December 1, 2009
From The Art and Popular Culture Encyclopedia
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| :"Sixteenth-century rederjiker farce invites us to partake of highly graphic scenes filled with raw and raucous sound and imagery: of bodies and their exterior and interior anatomy, wide extremes of emotion, as well as varied acts of violence, hinging and boozing, bizarre rituals, and hybrid creatures apparently composed of human and animal parts. When imagining the sound of the dialogues-in-performance, we can hear vibrant and ornate language enumerating at length foodstuffs, diseases, body parts, or blasphemies, macaronis incantations crowded with fanciful characters, or long-lasting exchanges of insults. In their farce-writing, the sixteenth-century rederijkers appear to have cultivated to a fine art the aesthetics of grotesque realism." | :"Sixteenth-century rederjiker farce invites us to partake of highly graphic scenes filled with raw and raucous sound and imagery: of bodies and their exterior and interior anatomy, wide extremes of emotion, as well as varied acts of violence, hinging and boozing, bizarre rituals, and hybrid creatures apparently composed of human and animal parts. When imagining the sound of the dialogues-in-performance, we can hear vibrant and ornate language enumerating at length foodstuffs, diseases, body parts, or blasphemies, macaronis incantations crowded with fanciful characters, or long-lasting exchanges of insults. In their farce-writing, the sixteenth-century rederijkers appear to have cultivated to a fine art the aesthetics of grotesque realism." | ||
| <hr> | <hr> | ||
| - | [[Villon]] (1431 - c. 1463) , [[Rabelais]] (c. 1494 - 1553) , [[Marot]] (1496–1544), [[Brantome]] (c. 1540–1614) [[Viau]] (1590 - 1626) , [[Scarron]] (1610 - 1660), [[Évremond]] (1610 - 1703) | ||
| - | [[List of French-language authors]] | ||
| - | <hr> | ||
| - | [[libertinage]] - [[Cabinet satirique]] | ||
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| - | <hr> | ||
| [[Émile Henriot]], ''[[Les livres du second rayon : irréguliers et libertins]]'', Paris : le Livre, 1926 | [[Émile Henriot]], ''[[Les livres du second rayon : irréguliers et libertins]]'', Paris : le Livre, 1926 | ||
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Mooi vies, knap lelijk. Grotesk realisme in rederijkerskluchten by Femke Kramer
- "Sixteenth-century rederjiker farce invites us to partake of highly graphic scenes filled with raw and raucous sound and imagery: of bodies and their exterior and interior anatomy, wide extremes of emotion, as well as varied acts of violence, hinging and boozing, bizarre rituals, and hybrid creatures apparently composed of human and animal parts. When imagining the sound of the dialogues-in-performance, we can hear vibrant and ornate language enumerating at length foodstuffs, diseases, body parts, or blasphemies, macaronis incantations crowded with fanciful characters, or long-lasting exchanges of insults. In their farce-writing, the sixteenth-century rederijkers appear to have cultivated to a fine art the aesthetics of grotesque realism."
Émile Henriot, Les livres du second rayon : irréguliers et libertins, Paris : le Livre, 1926
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