The Protocols of the Elders of Zion  

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Seven years after the publication of Sue's Les Mystères du peuple, a French revolutionary named Maurice Joly plagiarized aspects of the work for his anti-Napoleon III pamphlet, Dialogues in Hell between Machiavelli and Montesquieu, which in turn was later adapted by the Prussian Hermann Goedsche into an 1868 work entitled Biarritz, in which Goedsche substituted Jews for Sue's infernal Jesuit conspirators. Ultimately, this material became incorporated directly into the notorious anti-Semitic hoax, The Protocols of the Elders of Zion.

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The Protocols of the (Learned) Elders of Zion is one of many titles given to a text purporting to describe a plan to achieve global domination by the Jewish people. Following its first public publication in 1903 in the Russian Empire, numerous independent investigations have repeatedly proved the writing to be a hoax. Nevertheless, some people continue to view it as factual, especially in parts of the world where antisemitism, anti-Judaism, or anti-Zionism are widespread. It is frequently quoted and reprinted by anti-Semites, and is sometimes used as evidence of Jewish conspiracy, especially in the Middle East.

Elements of the Protocols were plagiarized from Maurice Joly's fictional Dialogue in Hell, a thinly veiled attack on the political ambitions of Napoleon III, who, represented by the non-Jewish character Machiavelli, plots to rule the world. Joly, a monarchist and legitimist, was imprisoned in France for 15 months as a direct result of his book's publication. Scholars have noted the irony that Dialogue in Hell was itself a plagiarism, at least in part, of a novel by Eugène Sue, Les Mystères du Peuple (1849–56).

As fiction in the genre of literature, the tract was further analyzed by Umberto Eco in his novel Foucault's Pendulum in 1988 (English translation in 1989), in 1994 in chapter 6, "Fictional Protocols", of his Six Walks in the Fictional Woods and in his 2010 novel The Prague Cemetery.

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