Quentin Tarantino  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 18:43, 10 March 2008
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 23:33, 4 August 2010
Jahsonic (Talk | contribs)

Next diff →
Line 1: Line 1:
{{Template}} {{Template}}
'''Quentin Jerome Tarantino''' (born [[March 27]], [[1963]]) is an [[Academy Award]]- and [[Palme d'Or]]-winning [[United States|American]] [[film director]], [[screenwriter]] and [[actor]]. He rose to fame in the early [[1990s]] as an [[auteur]] [[independent film|indie]] filmmaker whose films used [[postmodern]] [[nonlinear (arts)|nonlinear storylines]], and [[aestheticization of violence|stylized violence]]. His films include ''[[Reservoir Dogs]]'' (1992), '' [[Pulp Fiction (film)| Pulp Fiction]]'' (1994), ''[[Jackie Brown (film)|Jackie Brown]]'' (1997), ''[[Kill Bill]]'' (Vol. 1 [[2003]], Vol. 2 [[2004]]) and '' [[Death Proof]]'' featured in '' [[Grindhouse (film)|Grindhouse]]'' (2007). '''Quentin Jerome Tarantino''' (born [[March 27]], [[1963]]) is an [[Academy Award]]- and [[Palme d'Or]]-winning [[United States|American]] [[film director]], [[screenwriter]] and [[actor]]. He rose to fame in the early [[1990s]] as an [[auteur]] [[independent film|indie]] filmmaker whose films used [[postmodern]] [[nonlinear (arts)|nonlinear storylines]], and [[aestheticization of violence|stylized violence]]. His films include ''[[Reservoir Dogs]]'' (1992), '' [[Pulp Fiction (film)| Pulp Fiction]]'' (1994), ''[[Jackie Brown (film)|Jackie Brown]]'' (1997), ''[[Kill Bill]]'' (Vol. 1 [[2003]], Vol. 2 [[2004]]) and '' [[Death Proof]]'' featured in '' [[Grindhouse (film)|Grindhouse]]'' (2007).
 +==Influences and style of filmmaking==
 +In the 2002 ''[[Sight & Sound]]'' [[Film director|Directors']] poll, Tarantino revealed his top-twelve films: ''[[The Good, the Bad and the Ugly]]''; ''[[Rio Bravo (1959 film)|Rio Bravo]]''; ''[[Taxi Driver]]''; ''[[His Girl Friday]]''; ''[[Rolling Thunder (1977 film)|Rolling Thunder]]''; ''[[They All Laughed]]''; ''[[The Great Escape (film)|The Great Escape]]''; ''[[Carrie (1976 film)|Carrie]]''; ''[[Coffy]]''; ''[[Dazed and Confused (film)|Dazed and Confused]]''; ''[[Five Fingers of Death]]''; and ''[[Hi Diddle Diddle]]''. In 2009, he named [[Kinji Fukasaku|Kinji Fukasaku's]] violent action film ''[[Battle Royale (film)|Battle Royale]]'' as his favorite film released since he became a director in 1992.
 +
 +In August 2007, while teaching a four-hour film course during the 9th Cinemanila International Film Festival in [[Manila]], Tarantino cited [[Philippines|Filipino]] directors [[Cirio Santiago]], [[Eddie Romero]], and [[Gerardo de León]] as personal icons from the 1970s, citing De Leon's "soul-shattering, life-extinguishing" movies on vampires and female bondage, particularly ''[[Women in Cages]]''. "It is just harsh, harsh, harsh," he said, and described the final shot as one of "devastating despair".
 +
 +Tarantino's different style of film making earned him many accolades worldwide. According to Tarantino, a recurring hallmark in all his movies is that there is a different sense of humour in all his movies, which gets the audience to laugh at things that aren't funny. Michael Winner, whilst appearing on an episode of Piers Morgan's life stories (an ITV production), stated that Quentin Tarantino was a "big fan" Of [[Death Wish]].
 +
 +===African American Perspective===
 +Tarantino has been criticized for a too familial attitude towards other cultures. [[Spike Lee]] questions the use of racial epithets in his films, particularly the racially offensive word [[nigger]]. In an interview for ''[[Variety (magazine)|Variety]]'' discussing ''Jackie Brown'', Lee said: "I'm not against the word... and I use it, but Quentin is infatuated with the word. What does he want? To be made an honorary black man?" Tarantino retaliated on [[The Howard Stern Show]] by stating Lee would have to "stand on a chair to kiss my ass" [[Samuel L. Jackson]], who has appeared in films directed by both directors, defended Tarantino's use of the word. At the [[Berlin International Film Festival|Berlin Film Festival]], where ''Jackie Brown'' was being screened, Jackson responded to Lee's criticism by saying:
 +
 +:"I don't think the word is offensive in the context of this film. ... Black artists think they are the only ones allowed to use the word. Well, that's bull. ''Jackie Brown'' is a wonderful homage to black [[exploitation films]]. This is a good film, and Spike hasn't made one of those in a few years."
 +
 +Tarantino has defended his use of the word, arguing that black audiences have an appreciation of his [[blaxploitation]]-influenced films that eludes some of his critics, and, indeed, that ''Jackie Brown'', another oft-cited example, was primarily made for "black audiences".
 +
 +According to a 1995 [[Premiere (magazine)|Premiere]] magazine article, actor [[Denzel Washington]] would also confront Tarantino on his usage of racial slurs in his pictures, but mentioned that Tarantino was a 'fine artist.'
 +
{{GFDL}} {{GFDL}}

Revision as of 23:33, 4 August 2010

Related e

Wikipedia
Wiktionary
Shop


Featured:

Quentin Jerome Tarantino (born March 27, 1963) is an Academy Award- and Palme d'Or-winning American film director, screenwriter and actor. He rose to fame in the early 1990s as an auteur indie filmmaker whose films used postmodern nonlinear storylines, and stylized violence. His films include Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (Vol. 1 2003, Vol. 2 2004) and Death Proof featured in Grindhouse (2007).

Influences and style of filmmaking

In the 2002 Sight & Sound Directors' poll, Tarantino revealed his top-twelve films: The Good, the Bad and the Ugly; Rio Bravo; Taxi Driver; His Girl Friday; Rolling Thunder; They All Laughed; The Great Escape; Carrie; Coffy; Dazed and Confused; Five Fingers of Death; and Hi Diddle Diddle. In 2009, he named Kinji Fukasaku's violent action film Battle Royale as his favorite film released since he became a director in 1992.

In August 2007, while teaching a four-hour film course during the 9th Cinemanila International Film Festival in Manila, Tarantino cited Filipino directors Cirio Santiago, Eddie Romero, and Gerardo de León as personal icons from the 1970s, citing De Leon's "soul-shattering, life-extinguishing" movies on vampires and female bondage, particularly Women in Cages. "It is just harsh, harsh, harsh," he said, and described the final shot as one of "devastating despair".

Tarantino's different style of film making earned him many accolades worldwide. According to Tarantino, a recurring hallmark in all his movies is that there is a different sense of humour in all his movies, which gets the audience to laugh at things that aren't funny. Michael Winner, whilst appearing on an episode of Piers Morgan's life stories (an ITV production), stated that Quentin Tarantino was a "big fan" Of Death Wish.

African American Perspective

Tarantino has been criticized for a too familial attitude towards other cultures. Spike Lee questions the use of racial epithets in his films, particularly the racially offensive word nigger. In an interview for Variety discussing Jackie Brown, Lee said: "I'm not against the word... and I use it, but Quentin is infatuated with the word. What does he want? To be made an honorary black man?" Tarantino retaliated on The Howard Stern Show by stating Lee would have to "stand on a chair to kiss my ass" Samuel L. Jackson, who has appeared in films directed by both directors, defended Tarantino's use of the word. At the Berlin Film Festival, where Jackie Brown was being screened, Jackson responded to Lee's criticism by saying:

"I don't think the word is offensive in the context of this film. ... Black artists think they are the only ones allowed to use the word. Well, that's bull. Jackie Brown is a wonderful homage to black exploitation films. This is a good film, and Spike hasn't made one of those in a few years."

Tarantino has defended his use of the word, arguing that black audiences have an appreciation of his blaxploitation-influenced films that eludes some of his critics, and, indeed, that Jackie Brown, another oft-cited example, was primarily made for "black audiences".

According to a 1995 Premiere magazine article, actor Denzel Washington would also confront Tarantino on his usage of racial slurs in his pictures, but mentioned that Tarantino was a 'fine artist.'




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Quentin Tarantino" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools