Spectacle  

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Television, the drug of a nation” --The Disposable Heroes of Hiphoprisy, 1992
The Revolution Will Not Be Televised” --Gil Scott-Heron, 1970
"But certainly for the present age, which prefers the sign to the thing signified, the copy to the original, representation to reality, the appearance to the essence... illusion only is sacred, truth profane. Nay, sacredness is held to be enhanced in proportion as truth decreases and illusion increases, so that the highest degree of illusion comes to be the highest degree of sacredness. "Feuerbach, Preface to the second edition of The Essence of Christianity

In general spectacle refers to an event that is memorable for the appearance it creates. While some literary critics and philosophers in the 20th century have offered a theory of "the spectacle" as a mode by which capitalism subordinates everyday experience (see Situationist spectacle), the term "spectacle" has also been a term of art in theater dating from the 17th century in English drama.

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Etymology

From Middle English, from Old French spectacle, from Latin spectaculum (“a show, spectacle”), from spectare (“to see, behold”), frequentative of specere (“to see”); see species.

Ancient origins

The term originated from the Roman practice of staging circuses, in the tradition of the Roman elite of providing "bread and circuses" to maintain civil order by distracting the populace from underlying social and economic problems.



The Restoration spectacle

See Restoration spectacular

The Hollywood spectacular

Hollywood

Situationist notion of Spectacle and spectacular society.

See: Spectacle (Situationism)


See also





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Spectacle" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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