Arabesque
From The Art and Popular Culture Encyclopedia
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An element of Islamic art usually found decorating the walls of mosques, the arabesque is an elaborative application of repeating geometric forms that often echo the forms of plants and animals. The choice of which geometric forms are to be used and how they are to be formatted is based upon the Islamic view of the world. To Muslims, these forms, taken together, constitute an infinite pattern that extends beyond the visible material world. To many in the Islamic world, they in fact symbolize the infinite, and therefore uncentralized, nature of the creation of the one God (Allah). Furthermore, the Islamic Arabesque artist conveys a definite spirituality without the iconography of Christian art.
Metaphorical usage
Example (meaning: sprawling):
- "The Hollywood Hallucination introduces Parker Tyler’s critical arabesques, elaborated in his later books, concerning Mae West, Mickey Mouse, the Good Villain and the Bad Hero"
Tales of the Grotesque and Arabesque
There has been some debate over the meaning of Poe's terms "Grotesque" and "Arabesque" in his short story collection Tales of the Grotesque and Arabesque. Both terms refer to a type of art used to decorate walls. These arts styles are known for their complex nature. Poe may have been using them as subdivisions of Gothic art or Gothic architecture in attempt to establish similar subdivisions in Gothic fiction.
It has been theorized the the "grotesque" stories are those where the character becomes a caricature or satire, as in "The Man That Was Used Up." The "arabesque" stories focus on a single aspect of a character, often psychological, such as "The Fall of the House of Usher."
