Exploitation culture
From The Art and Popular Culture Encyclopedia
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[[American exploitation]] culture is well-known throughout the world, [[European exploitation]] culture less so. | [[American exploitation]] culture is well-known throughout the world, [[European exploitation]] culture less so. | ||
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- | The previous posts on [[Stewart Home]] and [[Richard Allen]] led me to [[Hank Janson]] [http://images.google.com/images?hl=en&q=Hank%20Janson&btnG=Google+Search&ie=UTF-8&oe=UTF-8&um=1&sa=N&tab=wi Google Gallery] and [[Reginald Heade]] [http://images.google.com/images?hl=en&q=Reginald%20Heade%20&btnG=Google+Search&ie=UTF-8&oe=UTF-8&um=1&sa=N&tab=wi Google gallery], the latter two examples of 1950s British exploitation culture. | ||
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[[American exploitation]] - [[British exploitation]] - [[European exploitation]] - [[French exploitation]] - [[German exploitation]] - [[Italian exploitation]] - [[Japanese exploitation]] | [[American exploitation]] - [[British exploitation]] - [[European exploitation]] - [[French exploitation]] - [[German exploitation]] - [[Italian exploitation]] - [[Japanese exploitation]] |
Revision as of 18:47, 18 May 2007
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Exploitation by region
American exploitation culture is well-known throughout the world, European exploitation culture less so.
American exploitation - British exploitation - European exploitation - French exploitation - German exploitation - Italian exploitation - Japanese exploitation
My interest in regional pulp culture is what it tells about the region where it is produced. In search of national stereotypes by way of their exploitation culture; regional stereotypes deduced from regional fears and desires (horror and eroticism).
[1] [May 2007]