German exploitation  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
German culture, exploitation culture, Schundliteratur, German pornography, German erotica, German horror, Sauerkraut Westerns

This page concerns German exploitation films and other forms of German culture that may be perceived as "exploitation".. It includes cultural artifacts from Germany, as well as German speaking countries.

Contents

German cinema in the sixties

The majority of films produced in the Federal Republic in the 1960s were genre works: westerns, especially the series of movies adapted from Karl May's popular genre novels which starred Pierre Brice as the Apache Winnetou and Lex Barker as his white blood brother Old Shatterhand; thrillers and crime films, notably a series of Edgar Wallace movies in which Klaus Kinski, Heinz Drache, Wolfgang Völz, and Joachim Fuchsberger were among the regular players; and softcore sex films, both the relatively serious Aufklärungsfilme (sex education films) of Oswalt Kolle and such exploitation films as Schulmädchen-Report (Schoolgirl Report) (1970) and its successors. Such movies were commercially successful and often enjoyed international distribution, but won little acclaim from critics.

Sex comedies and sex reports

Early years of German pornography began with the softcore film Graf Porno und seine Mädchen (Count Porno and his girls) in 1968. The movie's success (more than 3 million admissions) lead to a whole series of films that was and is referred to in German media as the Sexwelle (sex wave). The most well known film of this period is Schulmädchen-Report: Was Eltern nicht für möglich halten (The School-Girl Report, what the parents don't believe possible) by Ernst Hofbauer in 1970. The sex scenes had become bolder with time and by 1975, when the legal ban of pornography was lifted, the era of German hardcore pornography began.

Bavarian porn

Director Hans Billian was the protagonist of the period and the films were usually in line with the so-called "Bavarian porn sex comedies", often depicting male performers as comic characters, like Sepp Gneißl in Kasimir der Kuckuckskleber (1977). This era was also characterised by several Josephine Mutzenbacher films.

Films

See also

Aufklärungsfilm - German erotica - Groschenroman - Erwin C. Dietrich - Wolfgang C. Hartwig - Klaus Kinski - Oswalt Kolle - Edgar Wallace films - sex report films



Unless indicated otherwise, the text in this article is either based on Wikipedia article "German exploitation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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