Anti-design
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- | Related: [[Italian design]] - [[modern design]] - [[Radical Design]] | + | [[Anti-design]] is a movement that emerged in Italy during the later 1960s, following [[Ettore Sottsass]]'s 1966 exhibition of '[[superbox]]' furniture at the [[Milan Furniture Fair]]. Employing all the design values rejected by modernism, it embraced [[ephemerality]], [[irony]], [[kitsch]], strong [[color]]s and [[distortion]]s to undermine the purely [[functional]] value of an object, and question concepts of "[[good taste]]", and "[[good design]]". |
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+ | ==See also== | ||
+ | *[[Italian design]] | ||
+ | *[[Modern design]] | ||
+ | *[[Radical design]] | ||
+ | ==References== | ||
+ | *Anti-Design / Neue Galerie am Landesmuseum Joanneum, October 6-28, 1974 | ||
- | [[Anti-design]] is a movement that emerged in Italy during the later 1960s, following [[Ettore Sottsass]]'s 1966 exhibition of furniture in Milan. Employing all the design values rejected by modernism, it embraced [[ephemerality]], [[irony]], [[kitsch]], strong [[color]]s and [[distortion]]s to undermine the purely [[functional]] value of an object, and question concepts of "[[good taste]]", and "[[good design]]". | ||
== External links == | == External links == | ||
*http://www.giannipettena.it/inglese/radical/ecentro.htm | *http://www.giannipettena.it/inglese/radical/ecentro.htm | ||
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Anti-design is a movement that emerged in Italy during the later 1960s, following Ettore Sottsass's 1966 exhibition of 'superbox' furniture at the Milan Furniture Fair. Employing all the design values rejected by modernism, it embraced ephemerality, irony, kitsch, strong colors and distortions to undermine the purely functional value of an object, and question concepts of "good taste", and "good design".
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See also
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References
- Anti-Design / Neue Galerie am Landesmuseum Joanneum, October 6-28, 1974
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External links
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