Film
From The Art and Popular Culture Encyclopedia
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| == Theory == | == Theory == | ||
| - | [[film history]] - [[film theory]] - [[auteur theory]] - [[the male gaze]] - [[voyeurism and the nature of cinema]] | + | [[film history]] - [[film theory]] - [[auteur theory]] - [[gaze|the male gaze]] - [[voyeurism|voyeurism and the nature of cinema]] |
| - | + | ||
| == By director == | == By director == | ||
| see [[director]] | see [[director]] | ||
Revision as of 21:11, 22 August 2007
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- "Film is a genuine art. It is genuine in that it is strictly popular. Like all the arts its apppeal is based on a few primitive, and therefore universal, instincts and mechanisms in man. Sex and combat are the chief instincts. --after Terry Ramsaye (1926).
- "Voyeurism is not just one of the primary tools of cinema, but of written fiction too."
- "The Kino is a vulgar modern entertainment and I doubt if it can tell us anything serious about the modern condition." --Sigmund Freud
Contents |
Research interests
- American cinema
- European cinema
- Film as a Subversive Art by Amos Vogel
- Exploitation film
- Giallo
- Sex in film
- Porn chic
- Violence in film
- Immoral Tales: European Sex & Horror Movies 1956-1984
Related
actor - actress - character - DVD - director - fiction - photography - scene - setting - theatre - VCR
By era
early film - silent film - 1970s film - 1980s film - 1990s film
By genre
art films - art house - avant-garde film - banned films - blockbuster - comedy - cult film - documentary film - early film - erotic film - experimental film - exploitation film - film noir - gay film - horror film - narrative film - paracinema - postmodern film - ratings - science-fiction film - silent film - slasher film - violent film
By region
European film - Japanese film - USA film
By profession
actor - actress - director - distributor - film critic
Theory
film history - film theory - auteur theory - the male gaze - voyeurism and the nature of cinema
By director
see director
