Marjorie Perloff  

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-'''Marjorie Perloff''' (b. [[September 28]], [[1931]]— ) is a poetry critic and [[professor]] [[emerita]] of English and Comparative Literature at [[Stanford University]] and currently scholar-in-residence at the [[University of Southern California]]. Her work has been especially concerned with explicating the writing of experimental and [[avant-garde]] poets and relating it to the major currents of [[modernist]] and, especially, [[postmodernist]] activity in the arts, including the [[visual arts]] and [[cultural theory]]. +'''Marjorie Perloff''' (1931 — 2024) was a an [[American academic]] and [[poetry critic]] and [[professor]]. Her work has been especially concerned with explicating the writing of experimental and [[avant-garde]] poets and relating it to the major currents of [[modernist]] and, especially, [[postmodernist]] activity in the arts, including the [[visual arts]] and [[cultural theory]].
- +==See also==
-Perloff has done much to promote poetics that are not normally part of the discourse in the [[United States poetry|United States]] such as [[Louis Zukofsky]] and [[Literature of Brazil|Brazilian poetry]]. Her work on contemporary American poetry and in particular poetry associated with the [[avant-garde]] (such as [[Language poetry]] and the [[Objectivist poets]]) has significantly opened up the "Official Verse Culture" to critique and dialogue from outside the classroom and lecture hall: even as poetry in the [[United States|U.S.]] today continues its division between categories like "experimental" , "mainstream", and "spoken word".+*"[[Tolerance and Taboo: Modernist Primitivisms and Postmodernist Pieties]]" is an essay by [[Marjorie Perloff]].
- +
-Perloff's books include ''Differentials: Poetry, Poetics, Pedagogy,'' ''The Vienna Paradox: A Memoir,'' ''Poetry On and Off the Page: Essays for Emergent Occasions,'' ''Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary,'' ''Radical Artifice: Writing Poetry in the Age of Media,'' ''Poetic License: Studies in the Modernist and Postmodernist Lyric,'' "The Futurist Moment: Avant-Garde, Avant-Guerre, and the Language of Rupture,'' and ''The Dance of the Intellect: Studies in the Poetry of the Pound Tradition''+
-==Selected works==+
-* {{cite book <!--|author=Perloff, Marjorie--> |title=Edge of irony : modernism in the shadow of the Habsburg Empire |location=Chicago |publisher=University of Chicago Press |year=2016 <!--|isbn=9780226566177-->}}+
-* ''Poetics in a New Key: Interviews and Essays'' (University of Chicago Press, 2014) {{ISBN|978-0-226-19941-2}} Read [http://press.uchicago.edu/books/excerpt/2015/Perloff_Poetics_New_Key.html an excerpt]. +
-* ''Unoriginal Genius: Poetry by Other Means in the New Century'' (University of Chicago Press, 2010) {{ISBN|978-0-226-66061-5}}. Spanish version: ''El genio no original: Poesía por otros medios en el nuevo siglo'' (greylock, 2019) {{ISBN|978-84-948280-4-1}}+
-* ''Differentials: Poetry, Poetics, Pedagogy'' (University of Alabama Press, 2004) {{ISBN|978-0-8173-1421-7}}+
-* ''The Vienna Paradox: A Memoir'' (New Directions Books, 2004) {{ISBN|978-0-8112-1571-8}}+
-* ''The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, with a New Preface'' (University of Chicago Press, 2003) pbk. {{ISBN|978-0-226-65738-7}}+
-* ''Poetry On and Off the Page: Essays for Emergent Occasions'' (Northwestern University Press, 1998) {{ISBN|978-0-8101-1560-6}}+
-* ''Frank O'Hara: Poet Among Painters'' (University of Chicago Press, 1998) {{ISBN|978-0-226-66059-2}} (originally published by Braziller, 1977)+
-* ''The Dance of the Intellect: Studies in the Poetry of the Pound Tradition'' (Northwestern University Press, 1996) pbk. {{ISBN|978-0-8101-1380-0}}+
-* ''Wittgenstein's Ladder: Poetic Language and the Strangeness of the Ordinary'' (University of Chicago Press, 1996) pbk. {{ISBN|978-0-226-66058-5}}+
-* ''Radical Artifice: Writing Poetry in the Age of Media'' (University of Chicago Press, 1991) {{ISBN|978-0-226-65733-2}}+
-* ''Poetic License: Studies in the Modernist and Postmodernist Lyric'' (Northwestern University Press, c1990) {{ISBN|978-0-8101-0843-1}}+
- +
-===Critical studies and reviews of Perloff's work===+
-;''Radical artifice''+
-* {{cite journal |author=Golding, Alan |date=Spring 1994 |title=Avant-gardes and American poetry |journal=Contemporary Literature |volume=35 |issue=1}}+
 +==Linking in as of 2022==
 +[[Adam Seelig]], [[Alexei Parshchikov]], [[America Award in Literature]], [[American Figurative Expressionism]], [[Arkadii Dragomoshchenko]], [[Bill Viola]], [[Bookforum]], [[Boston Review]], [[Bruce Duffy]], [[Burton Hatlen]], [[Carey Perloff]], [[Charles Bernstein (poet)]], [[Conceptual writing]], [[Craig Dworkin]], [[Darren Wershler]], [[Das Lied von der Erde]], [[Dehak - A Magazine For Good Literature]], [[Denis Dutton]], [[Development of a Bottle in Space]], [[Donald Allen]], [[Douglas Messerli]], [[Dyr bul shchyl]], [[Electronic Book Review]], [[Embers]], [[Felix Bernstein (artist)]], [[Frank O'Hara]], [[From the Other Side of the Century]], [[Gertrude Stein]], [[Henri Peyre French Institute]], [[Homi K. Bhabha]], [[Joe Brainard]], [[John Cage]], [[Kelly Writers House]], [[Kenneth Goldsmith]], [[Language poets]], [[Leigh Robert Davis]], [[Litteraria Pragensia]], [[Luigi Ballerini]], [[Maciej Płaza]], [[Martin Amis]], [[Metarealism]], [[Michael Palmer (poet)]], [[Mitch Corber]], [[Modern Review (North American)]], [[National Poetry Foundation]], [[New American Writing]], [[New York Figurative Expressionism]], [[New York School (art)]], [[Objectivism (poetry)]], [[Parnassus (magazine)]], [[Perloff]], [[Pierre Joris]], [[POETICS list]], [[Poetry Salzburg Review]], [[Ray DiPalma]], [[Review of Contemporary Fiction]], [[Rita Dove]], [[Robert Pogue Harrison]], [[Ron Loewinsohn]], [[Roy Fisher]], [[San Francisco Renaissance]], [[Self-Portrait in a Convex Mirror (poetry collection)]], [[Sulfur (magazine)]], [[Sumana Roy]], [[Susan M. Schultz]], [[Tabula Poetica]], [[The Best of the Best American Poetry 1988–1997]], [[The Brooklyn Rail]], [[The Cantos]], [[The New American Poetry 1945–1960]], [[The South Carolina Review]], [[This Is Just To Say]], [[Tim Dlugos]], [[Tracie Morris]], [[University of Arizona Poetry Center]], [[Warren–Brooks Award]]
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Marjorie Perloff (1931 — 2024) was a an American academic and poetry critic and professor. Her work has been especially concerned with explicating the writing of experimental and avant-garde poets and relating it to the major currents of modernist and, especially, postmodernist activity in the arts, including the visual arts and cultural theory.

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See also

[edit]

Linking in as of 2022

Adam Seelig, Alexei Parshchikov, America Award in Literature, American Figurative Expressionism, Arkadii Dragomoshchenko, Bill Viola, Bookforum, Boston Review, Bruce Duffy, Burton Hatlen, Carey Perloff, Charles Bernstein (poet), Conceptual writing, Craig Dworkin, Darren Wershler, Das Lied von der Erde, Dehak - A Magazine For Good Literature, Denis Dutton, Development of a Bottle in Space, Donald Allen, Douglas Messerli, Dyr bul shchyl, Electronic Book Review, Embers, Felix Bernstein (artist), Frank O'Hara, From the Other Side of the Century, Gertrude Stein, Henri Peyre French Institute, Homi K. Bhabha, Joe Brainard, John Cage, Kelly Writers House, Kenneth Goldsmith, Language poets, Leigh Robert Davis, Litteraria Pragensia, Luigi Ballerini, Maciej Płaza, Martin Amis, Metarealism, Michael Palmer (poet), Mitch Corber, Modern Review (North American), National Poetry Foundation, New American Writing, New York Figurative Expressionism, New York School (art), Objectivism (poetry), Parnassus (magazine), Perloff, Pierre Joris, POETICS list, Poetry Salzburg Review, Ray DiPalma, Review of Contemporary Fiction, Rita Dove, Robert Pogue Harrison, Ron Loewinsohn, Roy Fisher, San Francisco Renaissance, Self-Portrait in a Convex Mirror (poetry collection), Sulfur (magazine), Sumana Roy, Susan M. Schultz, Tabula Poetica, The Best of the Best American Poetry 1988–1997, The Brooklyn Rail, The Cantos, The New American Poetry 1945–1960, The South Carolina Review, This Is Just To Say, Tim Dlugos, Tracie Morris, University of Arizona Poetry Center, Warren–Brooks Award

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