Divine countenance  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
As depicted by Michelangelo, a version of the Ancient of Days
As depicted by Michelangelo, a version of the Ancient of Days

Related e



The divine countenance is the face of God.




In pagan religions, the face of God might be viewed in a literal sense - the face of an idol in a temple. In prayers and blessings, the concept was more metaphorical, indicating the favourable attention of the deity. For example, in the Babylonian blessing:

<poem>"May Ea rejoice over thee!

May Damkina, the queen of the deep, lighten thee with her countenance!
May Marduk, the great overseer of the Igigi, lift up thy head!"</poem>

Jewish and Christian

In the Book of Exodus 33:20 God says "Thou canst not see my face: for there shall no man see Me and live", echoed in the Christian New Testament in the Gospel of John 1:18: "No man hath seen God at any time".

In Judeo-Christianity, the concept is the manifestation of God rather than a remote immanence or delegation of an angel, even though a mortal would not be able to gaze directly upon him. In Jewish mysticism, it is traditionally believed that even the angels who attend him cannot endure seeing the divine countenance directly. Where there are references to visionary encounters, these are thought to be either products of the human imagination, as in dreams or, alternatively, a sight of the divine glory which surrounds God, not the godhead itself.

An important early use of the concept in the Old Testament is the blessing passed by Moses to the children of Israel in Numbers 6:24–26

<poem>"The LORD bless thee, and keep thee:

The LORD make his face shine upon thee, and be gracious unto thee:
The LORD lift up his countenance upon thee, and give thee peace."


The name of the city of Peniel literally means the "face of God" in Hebrew. The place was named by Jacob after his wrestling match there which is recounted in Genesis. His opponent seemed divine and so Jacob claimed to have looked upon the face of God.


Islam considers Allah to be beyond ordinary vision as the Qu'ran states that "Sights cannot attain him; he can attain sights", but other verses indicate that he would be visible in the hereafter. The Qu'ran makes many references to the face of God but its use of the Arabic word for a physical face — wajh — is symbolic and is used in the tradition of Judeo-Christianity to refer to God's presence which, in Islam, is everywhere: "wherever you turn, there is the face of God".

In the arts

God was represented by the Hand of God, in fact including the forearm but no more of the body, at several places in the 3rd century Dura-Europos synagogue, presumably reflecting the usual practice in ancient Jewish art, almost all of which is now lost. The Hand convention was continued in Christian art, which also used full body depictions of the God the Son with the appearance of Jesus for Old Testament scenes, in particular the story of Adam and Eve, where God needed to be represented. The biblical statements from Exodus and John quoted above were taken to apply not only to God the Father in person, but to all attempts at the depiction of his face. The development of full images of God the Father in Western art was much later, and the aged white-haired appearance of the Ancient of Days gradually became the conventional representation, after a period of experimentation, especially in images the Trinity, where all three persons might be shown with the appearance of Jesus. In Eastern Orthodoxy the depiction of God the Father remains unusual, and has been forbidden at various church councils; many early Protestants did the same, and in the Counter Reformation the Catholic Church discouraged the earlier variety of depictions but explicitly supported the Ancient of Days.

The description of the Ancient of Days, identified with God by most commentators, in the Book of Daniel is the nearest approach to a physical description of God in the Hebrew Bible:

. ...the Ancient of Days did sit, whose garment was white as snow, and the hair of his head like the pure wool: his throne was like the fiery flame, and his wheels as burning fire. (Daniel 7:9)

The "countenance divine" appears in the lines of the famous poem, And did those feet in ancient time, by William Blake which first appeared in the preface to his epic Milton a Poem. Blake thought highly of Milton's work saying, "I have the happiness of seeing the Divine countenance in ... Milton more distinctly than in any prince or hero."

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Divine countenance" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic. See Art and Popular Culture's copyright notice.

Personal tools