1862  

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"''[[Satanism and Witchcraft (book) |Satanism and Witchcraft]]'' (1862) is a book on the history of [[witchcraft]] by [[Jules Michelet]]. According to Michelet, medieval witchcraft was an act of [[Popular revolts in late-medieval Europe|popular rebellion]] against the oppression of [[feudalism]] and the [[Roman Catholic Church]]. This rebellion took the form of a [[secret religion]] inspired by [[paganism]] and [[fairy]] beliefs, organized by a woman who became its leader. The participants in the secret religion met regularly at the [[Sabbath (witchcraft)|witches' sabbath]] and the [[Black Mass]]. Michelet's account is openly sympathetic to the sufferings of [[peasant]]s and [[women in the Middle Ages]]."--Sholem Stein "''[[Satanism and Witchcraft (book) |Satanism and Witchcraft]]'' (1862) is a book on the history of [[witchcraft]] by [[Jules Michelet]]. According to Michelet, medieval witchcraft was an act of [[Popular revolts in late-medieval Europe|popular rebellion]] against the oppression of [[feudalism]] and the [[Roman Catholic Church]]. This rebellion took the form of a [[secret religion]] inspired by [[paganism]] and [[fairy]] beliefs, organized by a woman who became its leader. The participants in the secret religion met regularly at the [[Sabbath (witchcraft)|witches' sabbath]] and the [[Black Mass]]. Michelet's account is openly sympathetic to the sufferings of [[peasant]]s and [[women in the Middle Ages]]."--Sholem Stein
-|}[[Image:The Birth of Venus (Duval).jpg|thumb|200px|''[[The Birth of Venus (Duval)|The Birth of Venus]]''(La Naissance de Vénus) (1862) by [[Eugène Emmanuel Amaury Duval|Amaury Duval]]]]+<hr>
 +"[[Fex urbis lex orbis]]"--''Les Misérables'' (1862) by Victor Hugo
 +|}
 +[[Image:The Birth of Venus (Duval).jpg|thumb|200px|''[[The Birth of Venus (Duval)|The Birth of Venus]]''(La Naissance de Vénus) (1862) by [[Eugène Emmanuel Amaury Duval|Amaury Duval]]]]
[[Image:Whistler, “Symphony in White, No.1 The White Girl, painted 1862.jpg|thumb|200px|right|[[James Whistler]]'s painting ''[[Symphony in White, No. 1: The White Girl]]'' ([[1862]]) caused [[controversy]] when exhibited in London and, later, at the ''[[Salon des Refusés]]'' in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the [[realism|accurate portrayal of the natural world]].]] [[Image:Whistler, “Symphony in White, No.1 The White Girl, painted 1862.jpg|thumb|200px|right|[[James Whistler]]'s painting ''[[Symphony in White, No. 1: The White Girl]]'' ([[1862]]) caused [[controversy]] when exhibited in London and, later, at the ''[[Salon des Refusés]]'' in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the [[realism|accurate portrayal of the natural world]].]]

Revision as of 14:42, 7 July 2021

"Satanism and Witchcraft (1862) is a book on the history of witchcraft by Jules Michelet. According to Michelet, medieval witchcraft was an act of popular rebellion against the oppression of feudalism and the Roman Catholic Church. This rebellion took the form of a secret religion inspired by paganism and fairy beliefs, organized by a woman who became its leader. The participants in the secret religion met regularly at the witches' sabbath and the Black Mass. Michelet's account is openly sympathetic to the sufferings of peasants and women in the Middle Ages."--Sholem Stein


"Fex urbis lex orbis"--Les Misérables (1862) by Victor Hugo

James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.
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James Whistler's painting Symphony in White, No. 1: The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomizes his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world.

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1862 is a year of the 1860s.

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