List of works by Francisco Goya
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The following is an incomplete list of Francisco Goya's works. Besides the blue-linked articles, many images can be found at Wikipedia Commons.
Contents |
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Paintings
- Scenes of Cannibalism
- Hannibal the Conqueror (1770)
- Martin Zapater (1770)
- The Adoration of the Name of God (1772; cathedral of Nuestra Señora del Pilar, Zaragoza)
- Tapestry Cartoons (1775–92)
- The Parasol (1777)
- Blind Guitarist (1778)
- La nevada (1780)
- Winter (The Snowstorm) (1780)
- Crucified Christ (1780; Prado, Madrid)
- The Queen of Martyrs (1780–81; cathedral of Nuestra Señora del Pilar);
- St. Bernardino of Siena (1782–83; San Francisco el Grande, Madrid);
- Family of Infante Don Luis (1783)
- Maria Teresa de Borbon y Vallabriga (1783)
- The Count of Floridablanca and Goya (1783; Banco Urquijo, Madrid);
- Sermon of Saint Bernardino of Siena (1784)
- Portrait of Don Manuel Osorio de Manrique Zuniga (1784–1788)
- The Annunciation (1785; private collection, Spain);
- The Marquesa de Pontejos (c. 1786; National Gallery of Art, Washington, D.C.);
- Spring (or The Flower Girls) (1786–87)
- The Forge (1786–1787)
- The Swing (1787)
- St Francis Borgia at the Deathbed of an Impenitent (1788)
- Family of the Duke of Osuna (1788; Prado);
- Manuel Osorio de Zúñiga (1788; Metropolitan Museum of Art, New York City);
- Self-portrait in the Studio (c. 1790–95), Real Academia de Bellas Artes de San Fernando.
- Josefa Bayeu (1790–1815)
- Little Giants (1791–92)
- Portrait of Mariana Waldstein (c. 1792)
- Strolling Players (1793)
- Fire (1793–1794)
- Yard with Lunatics (1793–94)
- The Madhouse (1794; Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas);
- The Marquesa de la Solana (c. 1794–95; Louvre, Paris);
- Duchess of Alba (1795)
- Duchess of Alba & Her Duenna (1795)
- "White" Portrait (1795)
- Self-Portrait on Linen (1795–1797)
- "Black" Portrait (1797)
- Duchess of Alba (1797)
- Duchess of Alba (1797; Hispanic Society of America, New York City);
- Que se la llevaron! (1797–98)
- What a sacrifice! (1797–98)
- The Sleep of Reason Produces Monsters (1797–98)
- They say yes and give their hand to the first comer (1797–98)
- You who cannot(1797–98)
- Self-Portrait with Spectacles (1797–1800)
- Miracle of St. Antony (1798)
- The Taking of Christ (1798; Cathedral, Toledo);
- Ferdinand Guillemardet (1798; Louvre);
- A Miracle of St. Anthony of Padua” and other scenes (1798; San Antonio de la Florida, Madrid)
- Witches Sabbath (1789)
- Queen Maria Luisa, on Horseback (1799; Prado);
- La Tirana (Goya) (1799; Academy of San Fernando, Madrid);
- Countess of Chinchon (1800)
- La maja desnuda
- Charles IV of Spain and His Family (1800–1801; Prado)
- La maja vestida (c. 1800–05; Prado);
- Bartolome Sureda y Miserol (c. 1803–04)
- Isabel de Porcel (1804–05)
- Francisca Sabasa y Garcia (1804–1808; National Gallery, Washington D.C)
- Doña Teresa Sureda (c. 1805)
- Young Woman with a Fan (1805–1810)
- Portrait of Doña Isabel de Porcel (c. 1806; National Gallery, London);
- The Colossus (c. 1808–12; Prado);
- Majas on a Balcony (c. 1808–12)
- Time and the Old Women (c. 1810–12; Musée des Beaux-Arts, Lille, Fr.);
- General Manuel Romero (c. 1810; private collection, Chicago);
- Time (Goya) (1810)
- Contra el bien general (c. 1810)
- Allegory of the City of Madrid (1810; Casa del Ayuntamiento, Madrid);
- Time (c. 1810–12)
- Majas on a Balcony (Metropolitan Museum version) (1810–1812)
- The Duke of Wellington (1812–14; National Gallery, London);
- Prison Interior (c. 1810–14)
- Dead Turkey (1812)
- The Burial of the Sardine (1812–1819)
- The Majas on the Balcony (c. 1812; Metropolitan Museum of Art)
- This is worse (c. 1812–13)
- Mariano Goya (c. 1812–14; private collection, Madrid)
- Portrait of Rita Moon Luna (1814)
- Ferdinand VII in an Encampment (c. 1814; Prado)
- The Second of May 1808 (1814; Prado)
- The Third of May 1808 (1814; Prado)
- Young Women with a Letter (c. 1814–18; Musée des Beaux-Arts, Lille)
- May the rope break! (c. 1815)
- Self-Portrait (1815; Academy of San Fernando);
- Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon (1815–16)
- La Tauromaquia (1815–1816)
- Burial of the Sardine (sketch) (c. 1816)
- Inquisition Scene (c. 1816)
- The Procession (c. 1816)
- SS. Justa and Rufina (1817; Cathedral, Seville)
- The Forge (Goya) (c. 1817)
- The Giant (1818)
- The Forge (c. 1819; Frick Collection, New York City)
- Portrait of Don Juan Antonio Cuervo (1819; Cleveland Museum of Art);
- The Last Communion of St. Joseph of Calasanz (1819; Escuelas Pías de San Antón, Madrid);
- Agony in the Garden (Goya) (1819; Escuelas Pías de San Antón).
- Self-Portrait with Doctor Arrieta (1820; Minneapolis Institute of Arts, Minnesota);
- Men Reading (c. 1819–23)
- Carnival Scene (1820–1824)
- Atropos (The Fates) (1820–1823)
- Goat (Goya) (1820–1823)
- Fight with Cudgels (1820–1823)
- Two Women (1820–1823)
- Men Reading (1820–1823)
- Deaf Man (1820–1823)
- Asmodea (1820–1823)
- Old Men Eating (1820–1823)
- The Dog (1820–23)
- Fight with Cudgels (1820–23)
- The Great He-Goat or Witches Sabbath (c. 1821–23)
- Leocadia (c. 1821–23)
- Saturn Devouring His Son (c. 1821–23)
- Two Old Men (c. 1821–23)
- Two Old Women Eating from a Bowl (c. 1821–23)
- Two Young People Laughing at a Man (c. 1821–23)
- Leandro Fernández de Moratín (1824; Museo de Bellas Artes, Bilbao, Spain);
- The Milkmaid of Bordeaux (1825–27; Prado)
- Don Juan Bautista de Muguiro (1827; Prado)
- Don José Pío de Molina (1827–28; Reinhart Collection, Winterthur)
- Josefa Bayeu (unknown dating)
- Striker Family Goya (unknown dating)
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Etchings
- Los Caprichos (1792–1799)
- Plate 43 – The sleep of reason
- Plate 2 – They Say Yes
- Plate 33 – To the Count Palantine
- Plate 55 – Until Death
- Plate 77 – First One, Then Another
- The Disasters of War (1810–1820)
- Plate 7 – What Valor!
- Plate 9 – They do not want to
- Plate 31 – This is too much!
- Plate 32 – Why?
- Plate 39 – Great Deeds – Against the Dead
- Plate 47 – This is how it happened
- Plate 69 – Nada – We shall see
- Los disparates (1815–1824)
- Plate 1 – Feminine Folly
- Plate 2 – Folly of Fear
- Plate 3 – Strange Folly
- Plate 4 – Big Booby
- Plate 5 – Folly on the Wing
- Plate 6 – Foolish Fury
- Plate 7 – Matrimonial Extravagance
- Plate 8 – People in Sacks
- Plate 9 – Universal Folly
- Plate 10 – Young Woman on a Bucking Horse
- Plate 11 – Folly of Poverty
- Plate 12 – Three Gentlemen and Three Dancing Ladies
- Plate 13 – One Way to Fly
- Plate 14 – Foolishness at the Carnival
- Plate 15 – Pure Folly
- Plate 16 – Exhortation
- Plate 17 – Loyalty
- Plate 18 – Old Man Wandering Among Phantoms
- Plate 19 – A Familiar Folly
- Plate 20 – Foolish Precision
- Plate 21 – Animal Foolishness
- Plate 22 – Foolish Extravagance
Unknown
- Woman with Scythe and Serpent
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Chronology
Las series de grabados de Goya son:
- 1771, Huida a Egipto (grabado suelto)
- 1778, serie de grabados sobre cuadros de Velázquez
- 1778-1780, El agarrotado (grabado suelto)
- 1799, Los caprichos
- 1810-1815, Los desastres de la guerra
- 1816, La tauromaquia
- 1815-1823, Los disparates
- 1824-1825, Los toros de Burdeos (cuatro litografías)
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Drawings
- Utter Madness
- Duchess of Alba and Maria de la Luz
- For Being A Jew
- A Group of Women
- Self Portrait (drawing)
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "List of works by Francisco Goya" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic. See Art and Popular Culture's copyright notice.