Gian Lorenzo Bernini
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==Selected works== | ==Selected works== | ||
===Sculpture=== | ===Sculpture=== | ||
- | * ''[[Martyrdom of St. Lawrence (Bernini)|Martyrdom of St. Lawrence]]'' (1614-1615) <small>- Marble, 66 x 108 cm, [[Contini Bonacossi Collection]], [[Florence]] | + | * ''[[Martyrdom of St. Lawrence (Bernini)|Martyrdom of St. Lawrence]]'' (1614-1615) <small>- Marble, 66 x 108 cm, [[Contini Bonacossi Collection]], [[Florence]]</small> |
* ''[[The Goat Amalthea with the Infant Jupiter and a Faun]]'' (1615) <small>- Marble, [[Galleria Borghese]], [[Rome]]</small> | * ''[[The Goat Amalthea with the Infant Jupiter and a Faun]]'' (1615) <small>- Marble, [[Galleria Borghese]], [[Rome]]</small> | ||
* ''[[St. Sebastian (Bernini)|St. Sebastian]]'' (c. 1617) <small>- Marble, [[Thyssen Bornemisza Museum]], [[Madrid]]</small> | * ''[[St. Sebastian (Bernini)|St. Sebastian]]'' (c. 1617) <small>- Marble, [[Thyssen Bornemisza Museum]], [[Madrid]]</small> |
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Giovanni Lorenzo Bernini (December 7, 1598 – November 28, 1680) was a pre-eminent Baroque sculptor and architect of 17th century Rome, best-known for his marble sculptures the Ecstasy of St Theresa[1] and the Beata Ludovica Albertoni[2].
Selected works
Sculpture
- Martyrdom of St. Lawrence (1614-1615) - Marble, 66 x 108 cm, Contini Bonacossi Collection, Florence
- The Goat Amalthea with the Infant Jupiter and a Faun (1615) - Marble, Galleria Borghese, Rome
- St. Sebastian (c. 1617) - Marble, Thyssen Bornemisza Museum, Madrid
- A Faun Teased by Children (1616-1617) - Marble, height 132,1 cm, Metropolitan Museum of Art, New York
- Aeneas, Anchises, and Ascanius (1618-1619) - Marble, height 220 cm, Galleria Borghese, Rome
- Damned Soul (1619) - Palazzo di Spagna, Rome
- Blessed Soul (1619) - Palazzo di Spagna, Rome
- Apollo and Daphne (1622-1625) - Marble, height 243 cm, Galleria Borghese, Rome
- St. Peter's Baldachin (1624) - Bronze, partly gilt, Basilica di San Pietro, Vatican City
- Charity with Four Children (1627-1628) - Terracotta, height 39 cm, Museo Sacro, Musei Vaticani, Vatican
- David (1623-1624) - Marble, height 170 cm, Galleria Borghese, Rome
- Fontana della Barcaccia (1627-1628) - Marble, Piazza di Spagna, Rome
- Bust of Monsignor Pedro de Foix Montoya (c. 1621) - Marble, life-size, Santa Maria di Monserrato, Rome
- Neptune and Triton (1620) - Marble, height 182,2 cm, Victoria and Albert Museum, London
- The Rape of Proserpina (1621-1622) - Marble, height 295 cm, Galleria Borghese, Rome
- Fontana del Tritone (1624-1643) - Travertine, over life-size, Piazza Barberini, Rome
- Tomb of Pope Urban VIII (1627-1647) - Golden bronze and marble, figures larger than life-size, Basilica di San Pietro, Vatican City
- Bust of Thomas Baker (1638) - Marble, height 81,6 cm, Victoria and Albert Museum, London
- Bust of Costanza Bonarelli (c. 1635) - Marble, height 70 cm, Museo Nazionale del Bargello, Florence
- Charity with Two Children (1634) - Terracotta, height 41.6 cm, Museo Sacro, Musei Vaticani, Vatican City
- Saint Longinus (1631-1638) - Marble, height 450 cm, Basilica di San Pietro, Vatican City
- Bust of Scipione Borghese (1632) - Marble, height 78 cm, Galleria Borghese, Rome
- Bust of Cardinal Scipione Borghese (1632) - Marble, Basilica di San Pietro, Vatican City
- Bust of Pope Urban VIII (1632-1633) - Bronze, height 100 cm, Museo Sacro, Musei Vaticani, Vatican City
- Bust of Cardinal Armand de Richelieu (1640-1641) - Marble, Musée du Louvre, Paris
- Memorial to Maria Raggi (1643) - Gilt bronze and coloured marble, Santa Maria sopra Minerva, Rome
- Truth (1645-1652) - Marble, height 280 cm, Galleria Borghese, Rome
- Bust of Pope Leo X (1647) Palazzo Doria Pamphilij, Rome
- Ecstasy of St Theresa (1647-1652) - Marble, Cappella Cornaro, Santa Maria della Vittoria, Rome
- Loggia of the Founders (1647-1652) Marble, Cappella Cornaro, Santa Maria della Vittoria, Rome
- Bust of Urban VIII - Marble, Basilica di San Pietro, Vatican City
- Fontana dei Quattro Fiumi (1648-1651) - Travertine and marble, Piazza Navona, Rome
- Corpus (sculpture) (1650) - Bronze, Art Gallery of Ontario, Toronto, Canada.
- Daniel and the Lion (1650) - Marble, Santa Maria del Popolo, Rome
- Francesco I d'Este (1650-1651) - Marble, height 107 cm, Galleria Estense, Modena
- Fountain of the Moor (1653-1654) - Marble, Piazza Navona, Rome
- Constantine (1654-1670) - Marble, Palazzi Pontifici, Vatican City
- Daniel and the Lion (1655) - Terracotta, height 41.6 cm, Museo Sacro, Musei Vaticani, Vatican City
- Habakkuk and the Angel (1655) - Terracotta, height 52 cm, Museo Sacro, Musei Vaticani, Vatican City
- Altar Cross (1657-1661) - Gilt bronze corpus on bronze cross, height: corpus 43 cm, cross 185 cm, Treasury of San Pietro, Vatican City
- Throne of Saint Peter (1657-1666) - Marble, bronze, white and golden stucco, Basilica di San Pietro, Rome
- Statue of Saint Augustine (1657-1666) - Bronze, Basilica di San Pietro, Vatican City
- Constantine (1663-1670) - Marble with painted stucco drapery, Scala Regia, Vatican Palace, Rome
- Standing Angel with Scroll (1667-1668) - Clay, terracotta, height: 29,2 cm, Fogg Art Museum, Cambridge
- Angel with the Crown of Thorns (1667-1669) - Marble, over life-size, Sant'Andrea delle Fratte, Rome
- Angel with the Superscription (1667-1669) - Marble, over life-size, Sant'Andrea delle Fratte, Rome
- Elephant of Minerva (1667-1669) - Marble, Piazza di Santa Maria sopra Minerva, Rome
- Bust of Gabriele Fonseca (1668-1675) - Marble, over life-size, San Lorenzo in Lucina, Rome
- Equestrian Statue of King Louis XIV (1669-1670) - Terracotta, height 76 cm, Galleria Borghese, Rome
- Bust of Louis XIV (1665) - Marble, height 80 cm, Musée National de Versailles, Versailles
- Herm of St. Stephen, King of Hungary - Bronze, Cathedral Treasury, Zagreb
- Saint Jerome (1661-1663) - Marble, height 180 cm, Cappella Chigi, Duomo, Siena
- Tomb of Pope Alexander VII (1671-1678) - Marble and gilded bronze, over life-size, Basilica di San Pietro, Vatican City
- Blessed Ludovica Albertoni (1671-1674) - Marble, Cappella Altieri-Albertoni, San Francesco a Ripa, Rome
Paintings
Bernini's activity as a painter was a sideline which he did mainly in his youth. Despite this his work reveals a sure and brilliant hand, free from any trace of pedantry. He studied in Rome under his father, Pietro, and soon proved a precocious infant prodigy. His work was immediately sought after by major collectors.
- Saint Andrew and Saint Thomas (c. 1627) - Oil on canvas, 59 x 76 cm, National Gallery, London
- Portrait of a Boy (c. 1638) - Oil on canvas, Galleria Borghese, Rome
- Self-Portrait as a Young Man (c. 1623) - Oil on canvas, Galleria Borghese, Rome
- Self-Portrait as a Mature Man (1630-1635) - Oil on canvas, Galleria Borghese, Rome
Subscript text
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