Charles Martel  

From The Art and Popular Culture Encyclopedia

Revision as of 18:37, 10 July 2017; view current revision
←Older revision | Newer revision→
Jump to: navigation, search

"A Muslim France? Historically, it nearly happened. But as a result of Charles’ fierce opposition, which ended Muslim advances and set the stage for centuries of war thereafter, Islam moved no farther into Europe. European schoolchildren learn about the Battle of Tours in much the same way that American students learn about Valley Forge and Gettysburg." --Wakefield, Dexter B. (2006) "An Islamic Europe?," in Tomorrow's World


Charles Martel cemented his place in history with his defense of Christian Europe against a Muslim army at the Battle of Tours in 732. The Iberian Saracens had incorporated Berber lighthorse cavalry with the heavy Arab cavalry to create a formidable army that had almost never been defeated. Christian European forces, meanwhile, lacked the powerful tool of the stirrup. In this victory, Charles earned the surname Martel ("the Hammer"). Edward Gibbon, the historian of Rome and its aftermath, called Charles Martel "the paramount prince of his age."

Related e

Wikipedia
Wiktionary
Shop


Featured:

Charles Martel (c. 686 – 22 October 741) was a Frankish statesman and military leader who was de facto ruler of Francia from 718 until his death.

In October 732, the army of the Umayyad Caliphate led by Al Ghafiqi met Frankish and Burgundian forces under Charles in an area between the cities of Tours and Poitiers (modern north-central France), leading to a decisive, historically important Frankish victory known as the Battle of Tours (or ma'arakat Balâṭ ash-Shuhadâ, Battle of the Palace of Martyrs), ending the "last of the great Arab invasions of France," a military victory termed "brilliant" on the part of Charles.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Charles Martel" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools