Music of Latin America  

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-"During the 1950s, [[Yma Sumac]] produced a series of legendary [[lounge music]] recordings featuring [[Hollywood]]-style versions of [[Incan]] and [[South American folk song]]s, working with the likes of [[Les Baxter]] and [[Billy May]]. The combination of her extraordinary voice, exotic looks and stage personality made her a hit with American audiences. Sumac even appeared in a [[Broadway theater|Broadway]] musical, ''[[Flahooley]]'', in 1951, as a foreign princess who brings [[Aladdin]]'s lamp to an American toy factory to have it repaired. [[Capitol Records]], Sumac's label, recorded the show. ''Flahooley'' closed quickly but the recording continues as a [[cult classic]]." +"During the [[1950s]], [[Yma Sumac]] produced a series of legendary [[lounge music]] recordings featuring Hollywood-style versions of [[Incan music|Incan]] and [[Music of Latin America|South American folk song]]s, working with the likes of [[Les Baxter]] and [[Billy May]]. The combination of her extraordinary voice, [[exotic]] looks and [[stage personality]] made her a hit with American audiences. Sumac even appeared in a [[Broadway theater|Broadway]] musical, ''[[Flahooley]]'', in 1951, as a foreign princess who brings [[Aladdin]]'s lamp to an American toy factory to have it repaired. [[Capitol Records]], Sumac's label, recorded the show. ''Flahooley'' closed quickly but the recording continues as a [[cult classic]]."
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Revision as of 13:37, 14 April 2020

"During the 1950s, Yma Sumac produced a series of legendary lounge music recordings featuring Hollywood-style versions of Incan and South American folk songs, working with the likes of Les Baxter and Billy May. The combination of her extraordinary voice, exotic looks and stage personality made her a hit with American audiences. Sumac even appeared in a Broadway musical, Flahooley, in 1951, as a foreign princess who brings Aladdin's lamp to an American toy factory to have it repaired. Capitol Records, Sumac's label, recorded the show. Flahooley closed quickly but the recording continues as a cult classic."

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Latin American music, sometimes simply called Latin music, includes the music of all countries in Latin America and comes in many varieties, from the simple, rural conjunto music of northern Mexico to the sophisticated habanera of Cuba, from the symphonies of Heitor Villa-Lobos to the simple and moving Andean flute. Music has played an important part in Latin America's turbulent recent history, for example the nueva canción movement. Latin music is very diverse, with the only truly unifying thread being the use of Latin languages, predominately the Spanish language, the Portuguese language in Brazil, and to a lesser extent, Latin-derived creole languages such as that found in Haiti.

Latin America can be divided into several French-speaking islands in the Caribbean Sea, including Haiti, the Dominican Republic, Cuba, Puerto Rico, Martinique and Guadeloupe, though the Francophone islands are mistakenly not usually large and incredible diversity as well as its unique history as a Portuguese colony. Although Spain isn't a part of Latin America, Spanish music (and Portuguese music) and Latin American music strongly cross-fertilized each other, but Latin music also absorbed influences from English and American music, and particularly, African music.

Folk music

Folk music on the Americas consists on the encounter and union of three main musical types: European traditional music, traditional music of the American natives and tribal African music that arrived among the slaves, main differences consist on the particular type of each of these main slopes.

Particular case of Latin and South American music points to Andean music among other native musical styles (such as Caribbean, pampean and selvatic), Iberean music (Spain and Portugal) and generally speaking African tribal music, that fused together evolving in differentiated musical forms along South and Central America.

Andean music comes from the general area inhabited by Quechuas, Aymaras and other peoples that roughly in the area of the Inca Empire prior to European contact. It includes folklore music of parts of Bolivia, Ecuador, Chile, Colombia, Peru and Venezuela. Andean music is popular to different degrees across Latin America, having its core public in rural areas and among indigenous populations. The Nueva Canción movement of the 1970s revived the genre across Latin America and bought it to places where it was unknown or forgotten.

Nueva canción (Spanish for 'new song') is a movement and genre within Latin American and Iberian music of folk music, folk-inspired music and socially committed music. It some respects its development and role is similar to the second folk music revival. This includes evolution of this new genre from traditional folk music, essentially contemporary folk music except that that English genre term is not commonly applied to it. Nueva cancion is recognized as having played a powerful role in the social upheavals in Portugal, Spain and Latin America during the 1970s and 1980s.

Nueva cancion first surfaced during the 1960s as "The Chilean New Song" in Chile. The musical style emerged shortly afterwards in Spain and other areas of Latin America where it came to be known under similar names. Nueva canción renewed traditional Latin American folk music, and was soon associated with revolutionary movements, the Latin American New Left, Liberation Theology, hippie and human rights movements due to political lyrics. It would gain great popularity throughout Latin America, and is regarded as a precursor to Rock en español.

Cueca is a family of musical styles and associated dances from Chile, Bolivia and Peru.

Trova and Son are styles of traditional Cuban music originating in the province of Oriente that includes influences from Spanish song and dance such as Bolero and contradanza as well as Afro-Cuban rhythm and percussion elements.

Moda de viola is the name designed to Brazilian folk music. Is often performed with a 6-string nylon acoustic guitar, but the most traditional instrument is the viola caipira. The songs basically detailed the hardness of life of those who work in the country. The themes are usually associated with the land, animals, folklore, impossible love and separation. Although there are some upbeat songs, most of them are nostalgic and melancholic.





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Music of Latin America" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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