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Capriccio with the Colosseum (1743-44) by Bernardo Bellotto
Capriccio with the Colosseum (1743-44) by Bernardo Bellotto

"Common sense tells us that the things of this earth hardly exist, and that true reality is only in dreams. To digest natural (or artificial) happiness takes first of all the courage to swallow it down. And perhaps those worthy of happiness are precisely those for whom felicity, as mortals conceive it, has ever the effect of an emetic." --Charles Baudelaire in Les Paradis artificiels

"The film One from the Heart (1982) suggests that Francis Ford Coppola shares with Venturi and Baudrillard this fascination with [Las Vegas], the city that epitomizes the artificiality and allure of America." --From Text to Hypertext (2015) by Silvio Gaggi

The Canard Digérateur, or Digesting Duck, was an automaton in the form of duck, created by Jacques de Vaucanson in 1739.
The Canard Digérateur, or Digesting Duck, was an automaton in the form of duck, created by Jacques de Vaucanson in 1739.

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Artificiality (also called factitiousness, or the state of being artificial or man-made) is the state of being the product of intentional human manufacture, rather than occurring naturally through processes not involving or requiring human activity. Hence, it carries the connotation of being not natural.



Via Old French (French: artificiel), from Latin artificialis from artificium (“skill”), from artifex, from ars (“skill”), and -fex, from facere (“to make”).


Artificiality often carries with it the implication of being false, counterfeit, or deceptive. The philosopher Aristotle wrote in his Rhetoric:

"Naturalness is persuasive, artificiality is the contrary; for our hearers are prejudiced and think we have some design against them, as if we were mixing their wines for them. It is like the difference between the quality of Theodorus' voice and the voices of all other actors: his really seems to be that of the character who is speaking, theirs do not."

However, artificiality does not necessarily have a negative connotation, as it may also reflect the ability of humans to replicate forms or functions arising in nature, as with an artificial heart or artificial intelligence. Political scientist and artificial intelligence expert Herbert A. Simon observes that "some artificial things are imitations of things in nature, and the imitation may use either the same basic materials as those in the natural object or quite different materials. Simon distinguishes between the artificial and the synthetic, the former being an imitation of something found in nature (for example, an artificial sweetener which generates sweetness using a formula not found in nature), and the latter being a replication of something found in nature (for example, a sugar created in a laboratory that is chemically indistinguishable from a naturally occurring sugar). Some philosophers have gone further and asserted that, in a deterministic world, "everything is natural and nothing is artificial", because everything in the world (including everything made by humans) is a product of the physical laws of the world.

Distinguishing natural objects from artificial objects

It is generally possible for humans, and in some instances, for computers, to distinguish natural from artificial environments. The artificial environment tends to have more physical regularity both spatially and over time, with natural environments tending to have both irregular structures and structures that change over time. However, on close observation it is possible to discern some mathematical structures and patterns in natural environments, which can then be replicated to create an artificial environment with a more natural appearance.

For example, by identifying and imitating natural means of pattern formation, some types of automata have been used to generate organic-looking textures for more realistic shading of 3D objects.

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Artificiality" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic. See Art and Popular Culture's copyright notice.

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