Léon Gozlan  

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Léon Gozlan (September 11, 1803 - September 14, 1866), French novelist and play-writer, was born in Marseille.

When he was still a boy, his father, who had made a large fortune as a ship-broker, met with a series of misfortunes, and Léon, before completing his education, had to go to sea in order to earn a living. In 1828 we find him in Paris, determined to run the risks of literary life. His townsman, Joseph Méry, who was then making himself famous by his political satires, introduced him to several newspapers, and Gozlan's brilliant articles in the Figaro did much harm to the already tottering government of Charles X.

His first novel was Les Mémoires d'un apothécaire (1828), and this was followed by numberless others, among which may be mentioned:

  • Washington Levers et Socrate Leblanc (1838)
  • Le Notaire de Chantilly (1836)
  • Aristide Froissart (1843) (one of the most curious and celebrated of his productions)
  • Les Nuits du Père Lachaise (1846)
  • Le Tapis vert (1855)
  • Le Folle du logis (1857)
  • Les Emotions de Polydore Marasquin (1857)

His best-known works for the theatre are:

  • La Pluie et le beau temps (1861)
  • Une Tempête dans un verre d'eau (1850), two curtain-raisers which have kept the stage
  • Le Lion empaill (1848)
  • La Queue du chien d'Alcibiade (1849)
  • Louise de Nanteuil (1854)
  • Le Gâteau des reines (1855)
  • Les Paniers de la comtesse (1852)

He adapted several of his own novels to the stage. Gozlan also wrote a romantic and picturesque description of the old manors and mansions of his country entitled Les Châteaux de France (2 vols, 1844), originally published (1836) as Les Tourelles, which has some archaeological value, and a biographical essay on Balzac (Balzac chez lui, 1862).

He was made a member of the Legion of Honour in 1846, and in 1859 an officer of that order. Gozlan died on the 14th of September 1866, in Paris.

See also P Audebrand, Léon Gozlan (1887). See also Martha Katherine Loder, "The Life and Novels of Léon Gozlan: A Representative of Literary Cross Currents in the Generation of Balzac" (1943).




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Léon Gozlan" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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