Laibach
From The Art and Popular Culture Encyclopedia
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+ | April 23 1983: "The Slovenian music group [[Laibach]] played a concert at [[Music Biennale Zagreb]] during which they presented [[mashup (video)|mashups]] using videos of [[Tito]] and pornographic videos (Tito was shown on screen at the same time as an erect [[human penis|penis]]). This incident led to violent intervention by military and police forces. The band had to leave Croatia and was later banned from the country. Laibach was also involved in [[Neue Slowenische Kunst]]." | ||
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'''Laibach''' is a [[Slovenia]]n [[experimental music|experimental]] [[music]] group, strongly associated with [[industrial music|industrial]], [[martial music|martial]], and [[Neoclassical (Dark Wave)|neo-classical]]. Laibach formed [[June 1]] [[1980]] in [[Trbovlje]], Slovenia. Laibach represents the music wing of the ''[[Neue Slowenische Kunst]]'' (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the [[German language|German]] name for Slovenia's capital city, [[Ljubljana]]. | '''Laibach''' is a [[Slovenia]]n [[experimental music|experimental]] [[music]] group, strongly associated with [[industrial music|industrial]], [[martial music|martial]], and [[Neoclassical (Dark Wave)|neo-classical]]. Laibach formed [[June 1]] [[1980]] in [[Trbovlje]], Slovenia. Laibach represents the music wing of the ''[[Neue Slowenische Kunst]]'' (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the [[German language|German]] name for Slovenia's capital city, [[Ljubljana]]. | ||
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+ | Laibach has frequently been accused of both [[far left]] and [[far right]] political stances due to their use of [[uniform]]s and [[totalitarian]]-style [[aesthetics]]. They were also accused of being members of the [[neo-nationalism]] movement, which reincarnates modern ideas of [[nationalism]]. When confronted with such accusations, Laibach are quoted as replying with the ambiguous response "We are [[fascist]]s as much as [[Adolf Hitler|Hitler]] was a [[Paintings by Adolf Hitler|painter]]". | ||
+ | ==Highlights== | ||
+ | In 1989, their performance in Zagreb started with the Serbian instrument the [[gusle]] and in Belgrade, the NSK philosopher Peter Mlakar held a speech as a cynical parody of [[Slobodan Milošević]]'s speeches in [[SAP Kosovo]]. The following year, the group released the EP ''[[Sympathy for the Devil (EP)|Sympathy for the Devil]]'', an album of different cover versions of the [[Rolling Stones]] [[Sympathy for the Devil|song of the same name]]. The group also achieved a commercial success with the cover versions of "[[Live Is Life]]" by [[Opus (Austrian band)|Opus]] and "[[One Vision]]" by [[Queen (band)|Queen]]. | ||
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==See also== | ==See also== | ||
- | [[Nazi imagery]] fascism [[Laibach]] [[DAF]] "[[Tanz Der Mussolini]]" | + | [[Nazi symbolism in 1980s music]] |
{{GFDL}} | {{GFDL}} |
Current revision
April 23 1983: "The Slovenian music group Laibach played a concert at Music Biennale Zagreb during which they presented mashups using videos of Tito and pornographic videos (Tito was shown on screen at the same time as an erect penis). This incident led to violent intervention by military and police forces. The band had to leave Croatia and was later banned from the country. Laibach was also involved in Neue Slowenische Kunst." |
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Featured: |
Laibach is a Slovenian experimental music group, strongly associated with industrial, martial, and neo-classical. Laibach formed June 1 1980 in Trbovlje, Slovenia. Laibach represents the music wing of the Neue Slowenische Kunst (NSK) art collective, of which it was a founding member in 1984. The name "Laibach" is the German name for Slovenia's capital city, Ljubljana.
Laibach has frequently been accused of both far left and far right political stances due to their use of uniforms and totalitarian-style aesthetics. They were also accused of being members of the neo-nationalism movement, which reincarnates modern ideas of nationalism. When confronted with such accusations, Laibach are quoted as replying with the ambiguous response "We are fascists as much as Hitler was a painter".
Highlights
In 1989, their performance in Zagreb started with the Serbian instrument the gusle and in Belgrade, the NSK philosopher Peter Mlakar held a speech as a cynical parody of Slobodan Milošević's speeches in SAP Kosovo. The following year, the group released the EP Sympathy for the Devil, an album of different cover versions of the Rolling Stones song of the same name. The group also achieved a commercial success with the cover versions of "Live Is Life" by Opus and "One Vision" by Queen.
See also