |||
+ | people to consider | ||
+ | |||
+ | political alternatives of which | ||
+ | |||
+ | communism is one | ||
+ | |||
+ | but given the communist disasters of the | ||
+ | |||
+ | 20th century | ||
+ | |||
+ | how can we really take the idea of | ||
+ | |||
+ | communism seriously | ||
+ | |||
+ | but the deepest moment of the false | ||
+ | |||
+ | fidelity | ||
+ | |||
+ | to the 20th century communism is i think | ||
+ | |||
+ | the rejection of all really existing | ||
+ | |||
+ | socialisms on behalf of some authentic | ||
+ | |||
+ | working-class movement just around the | ||
+ | |||
+ | corner waiting to explode | ||
+ | |||
+ | not only in its totalitarian aspect | ||
+ | |||
+ | communism as we knew it but that's | ||
+ | |||
+ | important to add | ||
+ | |||
+ | now i will get less and less popular | ||
+ | |||
+ | everyone would agree with this | ||
+ | |||
+ | then i add to it also social democratic | ||
+ | |||
+ | welfare state | ||
+ | |||
+ | but not only social democracy even | ||
+ | |||
+ | that's my nastiest thesis even | ||
+ | |||
+ | the darling of the radical democratic | ||
+ | |||
+ | left | ||
+ | |||
+ | this idea against the ossified state | ||
+ | |||
+ | structures | ||
+ | |||
+ | spontaneous local self-organization | ||
+ | |||
+ | direct democracy councils and so on | ||
+ | |||
+ | even that should be written off | ||
+ | |||
+ | mr brumlik is a critic of the new | ||
+ | |||
+ | marxist thinking | ||
+ | |||
+ | for brumlik the prospect of creating an | ||
+ | |||
+ | alternative to capitalism | ||
+ | |||
+ | which neglects democracy is highly | ||
+ | |||
+ | problematic | ||
+ | |||
+ | we are missing their | ||
+ | |||
+ | how practical is the idea of communism | ||
+ | |||
+ | does it offer a political alternative to | ||
+ | |||
+ | the state socialisms of the past | ||
+ | |||
+ | or is it a philosophical debate | ||
+ | |||
+ | i do think it's important to struggle | ||
+ | |||
+ | over the term you know to to | ||
+ | |||
+ | because the terms have such a history of | ||
+ | |||
+ | hope and suffering | ||
+ | |||
+ | that are attached to them what's meant | ||
+ | |||
+ | by communism in common language it's | ||
+ | |||
+ | meant | ||
+ | |||
+ | the exact opposite of what i mean by it | ||
+ | |||
+ | it's meant | ||
+ | |||
+ | absolute state control of the economy | ||
+ | |||
+ | and society which | ||
+ | |||
+ | seems to be counter to everything mark | ||
+ | |||
+ | said about it too | ||
+ | |||
+ | marx imagined communism as a classless | ||
+ | |||
+ | society for jacques conciere | ||
+ | |||
+ | the political challenge today is one of | ||
+ | |||
+ | creating an | ||
+ | |||
+ | emancipated society in which everyone | ||
+ | |||
+ | has an equal share | ||
+ | |||
+ | this actually would be important | ||
+ | |||
+ | capital | ||
+ | |||
+ | foreign | ||
+ | |||
+ | side because | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | a communist society would be a society | ||
+ | |||
+ | where you everyone would be | ||
+ | |||
+ | allowed to dwell in his or her own | ||
+ | |||
+ | stupidity | ||
+ | |||
+ | you know you know who gave me this idea | ||
+ | |||
+ | even fred jameson who said | ||
+ | |||
+ | what if you imagine communism not as a | ||
+ | |||
+ | perfectly normal society | ||
+ | |||
+ | but like a crazy society that you find | ||
+ | |||
+ | like in some bregel's painting proverbs | ||
+ | |||
+ | you know | ||
+ | |||
+ | a madman here there is a man who thinks | ||
+ | |||
+ | who thinks he is a chicken and ah | ||
+ | |||
+ | gaga walks like this there is a man who | ||
+ | |||
+ | thinks he is napoleon box | ||
+ | |||
+ | you know all this madman politely exist | ||
+ | |||
+ | wouldn't this be nice | ||
+ | |||
+ | is the idea of communism a fantasy | ||
+ | |||
+ | is communism only realizable in our | ||
+ | |||
+ | imagination | ||
+ | |||
+ | it can't be some kind of utopian fantasy | ||
+ | |||
+ | about what comes after the apocalypse | ||
+ | |||
+ | you know people | ||
+ | |||
+ | are thinking all the time about this | ||
+ | |||
+ | kind of uh the end of the world and this | ||
+ | |||
+ | kind of you know | ||
+ | |||
+ | somehow it's supposed to be easier to | ||
+ | |||
+ | imagine the end of the world than the | ||
+ | |||
+ | end of | ||
+ | |||
+ | capitalism the end point is knowledge | ||
+ | |||
+ | things are getting | ||
+ | |||
+ | so rational because you know there is | ||
+ | |||
+ | the paradox of knowledge | ||
+ | |||
+ | everybody knows of intellectual | ||
+ | |||
+ | properties that | ||
+ | |||
+ | with ordinary material property we have | ||
+ | |||
+ | a competition because | ||
+ | |||
+ | if we have here a nice steak if i eat it | ||
+ | |||
+ | then you don't eat it no | ||
+ | |||
+ | you know what i mean like through use it | ||
+ | |||
+ | gets used with knowledge it's the | ||
+ | |||
+ | opposite if i know something and tell it | ||
+ | |||
+ | to you | ||
+ | |||
+ | knowledge not only doesn't get used in | ||
+ | |||
+ | the sense of | ||
+ | |||
+ | of less functional true but it even gets | ||
+ | |||
+ | rich knowledge knowledge is commodity is | ||
+ | |||
+ | effectively an anti-capitalist | ||
+ | |||
+ | commodity | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | there's no proletarian revolution | ||
+ | |||
+ | movement there are no mass | ||
+ | |||
+ | communist parties | ||
+ | |||
+ | the left is in pretty well universal | ||
+ | |||
+ | disarray | ||
+ | |||
+ | uh there is no agency there is no | ||
+ | |||
+ | historical agency i mean this is | ||
+ | |||
+ | entirely | ||
+ | |||
+ | uh the neo-bolshevist near bolshevik and | ||
+ | |||
+ | neil then this movie is entirely | ||
+ | |||
+ | uh a creation of the media | ||
+ | |||
+ | of um cultural criticism | ||
+ | |||
+ | of hermetic seminars | ||
+ | |||
+ | of um cabaret-like | ||
+ | |||
+ | performances it does not exist in | ||
+ | |||
+ | any form of practical politics anywhere | ||
+ | |||
+ | in the world | ||
+ | |||
+ | and will not mention this | ||
+ | |||
+ | [Music] | ||
+ | |||
+ | today perhaps the attraction of marx's | ||
+ | |||
+ | ideas | ||
+ | |||
+ | can be explained by our desire for clear | ||
+ | |||
+ | alternatives in a world where few exist | ||
+ | |||
+ | a simple choice between a blue or a red | ||
+ | |||
+ | pill | ||
+ | |||
+ | the blue pill for the cozy retreat into | ||
+ | |||
+ | our consumer fantasies | ||
+ | |||
+ | or the red pill which finally reveals | ||
+ | |||
+ | the truth | ||
+ | |||
+ | i'm not sure i do think this is very | ||
+ | |||
+ | helpful at all i think | ||
+ | |||
+ | you know the only way to really | ||
+ | |||
+ | understand the world is to be kind of | ||
+ | |||
+ | continually curious | ||
+ | |||
+ | and and skeptical and cynical about it | ||
+ | |||
+ | perhaps | ||
+ | |||
+ | but always perhaps with a sort of | ||
+ | |||
+ | underlying optimism that things can | ||
+ | |||
+ | get better and that you yourself can | ||
+ | |||
+ | contribute to | ||
+ | |||
+ | making the world a better place in my | ||
+ | |||
+ | world it's the blue pill which is the | ||
+ | |||
+ | reality of course | ||
+ | |||
+ | red my ultimate position maybe i changed | ||
+ | |||
+ | my position and no would have been no | ||
+ | |||
+ | there must be a third pillar | ||
+ | |||
+ | i want the third pill but of course when | ||
+ | |||
+ | you take the third pill | ||
+ | |||
+ | you see that this is the true second | ||
+ | |||
+ | pill anyway i would go along with him if | ||
+ | |||
+ | he wants the third pill i want the third | ||
+ | |||
+ | pill too | ||
+ | |||
+ | there are no pills no pills can | ||
+ | |||
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==See also== | ==See also== |
Current revision
[The theory of commodity fetishism is] "the important part of Marxist doctrine […] Marx is among those who discovered the fact that things live. […] Walter Benjamin discovered the structural similarity between human commodities and commodities as objects […] he universalized the category of prostitution […] prostitution is always present when a beautiful thing feigns life and tries to seduce passersby with an offer."--Peter Sloterdijk in Marx Reloaded (2011), 27:20 |
Related e |
Featured: |
Marx Reloaded (2011) is a German documentary film written and directed by the British writer and theorist Jason Barker.
It features interviews with several well-known philosophers, the film aims to examine the relevance of Karl Marx's ideas in relation to the Great Recession. The film's title is a wordplay on The Matrix Reloaded, the sequel to The Matrix, which is parodied in the documentary.
Marx Reloaded features interviews with several well-known philosophers, among them those often associated with Marxism and Communist ideas, including John Gray, Michael Hardt, Antonio Negri, Nina Power, Jacques Rancière, Peter Sloterdijk, Alberto Toscano and Slavoj Žižek. The film also includes animation scenes with Marx trapped in a surreal world resembling the 1999 science fiction–action film The Matrix, which starred Keanu Reeves and Laurence Fishburne. In one such animated scene Marx (Jason Barker) encounters Leon Trotsky (Ivan Nikolic) in a pastiche of the red pill and blue pill scene in The Matrix in which Reeves' character Neo first meets Fishburne's character Morpheus.
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Subtitles
[Music]
is capitalism destroying itself
and the wealth of the planet with it
i think that's total hogwash capitalism
doesn't destroy wealth capitalism
creates wealth
[Music]
today karl marx and the idea of
communism are back in vogue
the original revolutionary socialist has
become a cultural icon
[Music]
mark's capital band ends of the bullet
supreme
is a fairly
but can marx's critique of capitalism
really help us through our crisis-ridden
times
the question from marx which might be
slightly different for us now is what
comes after that critique
what might we learn from a thinker whose
ideas were supposed to have disappeared
with the fall of the berlin wall
more than 20 years ago
[Music]
asked
have we been living in a dream is the
capitalist world about to be
unmasked as an ideological illusion
and replaced by the communist system we
thought had gone for good
[Music]
[Music]
at last comrade marx
have we met let's just say
we are theoretically acquainted
do you believe in destiny comrade
no why not because
the emancipation of the politely art
requires the critique of bourgeois
ideology oh
i know exactly what you mean
do you want to know the truth comrade
your slave to a liberal ideology that
goes deeper than you can possibly
imagine
ideology is everywhere when you read
shakespeare when you pay for your
daughter's acting classes
when you buy you a hemorrhoid cream
no one can be told what an ideology is
carl you must see it
not to believe it take the blue pill
and you'll wake up in cologne as the
editor of a provincial newspaper and
join a masonic lodge
take the red pill and i will
show you how far the permanent
revolution
marx goes his life to studying
capitalism and its crises
but how did today's economists explain
the most
damaging economic events since the great
depression of the 1930s
Norbert Walter is the former chief economist at Deutsche Bank in america 100
in london the financial centre of europe
the crisis has also raised questions
about the future of the free market
Eamonn Butler
"One of the foundations of the modern economy is money and unfortunately money is a monopoly of the government and so what they tend to do is to debauch the currency they over inflate the currency they keep interest rates artificially low which the the market would not do we go out and we get loans and we buy houses and then we feel even and the houses go up in in value and then we feel even richer and then we go out and buy more things it's just like being on a drug you know you you have a drug and um it gives you an instant high and you say hey this is great but then then it starts to wear off so you take a bit more uh and then that wears off so you need an even bigger dose next time um and that's what governments have done to our economy unfortunately and that's why we are in a big mess and i really hope that they don't do the same thing again.
Bush television speech
My administration is working with congress to address the root cause behind much of the instability in our markets.
Antonio Negri on Bush
"Bush pouvait faire sa politique néoliberale et sa politique de guerre seulement si la classe ouvrière et en general tout les travailleurs américains était tranquile ... et pour le faire tranquile il falait leur permettre de s'acheter la maison et maintenir un certain niveau de consommation ... Donc, la crise c'est quoi? C'est le fait que le système néoliberale n'arrive pas aux gens de leur donner le prix de leur travail."
The rest
what was karl marx's approach to
thinking the economic system
we call capitalism how do his ideas
help us understand a system which has
come to dominate so many aspects of our
lives
as a thinker i would characterize marx
principally as a a brilliant theorist of
capitalism
but as well as being a theorist of
capitalism he was also a
the leader of a political movement and
what i would call a utopian theorist
what i mean is that he
believed he'd discovered a kind of logic
in history
a kind of logic of human development a
logic of the development of the entire
species
whose built-in endpoint although it
might not be achieved
was a condition of universal freedom
there's a beautiful
phrase by or expression by ernest bloch
writing about marx where he says well
marx is often accused for having this
uncompromising you know brutalizing kind
of impersonal thinking
and blocks as well you know this is um
this is a result of marx having to think
like capitalism so he says uh just like
the best detective has to think like a
criminal
the best detective has to enter into the
mentality
of the criminal which is a very
dangerous practice and of course many
marxists who have tried to think like
capitalism have
effectively become apologists of
capitalism and that might be the reason
why
but that in a sense is i think a great
way of understanding marx's
method and the energy and combativeness
of his thought you know what does it
mean
for uh for a detective to uh
to think like a criminal
a specter is haunting europe the specter
of communism all the powers of old
europe have entered into a holy alliance
to exercise this specter
pope and czar mettenik and gizel
french radicals and german police spies
the communist manifesto is marx's most
famous political work
it seems light years away from our
modern liberal concerns
the communist manifesto has always had
really interestingly delayed effects in
history you know it's not a book even
though it's written with this tone of
urgency because it's a manifesto it's
this kind of you know
uh uh breathless text in a way
nevertheless the kind of real effects of
that weren't sort of seen for kind of
you know
50 or so years later and i think
you know it goes through various um
reiterations you know reappears and and
you know its relevance and different
parts of it are stressed at different
times
what is capitalism capitalism is an
economic system
driven by the profit motive according to
marx
capitalism thrives on the exploitation
of the working class
in order to make a profit the capitalist
pays his workers less than the true
value of their labor time for marx
such exploitation was the main cause of
social conflict
or class struggle between capitalists
determined to
increase their profits and workers
struggling to earn a living
bottom level i mean you know there
really are only two classes and and you
know
one of them exploits the other
but do marxist theories of exploitation
and class struggle
still hold true today or is the way in
which capitalists make their profits
changing slavoy jizek
is a slovenian philosopher at the
forefront of a popular revival in
marxist and communist thinking
it's obvious and marx already had an
idea awake of it that
with knowledge emerging as a sun
central factor of wealth production this
classical logic of exploitation no
longer works
vulgar example bill gates owns what marx
calls part of our general intellect our
the substance our symbolic substance
means of communication
and it's as if in order for us to
communicate
among ourselves we have to pay him a
rent so
and also this i think changes the very
definition
of what is proletariat today
proletarian procedure is no longer just
the working class it's no longer typical
even to be a little bit cynical today
those
it's almost as if most of the protests
today
protests of the unemployed and so on are
ironically sustained by a demand
please provide us a job where we can be
at least in a normal way exploited
for many thinkers the question of
exploitation
remains as important today as it was in
marx's time
but capitalism has evolved and modes of
work have changed
in ways which marx himself was unable to
predict
according to italian political
philosopher antonio negri
[Music]
is the co-editor of marx and engel's
complete works
he teaches politics at the humboldt
university of berlin
[Music]
along with antonio negri michael hart is
the co-author of best-selling books on
globalization
like negri heart sees knowledge
information
and natural resources as the common
wealth of
all peoples i think instead what what
has happened is capitalist economy has
developed towards um
centering on precisely the production of
many
immaterial and in some ways immeasurable
goods it's it's no longer
centered on the the production of
countable
automobiles and and refrigerators and
and toasters but but rather centered on
the
the production of ideas the production
of social relationships through services
um a variety of they're not unreal but
but
often intangible assets
the theorist alberto toscano is more
orthodox
when it comes to thinking the relation
of work and exploitation under
capitalism
people in a call center might be
engaging in activity which could refer
to as cognitive
or immaterial but they are also
and in fact most importantly working in
an environment
which is organized in terms of very
classical forms
of labor despotism of very classical
forms
of how to extract you know every second
or
millisecond how to scientifically manage
work in such a way that it can be more
productive and in such a way that the
rate of exploitation as mark would put
it is intensified
though i think you know heart and negri
are entirely right to identify
certain tendencies
i don't think that immaterial labor for
instance
is the source you know will be the
source as such of you know
future uh uh emancipatory
politics
jacques rossier is a renowned thinker of
working class politics
for us here economic exploitation is
not the dominant factor in all social
struggles
potassium
[Music]
for mark's class struggle was part of
everyday life
but the theory of exploitation was not
marx's sole contribution to
understanding capitalism
in order to grasp capitalism's true
power and persuasive hold over us
we must delve into the strange and
mystical world
of the commodity
[Music]
it is clear as noonday that man by his
industry
changes the forms of the materials
furnished by nature
in such a way as to make them useful to
him the form of wood for instance is
altered
by making a table out of it and yet the
table continues to be that common
everyday thing wood but so soon as it
steps forth as a commodity
it is changed into something
transcendent
capital marx's landmark study of
political
economy begins with a chapter devoted to
commodities
and the fetishism of commodities
today we're used to hearing about sexual
fetishes
but for marx the commodity fetish was
something quite different
norbert boltz is a leading media
theorist and the author
of the consumerist manifesto
[Music]
he
is
peter slotterdijk also sees ongoing
relevance in marxist theory of commodity
fetishism
in our modern consumer way of life
so the
[Music]
uh
[Music]
[Music]
[Music]
the theory of commodity fetishism
describes
how we accept value as a natural quality
of things
but according to marx such belief is an
illusion
every commodity like every value must be
produced
even something as seemingly natural as
water is commodified
purified packaged and transported to the
customer
a process from which the capitalist
julie extracts a profit
value is in the eye of the behelder
value doesn't exist in
objects what i would say is that
commodity fetishism is only the
capitalist version of a type of
objectification which is humanly
universal
is this the real world or are we the
victims of a marketplace that seduces us
mystifying our senses with its fantasy
objects
for marx commodities exist not to
satisfy our needs
nor because they are really useful to us
but
simply to be bought and sold
[Music]
um
[Music]
fetishism is an illusion which is part
of reality itself
you have this wonderful double reversal
that things are the way they are you may
be conscious
how things really are but in your
practice you follow
an illusion of which you are not
conscious well i i think our tendency to over invest importance in particular objects is a matter of human psychology rather than of
economics it's it's the way we are and
we follow fashion for example so we look
and see
what are the great celebrities wearing
or eating
or driving and we want one of those and
that's that's human nature the economic
system is is
is morally neutral on on this subject it
simply produces what people want
how does commodity fetishism apply to
the new social networks of the
information
age is it possible that the commodity
extends from what we buy
to the very core of who we are
the modern media so to speak colonize
partly create partly colonized partly
mobilized
collective fantasies um
i think that sort of transcends anything
which you find in marx because the
technology and the uh the level of
development wasn't such that it
permitted that kind of
um uh insight at that time
[Music]
today the commodity or consumer way of
life is everywhere
and in everything we do we see the world
through commodity eyes
so that every social encounter becomes a
potential sale
not just of material possessions but of
our individual
selves
Sloterdijk on commodity fetishism, Benjamin and prostitution, c 27:00
Der grundgedanke von marx dass die wahren fetische sind wurde im 20
jahrhundert aufgenommen besonders bei
den denken der frankfurter schule und da ist es wiederum walter benjamin der den
interessantesten beitrag zur
modernisierung des fetischismus
geleistet hat denn er entdeckt die
strukturelle ähnlichkeit zwischen der
menschlichen war und der sachlichen ware
zum auto benjamin universalisierung die
kategorie der prostitution und
prostitution liegt immer dann vor wenn
ein schönes ding leben vortäuscht und den passanten mit einer mit einem
angebot verführen möchte.
The rest
[Music]
the whole mystery of commodities all the
magic
and necromancy that surrounds the
products of labor
as long as they take the form of
commodities vanishes therefore
so soon as we come to other forms of
production
for marx the expectation was that the
commodity
would eventually give way to other forms
of economic production and cooperation
in which value is no longer measured
purely in monetary
terms can we imagine a world without
commodities
dimension for the organization complex
often
people are trying to think about you
know different ways of living living
sustainably
to try and create these kind of like
homeostatic modes of existence where
there is no waste
um you know and maybe even live in a
kind of collective way or a
you know hint a communal way of living
um
you know and i think there is that
people do feel a real kind of need
sometimes or a desire for that sort of
uh let's say a simpler but kind of more
creative and more interesting life
you know to to have proper relations
with people um
that aren't mediated through this kind
of you know commodity
uh fetishism
today there is growing disquiet in
western societies
on a range of social economic and
environmental questions
a new generation of marx-inspired
thinkers
sees ecology as a decisive political
issue
the management of the ecological
common of the air the earth the
atmosphere by private property
and even by states has led us to the to
the brink of disaster
but similarly i think in economic terms
we're we're ever
more handicapped
in our um even in economic functioning
by the rule of private property and even
the mechanisms of
of of of of accumulation through profit
communism in the sense of we are dealing
with
commons our earth as natural substance
somehow we have to manage it together if
you look at the common in communism
it gives you a very different view than
than we've inherited from
either from soviet ideology or from a
u.s anti-communist ideology
[Music]
can marx's work present a green
alternative
to the management of our planet's
natural resources
[Music]
john gray believes that global
capitalism
develops in ways that are not only
difficult to predict
but also impossible to control
where the uh neoleninists
but also the greens
are correct is in
arguing that human action
has destabilized the
planetary environment where they
are deluded is in believing that
human action can restabilize
the planetary environment what
from the fact that humans have triggered
this
instability it does not follow that
humans can
stop it even if humans were capable of
acting as a global collective which they
are not
and will not be
an under-regulated banking sector is
often regarded as having been
responsible for the economic crisis
which began in 2007
but is state regulation of the economy
the only solution
which examples from history might help
us avoid
ever greater catastrophes in future
it was a very interesting time in the
19th century
in the united states where in boston
there was a bank called
the suffolk bank and at that time banks
would produce their own currencies
and the suffolk bank would take the
currency of any bank
and it would give you hard currency hard
cash back it would take the notes in
and it would give you coins out if it
didn't trust
a particular bank if it thought a
particular bank was
perhaps taking too many risks it might
only give you
95 cents on the dollar now that's a
brilliant system because what it means
is
that banks become very aware of the
risks that they're taking
that's a kind of utopian
pathology of deluded thinking on the
right
which is recurrent because what it
refuses to
confront are the inherent contradictions
which emerge in
rapidly developing capitalist economies
the reason um
we are where we are now and how the type
of large banking systems and so forth
that we do have is that at every point
in its history
capitalism has been intertwined with
state power last year we found 17
billion dollars in cuts
this year we've already found 20 billion
what power
or incentive do governments have to
reform capitalism
as in the maximum force an indicator is
before
until endless
and young pronen the kind of capitalism
that has entered into crisis is a
capitalism that is producing ever more
of what marx called superfluous
populations or surplus populations
uh what mike davis and the planet of
slums have has called a kind of surplus
humanity
that is to say it's not entirely clear
that uh capitalism
exists today needs people needs workers
in the same way that it needed before
[Music]
capital functions through crises so
crisis doesn't mean
um the demise of capital
capital functions by breaking down it's
a it's a paradoxical way of
uh working but that's the way it works
and and often what happens
this is of course one of the things
that's happening as a result of the 2008
economic and financial crisis is that
crisis allows
uh the possibility for new
concentrations
of capital uh sometimes through
through privatization sometimes simply
through uh the concentration of wealth
or
or power in in fewer hands
there's a way in which kind of
capitalism is is undead you know it
keeps going even though
you know no one has any faith in it
anymore no one believes in it
you know and and you know this idea of a
kind of free market
is is was always a joke but it's even
more of a joke now i mean you know the
level of state intervention
you know we're seeing the way in which
this kind of plays out
badly for the losers i mean look at
what's happening in greece at the moment
if the state and the economy is so
closely intertwined
and if capitalism needs crisis to
function
then what sense is there in believing
that another world is possible
is there any way out of our
crisis-ridden times
[Music]
control
uh
[Music]
hmm
today capitalism's flaws are leading
people to consider
political alternatives of which
communism is one
but given the communist disasters of the
20th century
how can we really take the idea of
communism seriously
but the deepest moment of the false
fidelity
to the 20th century communism is i think
the rejection of all really existing
socialisms on behalf of some authentic
working-class movement just around the
corner waiting to explode
not only in its totalitarian aspect
communism as we knew it but that's
important to add
now i will get less and less popular
everyone would agree with this
then i add to it also social democratic
welfare state
but not only social democracy even
that's my nastiest thesis even
the darling of the radical democratic
left
this idea against the ossified state
structures
spontaneous local self-organization
direct democracy councils and so on
even that should be written off
mr brumlik is a critic of the new
marxist thinking
for brumlik the prospect of creating an
alternative to capitalism
which neglects democracy is highly
problematic
we are missing their
how practical is the idea of communism
does it offer a political alternative to
the state socialisms of the past
or is it a philosophical debate
i do think it's important to struggle
over the term you know to to
because the terms have such a history of
hope and suffering
that are attached to them what's meant
by communism in common language it's
meant
the exact opposite of what i mean by it
it's meant
absolute state control of the economy
and society which
seems to be counter to everything mark
said about it too
marx imagined communism as a classless
society for jacques conciere
the political challenge today is one of
creating an
emancipated society in which everyone
has an equal share
this actually would be important
capital
foreign
side because
[Music]
a communist society would be a society
where you everyone would be
allowed to dwell in his or her own
stupidity
you know you know who gave me this idea
even fred jameson who said
what if you imagine communism not as a
perfectly normal society
but like a crazy society that you find
like in some bregel's painting proverbs
you know
a madman here there is a man who thinks
who thinks he is a chicken and ah
gaga walks like this there is a man who
thinks he is napoleon box
you know all this madman politely exist
wouldn't this be nice
is the idea of communism a fantasy
is communism only realizable in our
imagination
it can't be some kind of utopian fantasy
about what comes after the apocalypse
you know people
are thinking all the time about this
kind of uh the end of the world and this
kind of you know
somehow it's supposed to be easier to
imagine the end of the world than the
end of
capitalism the end point is knowledge
things are getting
so rational because you know there is
the paradox of knowledge
everybody knows of intellectual
properties that
with ordinary material property we have
a competition because
if we have here a nice steak if i eat it
then you don't eat it no
you know what i mean like through use it
gets used with knowledge it's the
opposite if i know something and tell it
to you
knowledge not only doesn't get used in
the sense of
of less functional true but it even gets
rich knowledge knowledge is commodity is
effectively an anti-capitalist
commodity
[Music]
there's no proletarian revolution
movement there are no mass
communist parties
the left is in pretty well universal
disarray
uh there is no agency there is no
historical agency i mean this is
entirely
uh the neo-bolshevist near bolshevik and
neil then this movie is entirely
uh a creation of the media
of um cultural criticism
of hermetic seminars
of um cabaret-like
performances it does not exist in
any form of practical politics anywhere
in the world
and will not mention this
[Music]
today perhaps the attraction of marx's
ideas
can be explained by our desire for clear
alternatives in a world where few exist
a simple choice between a blue or a red
pill
the blue pill for the cozy retreat into
our consumer fantasies
or the red pill which finally reveals
the truth
i'm not sure i do think this is very
helpful at all i think
you know the only way to really
understand the world is to be kind of
continually curious
and and skeptical and cynical about it
perhaps
but always perhaps with a sort of
underlying optimism that things can
get better and that you yourself can
contribute to
making the world a better place in my
world it's the blue pill which is the
reality of course
red my ultimate position maybe i changed
my position and no would have been no
there must be a third pillar
i want the third pill but of course when
you take the third pill
you see that this is the true second
pill anyway i would go along with him if
he wants the third pill i want the third
pill too
there are no pills no pills can
stabilize any of these constructions all
these constructions are highly fragile
this is kind of fragrant
[Music]
[Music]
my
[Music]
my
[Music]
[Music]
you
See also