Zoom lens  

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-:http://jahsonic.wordpress.com/2007/10/09/eyecandy-3/+A '''zoom lens''' is a mechanical assembly of [[lens (optics)|lens elements]] for which the [[focal length]] (and thus [[angle of view]]) can be varied, as opposed to a fixed focal length (FFL) lens (see [[prime lens]]). They are commonly used with [[still camera|still]], [[video camera|video]], [[motion picture camera|motion picture]] [[camera]]s, [[projector]]s, some [[binoculars]], [[microscope]]s, [[telescope]]s, [[telescopic sight]]s, and other [[optical instrument]]s.
-''[[Cinematic effects in literature]]'', is a notion first put forward to my knowledge by [[Lotte H. Eisner]] in ''[[The Haunted Screen]]''. +
- +
-[[Lotte H. Eisner]] argues that [[dream novel]]s such as ''[[Lucinde]]'', ''[[Flegeljahre]]'' and ''[[Heinrich Von Ofterdingen]]'' try to depict [[photographic technique]]s such as [[metamorphose]]s and [[superimposition]].+
- +
-She writes:+
- +
-:"Romantic authors such as [[Novalis]] or [[Jean Paul]], while anticipating the Expressionist notions of [[visual]] [[delirium]] and of a continual state of [[effervescence]], also seem almost to have foreseen the cinema's consecutive sequences of images. In the eyes of [[Schlegel]] in ''[[Lucinde]]'', the loved one's features become indistinct: 'very rapidly the outlines changed, returned to their original form, then metamorphosed anew until they disappeared entirely from my exalted eyes.' And the [[Jean Paul]] of the ''[[Flegeljahre]]'' says: 'The invisible world wished, like chaos, to give birth to all things together; the flowers became trees, then changed into columns of cloud; and at the tops of the columns flowers and faces grew. In [[Novalis]]'s novel ''[[Heinrich von Ofterdingen]]'' there are even [[superimposition]]s." +
-She concludes:+A true zoom lens, also called a [[parfocal lens]], is one that maintains focus when its focal length changes. A lens that loses focus during zooming is more properly called a [[varifocal lens]].
-:"It is reasonable to argue that the [[German cinema]] is a development of [[German Romanticism]], and that modern technique [cinematography] merely lends visible form to Romantic fancies."+==See also==
 +By focal length:
 +*[[Telephoto lens]]
 +*[[Prime lens]]
 +*[[Wide-angle lens]]
 +*[[Superzoom]]
 +Focus attributes:
 +*[[Parfocal lens]]
 +*[[Varifocal lens]]
 +By system:
 +*[[Canon_EF_lens_mount#List_of_EF_lenses|List of Canon EF lenses]]
 +*[[Nikon_F_Mount|Nikon F-mount]]
 +*[[Minolta_AF#Lenses_.26_Tele-Converters|Minolta AF]]
-[[Umberto Eco]] in ''[[Six Walks in the Fictional Woods]]'' also discusses cinematic effects in the work of Italian author [[Alessandro Manzoni]]. 
-:"One of the questions that has always intrigued Italian readers is why [[Alessandro Manzoni|Manzoni]] spends so much time, at the start of ''[[The Betrothed]]'', in describing Lake Como. We can forgive Proust for taking thirty pages to describe the process of getting to sleep, but why does Manzoni have to take at least a page to tell us, "Once upon a time there was a lake and here I intend to set my story"? If we tried reading this passage with a map before us, we would see that Manzoni builds his description by combining two film techniques: [[Zoom lens|zoom]] and [[slow motion]]. Don't tell me that a nineteenth-century writer didn't know about film ..." 
-== See also == 
-*[[Oneiric (film theory)]] 
-*[[Slow motion in literature]] 
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A zoom lens is a mechanical assembly of lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed focal length (FFL) lens (see prime lens). They are commonly used with still, video, motion picture cameras, projectors, some binoculars, microscopes, telescopes, telescopic sights, and other optical instruments.

A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. A lens that loses focus during zooming is more properly called a varifocal lens.

See also

By focal length:

Focus attributes:

By system:





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