Cambridge Ritualists
From The Art and Popular Culture Encyclopedia
Revision as of 18:07, 14 November 2020 Jahsonic (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
Line 1: | Line 1: | ||
{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | ||
| style="text-align: left;" | | | style="text-align: left;" | | ||
- | "I fill in the space between artist and art work with metaphors drawn from the [[Cambridge School of Anthropology]]. My largest ambition is to fuse [[Frazer]] with [[Freud]]."--''[[Sexual Personae]]'' (1990) by Camille Paglia | + | "I fill in the space between artist and art work with metaphors drawn from the [[Cambridge Ritualists |Cambridge School of Anthropology]]. My largest ambition is to fuse [[Frazer]] with [[Freud]]."--''[[Sexual Personae]]'' (1990) by Camille Paglia |
|} | |} | ||
{{Template}} | {{Template}} |
Current revision
"I fill in the space between artist and art work with metaphors drawn from the Cambridge School of Anthropology. My largest ambition is to fuse Frazer with Freud."--Sexual Personae (1990) by Camille Paglia |
Related e |
Featured: |
The Cambridge Ritualists, the myth and ritual school, were a recognised group of classical scholars, mostly in Cambridge, England, including Jane Ellen Harrison, Gilbert Murray (who was actually from the University of Oxford), A. B. Cook, and others. They earned this title because of their shared interest in ritual, more specifically their attempts to explain myth and early forms of classical drama as originating in ritual, mainly the ritual seasonal killings of eniautos daimon, or the Year-King. They are also sometimes referred to as the myth and ritual school.
Through their work in classical philology, they exerted profound influence not only on the Classics, but on literary critics, such as Stanley Edgar Hyman. Particularly affected by Émile Durkheim was F. M. Cornford, who used the French sociologist's notion of collective representations to analyze social forms of religious, artistic, philosophical, and scientific expression in classical Greece. Other significant influences on the group were Charles Darwin, Freud, James Frazer, and William Robertson Smith.
See also